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The Cambridge Companion to Recorded Music Paperback

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Book Title
The Cambridge Companion to Recorded Music Paperback
ISBN
9780521684613

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Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521684617
ISBN-13
9780521684613
eBay Product ID (ePID)
72944936

Product Key Features

Number of Pages
380 Pages
Publication Name
Cambridge Companion to Recorded Music
Language
English
Publication Year
2009
Subject
History & Criticism, General
Type
Textbook
Subject Area
Music
Author
Nicholas Cook
Series
Cambridge Companions to Music Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
26.5 Oz
Item Length
9.7 in
Item Width
6.8 in

Additional Product Features

Intended Audience
College Audience
TitleLeading
The
Dewey Edition
22
Reviews
'... the contributors (some 35 of them, counting the editors) form a lively company of writers and have the agreeable art of expressing opinions without seeming opinionated.' Gramophone, 'This collection of essays offers many useful insights for both musicologists studying Western art music and scholars working within popular music studies. The book covers a wide range of topics within the remit of an exploration of recorded music, an area of study that has seen some noteworthy publications in the last decade.' The Journal of Popular Music, 'Effortlessly embracing the worlds of popular and classical music, what results is something really rather dazzling in its scope and scale.' Classical Music, '… the contributors (some 35 of them, counting the editors) form a lively company of writers and have the agreeable art of expressing opinions without seeming opinionated.' Gramophone
Illustrated
Yes
Dewey Decimal
780.266
Table Of Content
Introduction Eric Clarke, Nicholas Cook, Daniel Leech-Wilkinson and John Rink; Personal takes: learning to live with recording Susan Tomes; A short take in praise of long takes Peter Hill; 1. Performing for (and against) the microphone Donald Greig; Personal takes: producing a credible voice Mike Howlett; 'It could have happened': the evolution of music construction Steve Savage; 2. Recording practices and the role of the producer Andrew Blake; Personal takes: still small voices Jonathan Freeman-Attwood; Broadening horizons: 'performance' in the studio Michael Haas; 3. Getting sounds: the art of sound engineering Albin Zak; Personal takes: limitations and creativity in recording and performance Martyn Ware; Records and recordings in post-punk England, 1978-80 Richard Witts; 4. The politics of the recording studio Louise Meintjes; Personal take: from Lanza to Lassus Tully Potter; 5. From wind-up to iPod: techno-cultures of listening Arild Bergh and Tia DeNora; Personal take: a matter of circumstance: on experiencing recordings Martin Elste; 6. Selling sounds: recordings and the music business David Patmore; Personal take: revisiting concert life in mid-century: the survival of acetate discs Lewis Foreman; 7. The development of recording technologies George Brock-Nannestad; Personal takes: raiders of the lost archive Roger Beardsley; The original cast recording of West Side Story Nigel Simeone; 8. The recorded document: interpretation and discography Simon Trezise; Personal takes: one man's approach to remastering Ted Kendall; Technology, the studio, music Nick Mason; Reminder: a recording is not a performance Roger Heaton; 9. Methods for analysing recordings Nicholas Cook; 10. Recordings and histories of performance style Daniel Leech-Wilkinson; Personal take: recreating history: a clarinettist's perspective Colin Lawson; 11. Going critical. Writing about recordings Simon Frith; Personal take: something in the air Chris Watson; 12. Afterword: from reproduction to representation to remediation Georgina Born; Global bibliography; Global discography.
Synopsis
The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording's impact on performing styles. Covering both classical and popular traditions, it also includes short contributions by a wide variety of practitioners., From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture.
LC Classification Number
ML1055

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