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Irony on Occasion: From Schlegel and Kierkegaard to Derrida and de Man by Kevin

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9780823240128
Type
Does not apply
ISBN
9780823240128

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Product Identifiers

Publisher
Fordham University Press
ISBN-10
0823240126
ISBN-13
9780823240128
eBay Product ID (ePID)
108169164

Product Key Features

Book Title
Irony on Occasion : from Schlegel and Kierkegaard to Derrida and De Man
Number of Pages
380 Pages
Language
English
Topic
Movements / Deconstruction, European / General, General, Semiotics & Theory, Modern / General, Subjects & Themes / General
Publication Year
2012
Genre
Literary Criticism, Philosophy
Author
Kevin Newmark
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
21.6 Oz
Item Length
8 in
Item Width
6.5 in

Additional Product Features

LCCN
2011-037021
Reviews
"Timely, provocative, carefully reasoned and argued, and unique in its scope."-Elizabeth Rottenberg, DePaul University, Timely, provocative, carefully reasoned and argued, and unique in its scope. -----Elizabeth Rottenberg, DePaul University, ""Timely, provocative, carefully reasoned and argued, and unique in its scope."" --Elizabeth Rottenberg, DePaul University, Irony on Occasion is perhaps the best book on irony written since Kierkegaard's The Concept of Irony in the early nineteenth century., Irony on Occasion is perhaps the best book on irony written since Kierkegaard's The Concept of Irony in the early nineteenth century. -----J. Hillis Miller, University of California, Irvine
Dewey Edition
23
Dewey Decimal
809/.918
Synopsis
What is it about irony--as an object of serious philosophical reflection and a literary technique of considerable elasticity--that makes it an occasion for endless critical debate? This book responds to this question by focusing on several key moments in German Romanticism and its afterlife in twentieth-century French thought and writing. It includes chapters on Friedrich Schlegel, S ren Kierkegaard, Friedrich Nietzsche, Thomas Mann, Jean Paulhan, Maurice Blanchot, Jacques Derrida, and Paul de Man. A coda traces the way unresolved tensions inherited from Romanticism resurface in a novelist like J. M. Coetzee. But this book is neither a historical nor a thematic study of irony. To the degree that irony initiates a deflection of meaning, it also entails a divergence from historical and thematic models of understanding. The book therefore aims to respect irony's digressive force by allowing it to emerge from questions that sometimes have little or nothing to do with the ostensible topic of irony. For if irony is the possibility that whatever is being said does not coincide fully with whatever is being meant, then there is no guarantee that the most legitimate approach to the problem would proceed directly to those places where "irony" is named, described, or presumed to reside. Rather than providing a history of irony, then, this book examines particular occasions of ironic disruption. It thus offers an alternative model for conceiving of historical occurrences and their potential for acquiring meaning., What is it about irony--as an object of serious philosophical reflection and a literary technique of considerable elasticity--that makes it an occasion for endless critical debate? This book responds to this question by focusing on several key moments in German Romanticism and its afterlife in twentieth-century French thought and writing. It includes chapters on Friedrich Schlegel, Søren Kierkegaard, Friedrich Nietzsche, Thomas Mann, Jean Paulhan, Jacques Derrida, and Paul de Man., What is it about irony--as an object of serious philosophical reflection and a literary technique of considerable elasticity--that makes it an occasion for endless critical debate? This book responds to this question by focusing on several key moments in German Romanticism and its afterlife in twentieth-century French thought and writing. It includes chapters on Friedrich Schlegel, Søren Kierkegaard, Friedrich Nietzsche, Thomas Mann, Jean Paulhan, Maurice Blanchot, Jacques Derrida, and Paul de Man. A coda traces the way unresolved tensions inherited from Romanticism resurface in a novelist like J. M. Coetzee. But this book is neither a historical nor a thematic study of irony. To the degree that irony initiates a deflection of meaning, it also entails a divergence from historical and thematic models of understanding. The book therefore aims to respect irony's digressive force by allowing it to emerge from questions that sometimes have little or nothing to do with the ostensible topic of irony. For if irony is the possibility that whatever is being said does not coincide fully with whatever is being meant, then there is no guarantee that the most legitimate approach to the problem would proceed directly to those places where "irony" is named, described, or presumed to reside. Rather than providing a history of irony, then, this book examines particular occasions of ironic disruption. It thus offers an alternative model for conceiving of historical occurrences and their potential for acquiring meaning.
LC Classification Number
PN56.I65N49 2012

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