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Ideology and Image (Paperback or Softback)
USD30,57
Aproximadamente26,26 EUR
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Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin defectos. Consulta el anuncio del vendedor para obtener más información.
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Gratis Standard Shipping.
Ubicado en: Grand Rapids, Michigan, Estados Unidos
Entrega:
Entrega prevista entre el mié. 10 sep. y el mar. 16 sep. a 94104
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N.º de artículo de eBay:388808451441
Última actualización el 20 ago 2025 15:32:29 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- EAN
- 9780253202567
- ISBN
- 0253202566
- Manufacturer
- Indiana University Press
- Brand
- Indiana University Press
- Binding
- TP
- Book Title
- Ideology and Image
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Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253202566
ISBN-13
9780253202567
eBay Product ID (ePID)
93626
Product Key Features
Number of Pages
334 Pages
Publication Name
Ideology and the Image : Social Representation in the Cinema and Other Media
Language
English
Subject
Film / General, Film / History & Criticism
Publication Year
1981
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
18.1 Oz
Item Length
8.9 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
80-007684
Grade From
College Graduate Student
Illustrated
Yes
Synopsis
Working with two interrelated theories--ideology and image-systems, and ideology and principles of textual criticism--Nichols shows how and why we make emotional investments in sign sytsems with an ideological context., To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches--Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories--ideology and image-systems, and ideology and principles of textual criticism--Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.
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