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Decentering Musical Modernity: Perspectives on East Asian and European Music H..
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“Transcript, 2020. Trade paperback in Fine condition; 374 pages.”
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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USD4,75 (aprox. 4,05 EUR) USPS Media MailTM.
Ubicado en: Nashville, Tennessee, Estados Unidos
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Entrega prevista entre el sáb. 4 oct. y el mar. 7 oct. a 94104
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N.º de artículo de eBay:386292465696
Última actualización el 01 oct 2025 22:45:49 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “Transcript, 2020. Trade paperback in Fine condition; 374 pages.”
- ISBN
- 9783837646498
Acerca de este producto
Product Identifiers
Publisher
Transcript Verlag
ISBN-10
3837646491
ISBN-13
9783837646498
eBay Product ID (ePID)
13038543287
Product Key Features
Number of Pages
374 Pages
Publication Name
Decentering Musical Modernity : Perspectives on East Asian and European Music History
Language
English
Subject
Civilization, History & Criticism, Popular Culture, Ethnic, Colonialism & Post-Colonialism
Publication Year
2020
Type
Textbook
Subject Area
Music, Political Science, Social Science, History
Series
Music and Sound Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
19 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-435465
Reviews
»[Der Sammelband gibt] nicht nur einen lebendigen Einblick in den aktuellen Zustand des internationalen musikhistorischen Diskurses. Vielmehr öffnet er den Blick für &rsa"alternatives&lsa" der Musikgeschichte.«
Illustrated
Yes
Table Of Content
Frontmatter 1 Content 5 Preface 7 Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History 9 Modernity as Postcolonial Encounter in Korean Music 41 Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Ksaku 63 Music at the Service of Nordic Modernity? Wilhelm Stenhammar's Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897 87 Different Interpretations of Musical Modernity? Xiao Youmei's Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra 123 Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan 145 Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music 173 Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s 207 Synchronizing Twentieth-Century Music: A Transnational Reflection 247 Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan 279 Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism 313 General Index 345 Authors 371
Synopsis
This collection investigates the concept of modernity in music and its multiple interpretations in Europe and East Asia. Through contributions by both European and East Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while being attentive to the specificities of local music and their narratives in East Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology., This collection investigates the concept of modernity in music and its multiple interpretations in Europe and Asia. Through contributions by both European and Asian musicologists it discusses decentering understanding of musical modernity, while attentive to the specificities of local music., This collection investigates the concept of modernity in music and its multiple interpretations in Europe and Asia. Through contributions by both European and Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while attentive to the specificities of local music and their narratives in Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.
LC Classification Number
ML330.5.D43 2019
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Turgid Tomes
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