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Cinema of Pain: On Quebec's Nostalgic Screen by Liz Czach (English) Paperback Bo
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Características del artículo
- Estado
- ISBN-13
- 9781771124331
- Book Title
- Cinema of Pain
- ISBN
- 9781771124331
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Product Identifiers
Publisher
Wilfrid Laurier University Press
ISBN-10
1771124334
ISBN-13
9781771124331
eBay Product ID (ePID)
14038535164
Product Key Features
Number of Pages
259 Pages
Language
English
Publication Name
Cinema of Pain : on Quebec's Nostalgic Screen
Subject
Canada / Post-Confederation (1867-), Film / History & Criticism
Publication Year
2020
Type
Textbook
Subject Area
Performing Arts, History
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
23
Dewey Decimal
791.4365809714
Table Of Content
TABLE OF CONTENTS Introduction / Liz Czach and André Loiselle SECTION I--Indigenous Longings 1 Landscape, Trauma, and Identity: Simon Lavoie's Le Torrent / Kester Dyer SECTION II--Yearning for a Pre-Modern Quebec 2 The Quebec Heritage Film / Liz Czach 3 "La Nostalgie de la maison inconnue": The Ethics of Memory in Bernard Émond's Recent Work / Alessandra Pires 4 Fingerless (Anti)Christ: A Reminiscence of the Church in 1966 in Denys Arcand's Les Invasions Barbares and Éric Tessier's Sur le Seuil / André Loiselle SECTION III--Gendered Suffering 5 The Dys-comforts of Home in Quebec Gothic Horror Cinema / Gina Freitag 6 Men in Pain: Home, Nostalgia, and Masculinity in Twenty-First-Century Quebec Film / Amy J. Ransom SECTION IV--Métropole and Région 7 The Rural (Re)Turns of Young Protagonists in Contemporary Quebec Films / Miléna Santoro 8 Return to Abitibi in Bernard Émond's La donation / Katherine Ann Roberts 9 Quebec-Montreal: Time, Space, and Memory in Robert Lepage's Le Confessionnal and Bernard Émond's La Neuvaine / Jim Leach Works Cited About the Contributors Index
Synopsis
Since the defeat of the pro-sovereigntists in the 1995 Quebec referendum, the loss of a cohesive nationalistic vision in the province has led many Québécois to use their ancestral origins to inject meaning into their everyday lives. A Cinema of Pain argues that this phenomenon is observable in a pervasive sense of nostalgia in Quebec culture and is especially present in the province's vibrant but deeply wistful cinema. In Québécois cinema, nostalgia not only denotes a sentimental longing for the bucolic pleasures of bygone French-Canadian traditions, but, as this edited collection suggests, it evokes the etymological sense of the term, which underscores the element of pain ( algos ) associated with the longing for a return home ( nostos ). Whether it is in grandiloquent historical melodramas such as Séraphin: un homme et son péché (Binamé 2002), intimate realist dramas like Tout ce que tu possèdes (Émond 2012), charming art films like C.R.A.Z.Y. (Vallée 2005), or even gory horror movies like Sur le Seuil (Tessier 2003), the contemporary Québécois screen projects an image of shared suffering that unites the nation through a melancholy search for home., Since the defeat of the pro-sovereigntists in the 1995 Quebec referendum, the loss of a cohesive nationalistic vision in the province has led many Qu?b?cois to use their ancestral origins to inject meaning into their everyday lives. A Cinema of Pain argues that this phenomenon is observable in a pervasive sense of nostalgia in Quebec culture and is especially present in the province's vibrant but deeply wistful cinema. In Qu?b?cois cinema, nostalgia not only denotes a sentimental longing for the bucolic pleasures of bygone French-Canadian traditions, but, as this edited collection suggests, it evokes the etymological sense of the term, which underscores the element of pain ( algos ) associated with the longing for a return home ( nostos ). Whether it is in grandiloquent historical melodramas such as S?raphin: un homme et son p?ch? (Binam? 2002), intimate realist dramas like Tout ce que tu poss?des (?mond 2012), charming art films like C.R.A.Z.Y. (Vall?e 2005), or even gory horror movies like Sur le Seuil (Tessier 2003), the contemporary Qu?b?cois screen projects an image of shared suffering that unites the nation through a melancholy search for home., Original essays argue that the loss of a cohesive nationalist vision in Quebec, triggered by the loss of the 1995 referendum on sovereignty, has resulted in a pervasive nostalgia that permeates all aspects of Québécois culture. In Québécois cinema, this nostalgia is evoked as the element of pain associated with the longing for a return home.
LC Classification Number
PN1993.5.Q43 C56 202
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