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Product Identifiers

PublisherShepheard-Walwyn Publishers, The Limited

ISBN-100856832960

ISBN-139780856832963

eBay Product ID (ePID)201646434

Product Key Features

Book TitleUnder the Guise of Spring : the Message Hidden in Botticelli's Primavera

Number of Pages207 Pages

LanguageEnglish

TopicIndividual Artists / General, European, Philosophy, History / General, History / Renaissance

Publication Year2020

IllustratorYes

GenreArt, Religion

AuthorEugene Lane-Spollen

FormatHardcover

Dimensions

Item Height1 in

Item Weight28.5 Oz

Item Length9.2 in

Item Width6.2 in

Additional Product Features

Intended AudienceTrade

Reviews"This was a delightful book to read and review. It is beautifully produced, with a large number of excellent colour photographs, together with a separate colour print o f La Primavera included for reference. Throughout the book are close-ups of the parts of the picture under discussion, as well as a number of other works of art which are of interest. Not being a lover of art of this period, I was at first a little dubious as to whether I would find anything in it to excite me. I need not have worried." --Rosemary Arthur, Faith and Freedom, "This was a delightful book to read and review. It is beautifully produced, with a large number of excellent colour photographs, together with a separate colour print o f La Primavera included for reference. Throughout the book are close-ups of the parts of the picture under discussion, as well as a number of other works of art which are of interest. Not being a lover of art of this period, I was at first a little dubious as to whether I would find anything in it to excite me. I need not have worried." --Rosemary Arthur, Faith and Freedom

Dewey Edition23

Dewey Decimal759.5

Edition DescriptionEnlarged edition

SynopsisA chance discovery provided the author with the key to unlocking the centuries old enigma of Botticelli's "Primavera" - the famous Renaissance masterpiece painted for the private viewing of a Medici. Its pagan figures in a paradisical spring meadow illuminated the cryptic world of the Renaissance pagan revival. Botticelli's allegory emerged to address its personal message directly to a young Medici, one of the known world's richest young men. Botticelli's cleverly disguised message for Lorenzo Minore, is to be found on the right side of "La Primavera," where Chloris draws Zephyr's attention to it. This book is extremely well researched and beautifully produced with eighty color plates, a full pullout reproduction of "La Primavera" and numerous details from this and other Renaissance paintings. Lane-Spollen clearly explains the fusion of Christian and pagan imagery which is reflected in "La Primavera," placing it in the wider context of the history, religion and politics of the period. The author employs a readable style which will make this book suitable for those familiar with this period looking for more detail about a beloved painting, and those who are new to the Renaissance and Art History. Lane-Spollen gives a clear overview of why and how Botticelli conveyed his message in code: An esteemed circle of scholars around the Medici, disillusioned with a worldly and corrupted medieval Church, searched for a purer, unadulterated Christianity in the pre-Christian foundations of their faith. This was a dangerous occupation in a society where the reach of the Church was present in all matters public and private. In 1460 a manuscript was brought to Cosimo de'Medici. Its author, Hermes, was revered by Augustine and the early Church Fathers. Its revelations on the true nature of Man held the evidence they were seeking and stood in stark contrast to the teachings of the medieval church and had no place for man as a lowly humble sinner who must throw himself on the mercy of the Church. Neoplatonism and the Hermetic corpus which so inspired the Medici circle, saw Man as unique among all species and possessing a 'spark of the divine'. Though heretical and blasphemous in the extreme, this philosophy had a profound effect and spread rapidly. As Burckhardt noted, "it became the breath of life for all the most instructed minds of Europe." Convinced by its impeccable provenence, the Medici circle of philosophers and poets strived to merge the three great but competing religions, Judaism, Islam and Christianity, into a single religion in harmony with their orginal pre-Christian foundations. Expressing this newly discovered 'God-like' being in art stimulated the creative imagination of the early Renaissance as artists like Botticelli, Leonardo, Michaelangelo and Raphaello strove to express 'divine' Man's dignity, his innate capability and the profound depths of his potential for greatness., A chance discovery provided the author with the key to unlocking the centuries old enigma of Botticelli's Primavera - the famous Renaissance masterpiece painted for the private viewing of a Medici. Its pagan figures in a paradisical spring meadow illuminated the cryptic world of the Renaissance pagan revival. Botticelli's allegory emerged to address its personal message directly to a young Medici, one of the known world's richest young men. Botticelli's cleverly disguised message for Lorenzo Minore, is to be found on the right side of La Primavera , where Chloris draws Zephyr's attention to it. This book is extremely well researched and beautifully produced with eighty color plates, a full pullout reproduction of La Primavera and numerous details from this and other Renaissance paintings. Lane-Spollen clearly explains the fusion of Christian and pagan imagery which is reflected in La Primavera , placing it in the wider context of the history, religion and politics of the period. The author employs a readable style which will make this book suitable for those familiar with this period looking for more detail about a beloved painting, and those who are new to the Renaissance and Art History. Lane-Spollen gives a clear overview of why and how Botticelli conveyed his message in code: An esteemed circle of scholars around the Medici, disillusioned with a worldly and corrupted medieval Church, searched for a purer, unadulterated Christianity in the pre-Christian foundations of their faith. This was a dangerous occupation in a society where the reach of the Church was present in all matters public and private. In 1460 a manuscript was brought to Cosimo de'Medici. Its author, Hermes, was revered by Augustine and the early Church Fathers. Its revelations on the true nature of Man held the evidence they were seeking and stood in stark contrast to the teachings of the medieval church and had no place for man as a lowly humble sinner who must throw himself on the mercy of the Church. Neoplatonism and the Hermetic corpus which so inspired the Medici circle, saw Man as unique among all species and possessing a 'spark of the divine'. Though heretical and blasphemous in the extreme, this philosophy had a profound effect and spread rapidly. As Burckhardt noted, "it became the breath of life for all the most instructed minds of Europe". Convinced by its impeccable provenence, the Medici circle of philosophers and poets strived to merge the three great but competing religions, Judaism, Islam and Christianity, into a single religion in harmony with their orginal pre-Christian foundations. Expressing this newly discovered 'God-like' being in art stimulated the creative imagination of the early Renaissance as artists like Botticelli, Leonardo, Michaelangelo and Raphaello strove to express 'divine' Man's dignity, his innate capability and the profound depths of his potential for greatness.