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Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603-1613 pap

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N.º de artículo de eBay:386998587349
Última actualización el 09 jul 2025 10:26:19 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Book Title
Shakespeare, the King's Playwright: Theater in the Stuart Court,
ISBN
9780300072587

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Product Identifiers

Publisher
Yale University Press
ISBN-10
0300072589
ISBN-13
9780300072587
eBay Product ID (ePID)
647952

Product Key Features

Number of Pages
258 Pages
Publication Name
Shakespeare, the King's Playwright : Theater in the Stuart Court, 1603-1613
Language
English
Subject
Publishing, Theater / History & Criticism, Shakespeare
Publication Year
1997
Type
Textbook
Subject Area
Literary Criticism, Drama, Performing Arts, Language Arts & Disciplines
Author
Alvin Kernan
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
15.7 Oz
Item Length
0.9 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
822.3/3
Synopsis
Soon after James Stuart became king of England in 1603, William Shakespeare, while still working in the public theater, became the royal playwright, and his acting troupe became the premier playing company of the realm. How did this courtly setting influence Shakespeare's work? What was it like to view, perform in, and write plays conceived for the Stuart king? In this fascinating and lively book, one of our most eminent literary critics explores these questions by taking us back to the court performances of some of Shakespeare's most famous plays, examining them in their settings at the royal palaces of Whitehall and Hampton Court. Alvin Kernan looks at Shakespeare as a patronage playwright whose work after 1603 focused on the main concerns of his royal patron: divine-right kingship in Lear , the corruption of the court in Antony , the difficulties of the old military aristocracy in Coriolanus , and other vital matters. Kernan argues that Shakespeare was neither the royal propagandist nor the political subversive that the New Historicists have made him out to be. He was, instead, a great dramatist whose plays commented on political and social concerns of his patrons and who sought the most satisfactory way of adjusting his own art to court needs.

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