MARILYN MANSON - HOLY WOOD (IN THE SHADOW OF THE VALLEY OF DEATH) [PA] NEW CD

MovieMars
(3018110)
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USD9,70
Aproximadamente8,35 EUR
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Nuevo
8 disponibles1 vendido
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Ubicado en: North Carolina, Estados Unidos
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Entrega prevista entre el sáb. 18 oct. y el sáb. 25 oct. a 94104
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N.º de artículo de eBay:387932448330
Última actualización el 12 oct 2025 20:25:38 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
UPC
0606949079024
Categoría

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Product Identifiers

Producer
D. Sardy^Dave Sardy^Marilyn Manson
Record Label
Nothing, Nthg
UPC
0606949079024
eBay Product ID (ePID)
17046070674

Product Key Features

Release Year
2000
Format
CD
Genre
Industrial/Gothic
Artist
Marilyn Manson
Release Title
Holy Wood in the Shadow of the Valley of Death

Dimensions

Item Height
0.38 in
Item Weight
0.23 lb
Item Length
5.61 in
Item Width
5.03 in

Additional Product Features

Number of Discs
1
Number of Tracks
19
Country/Region of Manufacture
United States
Tracks
Godeatgod, The Love Song, The Fight Song, Disposable Teens, Target Audience (Narcissus Narcosis), President Dead, In the Shadow of the Valley of Death, Cruci-Fiction in Space, A Place in the Dirt, The Nobodies, The Death Song, Lamb of God, Born Again, Burning Flag, Coma Black: A. Eden Eye B. The Apple of Discord, Valentine's Day, The Fall of Adam, King Kill 33, Count to Six and Die (The Vaccuum of Infinite Space Encompassing)
Notes
In 2000, Marilyn Manson not only was recovering from his fans' rejection of Mechanical Animals, he was scarred from Columbine and, worst of all, he was no longer America's demon dog. What was Brian Warner to do, standing on such uneasy ground? As a smart man and savvy marketer, he knew that it was time to consolidate his strengths, blend Omega with Antichrist Superstar, and return with a harsh, controversial, operatic epic: A vulgar concept album to seduce his core audiences of alienated teens and cultural cops. The resulting album, Holy Wood (In the Shadow of the Valley of Death), is intended as the third part of the trilogy beginning with Antichrist Superstar, and it's convoluted story line is fairly autobiographical, but the amazing thing isn't the story - it's that he figured out to meld the hooks and subtle sonic shading of Mechanical Animals with the ugly, neo-industrial metallicisms of Antichrist. Consequently, it's easy to see this as the definitive Marilyn Manson album, since it's tuneful and abrasive. Then again, much of it's charm lies in Manson trying so hard, perfecting details in the concept, lyrics, themes, production, sequencing, the tarot card parodies in the liner notes, the self-theft, the self-consciously blasphemous cover art. There's so much effort, Holy Wood winds up a stronger and more consistent album than any of his other work. If there's any problem, it's that Manson's shock rock seems a little quaint in 2000. Eminem's vibrant, surrealistic white-trash fantasias were the sound of 2000, while Marilyn Manson's rock operas, religious baiting, and goth gear are from an era passed. It's to Warner's credit as, yes, an artist that Holy Wood works anyway.

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