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Maria : The Potter of San Ildefonso by Alice Marriott 1989 Trade PB Black clay
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Ubicado en: Hempstead, New York, Estados Unidos
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N.º de artículo de eBay:365888446300
Características del artículo
- Estado
- Signed
- No
- Ex Libris
- Yes
- Narrative Type
- Nonfiction
- Features
- Illustrated
- Original Language
- English
- Country/Region of Manufacture
- United States
- Vintage
- Yes
- ISBN
- 9780806120485
Acerca de este producto
Product Identifiers
Publisher
University of Oklahoma Press
ISBN-10
0806120487
ISBN-13
9780806120485
eBay Product ID (ePID)
354526
Product Key Features
Book Title
Maria : the Potter of San Ildefonso
Number of Pages
316 Pages
Language
English
Topic
Ethnic Studies / Native American Studies, Native Americans, Artists, Architects, Photographers, Native American
Publication Year
1987
Illustrator
Yes
Genre
Art, Social Science, Biography & Autobiography
Book Series
The Civilization of the American Indian Ser.
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
15.2 Oz
Item Length
8.6 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Trade
LCCN
48-002101
Series Volume Number
27
Synopsis
Mar a: The Potter of San Ildefonso is the story of Mar a Mart nez and her husband, Juli n, who revived the ancient Pueblo craft of pottery-making and stimulated interest in Southwestern Pueblo pottery among both white people and Indians. Mar a Montoya Mart nez, or Marie, as she sometimes signs her pottery, is a woman who has become in her own lifetime a legend. She lives in the pueblo of San Ildefonso, near Santa F , New Mexico, and although her life has been, as closely as she could make it, the normal life of a woman of her culture, her unusual qualities have set her apart and gained her fame throughout the world. Through her mastery of pottery-making, Mar a brought economic gain to her family and her village. However, distressing problems accompanied success and fame. Liquor ultimately wrecked Jul an. There was dissension within the pueblo. And there was the succession of admiring white people who invaded her home and interrupted her work. Not least, in Mar a view, was the departure of her own children from many Pueblo customs. Inextricably woven into the story of Mar a is the story of the pottery of the Southwestern Pueblos, a native craft that has become a national art interest, including the development of the unique black-on-black ware by Juli n, the first of which is reproduced among the illustrations. Margaret Lefranc's many accurate drawings of actual pieces of pottery provide an almost complete documentary history of the craft and show some of the finest examples of Mar a's art. Her skilled pen has also interpreted faithfully the spirit of Mar a, the Pueblo Indians, and the pottery., María: The Potter of San Ildefonso is the story of María Martínez and her husband, Julián, who revived the ancient Pueblo craft of pottery-making and stimulated interest in Southwestern Pueblo pottery among both white people and Indians. María Montoya Martínez, or Marie, as she sometimes signs her pottery, is a woman who has become in her own lifetime a legend. She lives in the pueblo of San Ildefonso, near Santa Fé, New Mexico, and although her life has been, as closely as she could make it, the normal life of a woman of her culture, her unusual qualities have set her apart and gained her fame throughout the world. Through her mastery of pottery-making, María brought economic gain to her family and her village. However, distressing problems accompanied success and fame. Liquor ultimately wrecked Julían. There was dissension within the pueblo. And there was the succession of admiring white people who invaded her home and interrupted her work. Not least, in María view, was the departure of her own children from many Pueblo customs. Inextricably woven into the story of María is the story of the pottery of the Southwestern Pueblos, a native craft that has become a national art interest, including the development of the unique black-on-black ware by Julián, the first of which is reproduced among the illustrations. Margaret Lefranc's many accurate drawings of actual pieces of pottery provide an almost complete documentary history of the craft and show some of the finest examples of María's art. Her skilled pen has also interpreted faithfully the spirit of María, the Pueblo Indians, and the pottery., María: The Potter of San Ildefonso is the story of María Martínez and her husband, Julián, who revived the ancient Pueblo craft of pottery-making and stimulated interest in Southwestern Pueblo pottery among both white people and Indians. Inextricably woven into the story of María is the story of the pottery of the Southwestern Pueblos, a native craft that has become a national art interest, including the development of the unique black-on-black ware by Julián, the first of which is reproduced among the illustrations. Margaret Lefranc's many accurate drawings of actual pieces of pottery provide an almost complete documentary history of the craft and show some of the finest examples of María's art. Her skilled pen has also interpreted faithfully the spirit of María, the Pueblo Indians, and the pottery., Volume 27 in the Civilization of the American Indian Series María: The Potter of San Ildefonso is the story of María Martínez and her husband, Julián, who revived the ancient Pueblo craft of pottery-making and stimulated interest in Southwestern Pueblo pottery among both white people and Indians. María Montoya Martínez, or Marie, as she sometimes signs her pottery, is a woman who has become in her own lifetime a legend. She lives in the pueblo of San Ildefonso, near Santa Fé, New Mexico, and although her life has been, as closely as she could make it, the normal life of a woman of her culture, her unusual qualities have set her apart and gained her fame throughout the world. Through her mastery of pottery-making, María brought economic gain to her family and her village. However, distressing problems accompanied success and fame. Liquor ultimately wrecked Julían. There was dissension within the pueblo. And there was the succession of admiring white people who invaded her home and interrupted her work. Not least, in María view, was the departure of her own children from many Pueblo customs. Inextricably woven into the story of María is the story of the pottery of the Southwestern Pueblos, a native craft that has become a national art interest, including the development of the unique black-on-black ware by Julián, the first of which is reproduced among the illustrations. Margaret Lefranc's many accurate drawings of actual pieces of pottery provide an almost complete documentary history of the craft and show some of the finest examples of María's art. Her skilled pen has also interpreted faithfully the spirit of María, the Pueblo Indians, and the pottery. "Miss Marriott's literary style is superb. She has caught the beautiful, measured pace of Indian talk and, without seeming to make any conscious effort, has written Maria's story with simplicity and understanding as if Marie herself were living her life before you."-Will Davidson in the Chicago Sunday Tribune. ". . . a unique American biography and a unique story of the birth of an art."-Lewis Gannett in the New York Herald Tribune.
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