Eleven Great Cantatas by Johann Sebastian Bach (1976, Trade Paperback)

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Eleven Great Cantatas (Dover Choral Music Scores). by Bach, Johann Sebastian.

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Product Identifiers

PublisherDover Publications, Incorporated
ISBN-100486232689
ISBN-139780486232683
eBay Product ID (ePID)656392

Product Key Features

Book TitleEleven Great Cantatas
Number of Pages350 Pages
LanguageEnglish
TopicGenres & Styles / Classical, Printed Music / Choral
Publication Year1976
GenreMusic
AuthorJohann Sebastian Bach
Book SeriesDover Music Scores Ser.
FormatTrade Paperback

Dimensions

Item Weight36.1 Oz
Item Length12 in
Item Width9 in

Additional Product Features

Intended AudienceTrade
SynopsisFounded in 1850 to collect, edit, and publish all the known works of J. S. Bach, the renowned Bach-Gesellschaft devoted fifty years to its monumental task and produced the most accurate editions of Bach's music. At a much lower cost than the fantastically expensive original publication, this volume reproduces in full vocal and instrumental score eleven cantatas from the reliable Bach-Gesellschaft volumes. Chosen on the basis of frequency of performance, teaching value, and sheer greatness of music, these eleven cantatas are: Christ lag in Todesbanden, No. 4; Weinen, Klagen, Sorgen, Zagen, No. 12; Ich hatte viel Bekümmerniss, No. 21; Jauchzet Gott in allen Landen, No. 51; Ich will den Kreuzstab gerne tragen, No. 56; Nun komm, der Heiden Heiland, No. 61; Jesu, der du meine Seele, No, 78; Ein' feste Burg ist unser Gott, No. 80; Ich habe genug, No. 82; Gottes Zeit ist die allerbeste Zeit, No. 106; and Wachet auf, ruft uns die Stimme, No. 140. A new supplement presents the eleven German texts in libretto form (Verse, without repeats) and a facing literal line-by-line translation by Stanley Appelbaum. The musical notation is large and clear, making it easy to follow in any study situation., Founded in 1850 to collect, edit, and publish all the known works of J. S. Bach, the renowned Bach-Gesellschaft devoted fifty years to its monumental task and produced the most accurate editions of Bach's music. At a much lower cost than the fantastically expensive original publication, this volume reproduces in full vocal and instrumental score eleven cantatas from the reliable Bach-Gesellschaft volumes. Chosen on the basis of frequency of performance, teaching value, and sheer greatness of music, these eleven cantatas are: "Christ lag in Todesbanden," No. 4; "Weinen, Klagen, Sorgen, Zagen," No. 12; "Ich hatte viel Bek mmerniss," No. 21; "Jauchzet Gott in allen Landen," No. 51; "Ich will den Kreuzstab gerne tragen," No. 56; "Nun komm, der Heiden Heiland," No. 61; "Jesu, der du meine Seele," No, 78; "Ein' feste Burg ist unser Gott," No. 80; "Ich habe genug," No. 82; "Gottes Zeit ist die allerbeste Zeit," No. 106; and "Wachet auf, ruft uns die Stimme," No. 140. A new supplement presents the eleven German texts in libretto form (Verse, without repeats) and a facing literal line-by-line translation by Stanley Appelbaum. The musical notation is large and clear, making it easy to follow in any study situation., Features No. 4, "Christ lag in Todesbanden," No. 21, "Ich hatte viel Bekmmerniss," No. 78, "Jesu, der du meine Seele," No. 80, "Ein feste Burg ist unser Gott," and 7 more. Bach-Gesellschaft edition., Founded in 1850 to collect, edit, and publish all the known works of J. S. Bach, the renowned Bach-Gesellschaft devoted fifty years to its monumental task and produced the most accurate editions of Bach's music. At a much lower cost than the fantastically expensive original publication, this volume reproduces in full vocal and instrumental score eleven cantatas from the reliable Bach-Gesellschaft volumes. Chosen on the basis of frequency of performance, teaching value, and sheer greatness of music, these eleven cantatas are: "Christ lag in Todesbanden," No. 4; "Weinen, Klagen, Sorgen, Zagen," No. 12; "Ich hatte viel Bekmmerniss," No. 21; "Jauchzet Gott in allen Landen," No. 51; "Ich will den Kreuzstab gerne tragen," No. 56; "Nun komm, der Heiden Heiland," No. 61; "Jesu, der du meine Seele," No, 78; "Ein' feste Burg ist unser Gott," No. 80; "Ich habe genug," No. 82; "Gottes Zeit ist die allerbeste Zeit," No. 106; and "Wachet auf, ruft uns die Stimme," No. 140. A new supplement presents the eleven German texts in libretto form (Verse, without repeats) and a facing literal line-by-line translation by Stanley Appelbaum. The musical notation is large and clear, making it easy to follow in any study situation.

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