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Mirror, Black Mirror (1st Ed) by Garcia, Camille Rose

by Garcia, Camille Rose | HC | Good
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First edition, first printing. Shelf and handling wear to cover and binding, with general signs of ... Más informaciónacerca del estado
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N.º de artículo de eBay:375984283814
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Estado
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“First edition, first printing. Shelf and handling wear to cover and binding, with general signs of ...
Binding
Hardcover
Edition
First Edition
Weight
3 lbs
Product Group
Book
IsTextBook
No
ISBN
9780867198133

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Product Identifiers

Publisher
Last Gasp of SAN Francisco
ISBN-10
0867198133
ISBN-13
9780867198133
eBay Product ID (ePID)
201684532

Product Key Features

Book Title
Mirror, Black Mirror
Number of Pages
176 Pages
Language
English
Topic
Subjects & Themes / Science Fiction & Fantasy, Art & Politics, Individual Artists / Monographs
Publication Year
2015
Illustrator
Yes
Genre
Art
Author
Camille Rose Garcia
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
51.3 Oz
Item Length
11 in
Item Width
11 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
709.2
Synopsis
New work chronicling the prolific and life changing time period of 2007-2011, when Garcia fled LA and moved to a cabin in the Northern California woods. The natural world inspires this work: her themes are disenchantment with modernity and the problems of becoming too removed from the natural world. Garcia's layered, broken narrative paintings of wasteland fairy tales are influenced by William Burroughs' cut-up writings and surrealist film, as well as vintage Disney and Fleischer cartoons, acting as critical commentary on the failures of capitalist utopias., New work chronicling the prolific and life-changing time period of 2007-2011, when Garcia fled LA and moved to a cabin in the Northern California woods. The natural world inspires this work: her themes are disenchantment with modernity and the problems of becoming too removed from the natural world. Her layered, broken narrative paintings of wasteland fairy tales are influenced by William Burroughs (TM) cut-up writings and surrealist film, as well as vintage Disney and Fleischer cartoons, acting as critical commentaries on the failure. This work is from shows in New York, Berlin, and Los Angeles, Escape to Darlingtonia (2007) The Grand Illusion (Berlin, 2008) Ambien Somnambulants, (New York, 2008), The Hydra of Babylon, (LA, 2009), and Snow White and the Black Lagoon (LA, 2011)., New work chronicling the prolific and life-changing time period of 2007-2011, when Garcia fled LA and moved to a cabin in the Northern California woods. The natural world inspires this work: her themes are disenchantment with modernity and the problems of becoming too removed from the natural world. Her layered, broken narrative paintings of wasteland fairy tales are influenced by William Burroughs' cut-up writings and surrealist film, as well as vintage Disney and Fleischer cartoons, acting as critical commentaries on the failure. This work is from shows in New York, Berlin, and Los Angeles, Escape to Darlingtonia (2007) The Grand Illusion (Berlin, 2008) Ambien Somnambulants, (New York, 2008), The Hydra of Babylon, (LA, 2009), and Snow White and the Black Lagoon (LA, 2011)., New work chronicling the prolific and life-changing time period of 2007-2011, when Garcia fled LA and moved to a cabin in the Northern California woods. The natural world inspires this work: her themes are disenchantment with modernity and the problems of becoming too removed from the natural world. Her layered, broken narrative paintings of wasteland fairy tales are influenced by William Burroughs' cut-up writings and surrealist film, as well as vintage Disney and Fleischer cartoons, acting as critical commentaries on the failure. This work is from shows in New York, Berlin, and Los Angeles, Escape to Darlingtonia (2007) The Grand Illusion (Berlin, 2008) Ambien Somnambulants,(New York, 2008), The Hydra of Babylon, (LA, 2009), and Snow White and the Black Lagoon (LA, 2011).
LC Classification Number
N6537

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