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FOTO FOLLIES / HOW PHOTOGRAPHY LOST IT'S VIRGINITY - DUANE MICHALS
USD45,00
Aproximadamente38,71 EUR
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Estado:
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
- ¡Cómpralo ya!FOTO FOLLIES / HOW PHOTOGRAPHY LOST IT'S VIRGINITY - DUANE MICHALS
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Envío:
USD4,47 (aprox. 3,84 EUR) USPS Media MailTM.
Ubicado en: Miami, Florida, Estados Unidos
Entrega:
Entrega prevista entre el vie. 25 jul. y el jue. 31 jul.
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
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N.º de artículo de eBay:388512012564
Características del artículo
- Estado
- Book Series
- Art and Ideas Ser.
- California Prop 65 Warning
- 180 Pages
- ISBN
- 9783865212757
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Product Identifiers
Publisher
Steidl Gmbh & Co. Ohg
ISBN-10
3865212751
ISBN-13
9783865212757
eBay Product ID (ePID)
63687344
Product Key Features
Book Title
Foto Follies : How Photography Lost Its Virginity on the Way to the Bank
Number of Pages
96 Pages
Language
English
Publication Year
2007
Topic
Individual Artists / Artists' Books, Individual Photographers / General, General, American / General
Illustrator
Yes
Genre
Art, Photography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
0.7 Oz
Item Length
9.5 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
779.092
Synopsis
Of this satirical look at contemporary photography, Duane Michals has said, "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine ("A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph") or Cindy Sherman ("Who is Sydney Sherman?"), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating. As "The New York Times" described "Gursky's Gherkin," the work "explores as never before the sense of picklehood, or what it means to be a pickle." The "Times" also testified that "this high-humored sendup of arty photography should be required viewing for all art-world heavies, particularly critics, curators and collectors." Michals takes aim at pretensions that are often perceived as deliberately obscuring contemporary art, and in doing so he exemplifies his mastery of both the visual world and the written word, while providing the elemental pleasure of a good laugh., "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine (A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph) or Cindy Sherman (Who is Sydney Sherman?), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating., Of this satirical look at contemporary photography, Duane Michals has said, "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine ( A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph ) or Cindy Sherman ( Who is Sydney Sherman? ), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating. As The New York Times described Gursky's Gherkin, the work "explores as never before the sense of picklehood, or what it means to be a pickle." The Times also testified that "this high-humored sendup of arty photography should be required viewing for all art-world heavies, particularly critics, curators and collectors." Michals takes aim at pretensions that are often perceived as deliberately obscuring contemporary art, and in doing so he exemplifies his mastery of both the visual world and the written word, while providing the elemental pleasure of a good laugh.
LC Classification Number
TR642
Descripción del artículo del vendedor
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