Altman on Altman by David Thompson (English) Paperback Book

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9780571220892
Type
Does not apply
ISBN
9780571220892

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Product Identifiers

Publisher
Farrar, Straus & Giroux
ISBN-10
0571220894
ISBN-13
9780571220892
eBay Product ID (ePID)
46833808

Product Key Features

Book Title
Altman on Altman
Number of Pages
336 Pages
Language
English
Topic
Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Publication Year
2006
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Author
Paul Thomas Anderson
Format
Perfect

Dimensions

Item Height
0.7 in
Item Weight
14.9 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2006-386405
Dewey Edition
22
Dewey Decimal
791.430233092
Synopsis
An exciting collection of original interviews with the infamously outspoken director of "Short Cuts". From "Nashville" to "The Player" to "Gosford Park", Robert Altman's irreverent, iconoclastic style has palpably altered the landscape of American cinema. Cited as an influence by such envelope-pushing directors as Spike Jonze and P. T. Anderson, Altman has created a genre all his own, notable for its improvised, overlapping dialogue and creative cinematography. One of the key moviemakers of the 1970s--commonly considered the heyday of American film--Altman's irrepressible combination of unorthodox vision and style is most clearly evidenced in the fourteen movies he released across that decade. By fine-tuning his talent in a diverse array of genres, including westerns, thrillers, and loopy, absurdist comedies--all subtly altered to fit his signature metier--he cemented his place as one of our most esteemed directors. In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing "Alfred Hitchcock Presents" and "Bonanza", and his big break in feature films as the director of the enormously popular "M*A*S*H", a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond., An exciting collection of original interviews with the infamously outspoken director of Short Cuts . From Nashville to The Player to Gosford Park , Robert Altman's irreverent, iconoclastic style has palpably altered the landscape of American cinema. Cited as an influence by such envelope-pushing directors as Spike Jonze and P. T. Anderson, Altman has created a genre all his own, notable for its improvised, overlapping dialogue and creative cinematography. One of the key moviemakers of the 1970s--commonly considered the heyday of American film--Altman's irrepressible combination of unorthodox vision and style is most clearly evidenced in the fourteen movies he released across that decade. By fine-tuning his talent in a diverse array of genres, including westerns, thrillers, and loopy, absurdist comedies--all subtly altered to fit his signature m tier--he cemented his place as one of our most esteemed directors. In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza , and his big break in feature films as the director of the enormously popular M*A*S*H , a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond., Robert Altman's irreverent, iconoclastic style has palpably altered the landscape of American cinema. In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, his tenure in television, and his big break in feature films., In his own words, one of American cinema's most incorrigible mavericks reflects on a brilliant career, In his own words, one of American cinema's most incorrigible mavericks reflects on a brilliant career In his own words, one of American cinema's foremost mavericks - the man behind M*A*S*H* , Nashville, The Player and Gosford Park - reflects on a brilliant career. Robert Altman found fame in 1970 with M*A*S*H* , the hit comedy about a Korean War medical unit. The 1970s became Altman's decade, a string of masterpieces including McCabe and Mrs Miller, The Long Goodbye and Nashville , his brilliant ode to America's bicentennial. In the 1980s Altman struggled to fund his brilliant work but never sold out or went under, and in 1992 The PlayerShort Cuts and the Oscar-winning Gosford Park have further cemented his reputation.
LC Classification Number
PN1998.3.A48

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