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Horace Poolaw, Photographer of American Indian Modernity, Paperback by Smith,...
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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N.º de artículo de eBay:388280495369
Última actualización el 21 ago 2025 06:28:01 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Book Title
- Horace Poolaw, Photographer of American Indian Modernity
- ISBN
- 9781496228239
Acerca de este producto
Product Identifiers
Publisher
University of Nebraska Press
ISBN-10
1496228235
ISBN-13
9781496228239
eBay Product ID (ePID)
27050392859
Product Key Features
Number of Pages
228 Pages
Publication Name
Horace Poolaw, Photographer of American Indian Modernity
Language
English
Publication Year
2021
Subject
Individual Photographers / General, Subjects & Themes / Historical, Ethnic Studies / Native American Studies, United States / General
Type
Textbook
Subject Area
Social Science, Photography, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
12.3 Oz
Item Length
9 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-034795
Dewey Edition
23
Reviews
"Horace Poolaw was a . . . talented photographer whose work has gone largely unnoticed by mainstream art and photographic historians. Laura Smith does an excellent job of placing Poolaw's work within a historical and cultural context and makes a convincing argument that these photographs reflect a conscious effort by Poolaw to understand and communicate a shifting Native American identity."--Todd Stewart, associate professor of art, technology, and culture at the University of Oklahoma, "Poolaw's photographs, and Smith's narration of where they fit in the Kiowa story, impart a welcome perspective on Kiowa history and culture. Smith powerfully illustrates how, when viewed through the eyes of Poolaw, Kiowa people--like other Americans--are actively negotiating present and future identities in a rapidly globalizing world."--Luke Eric Lassiter, author of The Power of Kiowa Song, "Smith has crafted a solid social history that helps us think beyond Edward S. Curtis's nostalgic salvaging process. . . . This book usefully follows [Smith's] methodology, continually engaging and explaining Poolaw's doubled life, providing a sense of contemporary social pressure as well as long-standing tribal values."--Katherine Hauser, Great Plains Quarterly, "Horace Poolaw's photography provides an important historical look at Kiowa life in the early twentieth century because he captured daily life as it happened. Horace Poolaw: Photographer of American Indian Modernity benefits from the ample inclusion of Poolaw photographs throughout."--Jared Eberle, Chronicles of Oklahoma, " Horace Poolaw: Photographer of American Indian Identity is a fascinating profile of the life and times of a photographer whose work has been largely overlooked by mainstream art and photographic historians."--Marilyn Gates, New York Journal of Books
Illustrated
Yes
Dewey Decimal
978.004/974920092 B
Table Of Content
List of Illustrations Foreword by Linda Poolaw Acknowledgments Introduction 1. Homeland 2. Family 3. History and Pageantry 4. Warbonnets 5. Postcards 6. Art Epilogue Notes Bibliography Index
Synopsis
Laura E. Smith unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing years of powwows and pageants at fairs, expositions, and other events. Smith examines the cultural and artistic significance of Poolaw's life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and Native religious and political activism. Rather than through the lens of Native peoples' inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw's photography within art history and Native American history, questioning the category of "fine artist" in relation to the creative lives of Native peoples. A tour de force of art and cultural history, Horace Poolaw, Photographer of American Indian Modernity illuminates the life of one of Native America's most gifted, organic artists and documentarians and challenges readers to reevaluate the seamlessness between the creative arts and everyday life through its depiction of one man's lifelong dedication to art and community., A tour de force of art and cultural history based on the life and work of celebrated Kiowa photographer Horace Poolaw.
LC Classification Number
E99.K5S58 2016
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