Listen Again: A Momentary History of Pop Music (Experience Music Project), , Ver

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ISBN
9780822340416
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Product Identifiers

Publisher
Duke University Press
ISBN-10
0822340410
ISBN-13
9780822340416
eBay Product ID (ePID)
60632004

Product Key Features

Number of Pages
336 Pages
Language
English
Publication Name
Listen Again : a Momentary History of Pop Music
Subject
History & Criticism, Genres & Styles / Pop Vocal
Publication Year
2007
Type
Textbook
Author
Eric Weisbard
Subject Area
Music
Format
Perfect

Dimensions

Item Height
0.8 in
Item Weight
16.8 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2007-018000
Dewey Edition
22
Reviews
“The EMP papers are a text radio, spilling out evidence of so many strange brilliant forays into the starry night of our common culture. Here’s where my American history-and yours-goes to find itself.�-Jonathan Lethem, author of You Don’t Love Me Yet, "The EMP papers are a text radio, spilling out evidence of so many strange brilliant forays into the starry night of our common culture. Here's where my American history-and yours-goes to find itself."-Jonathan Lethem, author of You Don't Love Me Yet, "The EMP papers are a text radio, spilling out evidence of so many strange brilliant forays into the starry night of our common culture. Here's where my American history--and yours--goes to find itself."--Jonathan Lethem, author of You Don't Love Me Yet, "For those who regard music as a key to unlocking larger cultural truths . . . the title is sound advice." --Edward Morris, "ForeWord"
Illustrated
Yes
Dewey Decimal
781.64
Table Of Content
Introduction / Eric Wesibard 1 1. Whittling on Dynamite: The Difference Bert Williams Makes / W.T. Lhamon, Jr. 7 2. Searching for the Blues: James McKune, Collectors, and a Different Crossroads / Marybeth Hamilton 26 3. Abie the Fishman: On Masks, Birthmarks, and Hunchbacks / Josh Kun 50 4. The Kingsmen and the Cha-Cha-Cha / Ned Sublette 69 5. Ghoulardi: Lessons in Mayhem from the First Age of Punk / David Thomas 95 6. Magic Moments, the Ghost of Folk-Rock, and the Ring of E Major / David Brackett 103 7. Mystery Girl: The Forgotten Artistry of Bobbie Gentry / Holly George-Warren 120 8. "Is That All There Is?" and the Uses of Disenchantment / Franklin Bruno 137 9. Ghetto Brother Power: The Bronx Gangs, the Beatles, the Aguinaldo, and Pre-history of Hip-Hop / Benjamin Melendez, as told to Henry Chalfant and Jeff Chang 150 10. Grand Funk Live! Staging Rock in the Age of the Arena / Steve Waksman 157 11. The Sound of Velvet Melting: The Power of "Vibe" in the Music of Roberta Flack / Jason King 172 12. All Roads Lead to "Apache" / Michaelangelo Matos 200 13. On Punk Rock and Not Being a Girl / Lavinia Greenlaw 210 14. The Buddy Holocaust Story: A Necromusicology / Eric Weisbard 219 15. ORCH5, or the Classical Ghost in the Hip-Hop Machine / Robert Fink 231 16. White Chocolate Soul: Teena Marie and Lewis Taylor / Marc Anthony Neal 256 17. Dancing, Democracy, and Kitsch: Poland's Disco Polo / Daphne Carr 272 18. How to Act Like Darby Crash / Drew Daniel 286 19. Death Letters / Greil Marcus 296 Acknowledgments 307 Contributors 309 Index 313
Synopsis
Arguing that pop music turns on moments rather than movements, the essays in "Listen Again" pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. "Listen Again" collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship. Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an "ER "cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founderof rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music." "Contributors," David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard, Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship. Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music." Contributors . David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard, Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship. Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williamss use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast members performance as the Germs front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple Louie, Louie. David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: the Great Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample Apache to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rockcriticism, has called the EMP Pop Conference the best thing thats ever happened to serious consideration of pop music. Contributors
LC Classification Number
ML3470.L59 2007

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