Too Numerous (Paperback or Softback) Lent Shaw

Honeybeebazaar
(7456)
Registrado como vendedor profesional
USD10,00
Aproximadamente8,54 EUR
Estado:
Nuevo
Respira tranquilidad. Se aceptan devoluciones.
Envío:
USD3,50 (aprox. 2,99 EUR) Economy Shipping.
Ubicado en: Jonesboro, Georgia, Estados Unidos
Entrega:
Entrega prevista entre el jue. 9 oct. y el mar. 14 oct. a 94104
Calculamos el plazo de entrega con un método patentado que combina diversos factores, como la proximidad del comprador a la ubicación del artículo, el servicio de envío seleccionado, el historial de envíos del vendedor y otros datos. Los plazos de entrega pueden variar, especialmente en épocas de mucha actividad.
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
Pagos:
    Diners Club

Compra con confianza

Garantía al cliente de eBay
Si no recibes el artículo que has pedido, te devolvemos el dinero. Más informaciónGarantía al cliente de eBay - se abre en una nueva ventana o pestaña
El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:365854157020

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
EAN
9781625344304
ISBN
1625344309

Acerca de este producto

Product Identifiers

Publisher
University of Massachusetts Dartmouth
ISBN-10
1625344309
ISBN-13
9781625344304
eBay Product ID (ePID)
20038732929

Product Key Features

Book Title
Too Numerous
Number of Pages
88 Pages
Language
English
Publication Year
2019
Topic
General, American / General
Genre
Poetry, Literary Collections
Author
Kent Shaw
Book Series
Juniper Prize for Poetry Ser.
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
23.5 Oz
Item Length
9.2 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2018-051835
Reviews
"The universe inside Shaw's capacious poems is always expanding and adjusting. Room is made for everything that fits and for everything that doesn't, like a box that defies its squareness. Plain elemental nouns are bent toward abstraction. What might be impersonal, even generic, is made personal and elusive. His poems are limber and lucid and loose-limbed, and endlessly, comically speculative. I love getting lost in them."--James Haug, author of Riverain "'A man building stone arches thinks a lot about stone,' writes Kent Shaw, who stacks his sturdy sentences against the erosion not only of signification and identity, but civilization itself. The darkly allegorical world Shaw fashions in these pages, using the most evocative of building materials--bricks, boxes, forests, rabbits, soldiers, oceans, Styrofoam, balsawood, and fire, among other stalwart common nouns--feels as strange and intimate as the inside of one's body. A man inherits a staircase instead of a son. A husband and wife take off their shirts, lie down in separate rooms, and call to each other from across the house. Jesus strikes Judas in the face with a piece of ham. What Shaw writes about human emotions might well be said about his poems: 'They're the shavings of old growth trees... / They're abstract wire sculptures displayed in the corner. / And no one understands what they're for.'"--Suzanne Buffam, author of A Pillow Book, "The universe inside Shaw's capacious poems is always expanding and adjusting. Room is made for everything that fits and for everything that doesn't, like a box that defies its squareness. Plain elemental nouns are bent toward abstraction. What might be impersonal, even generic, is made personal and elusive. His poems are limber and lucid and loose-limbed, and endlessly, comically speculative. I love getting lost in them."--James Haug, author of Riverain"'A man building stone arches thinks a lot about stone,' writes Kent Shaw, who stacks his sturdy sentences against the erosion not only of signification and identity, but civilization itself. The darkly allegorical world Shaw fashions in these pages, using the most evocative of building materials--bricks, boxes, forests, rabbits, soldiers, oceans, Styrofoam, balsawood, and fire, among other stalwart common nouns--feels as strange and intimate as the inside of one's body. A man inherits a staircase instead of a son. A husband and wife take off their shirts, lie down in separate rooms, and call to each other from across the house. Jesus strikes Judas in the face with a piece of ham. What Shaw writes about human emotions might well be said about his poems: 'They're the shavings of old growth trees"¦ / They're abstract wire sculptures displayed in the corner. / And no one understands what they're for.'"--Suzanne Buffam, author of A Pillow Book, "The universe inside Shaw's capacious poems is always expanding and adjusting. Room is made for everything that fits and for everything that doesn't, like a box that defies its squareness. Plain elemental nouns are bent toward abstraction. What might be impersonal, even generic, is made personal and elusive. His poems are limber and lucid and loose-limbed, and endlessly, comically speculative. I love getting lost in them."--James Haug, author of Riverain "'A man building stone arches thinks a lot about stone,' writes Kent Shaw, who stacks his sturdy sentences against the erosion not only of signification and identity, but civilization itself. The darkly allegorical world Shaw fashions in these pages, using the most evocative of building materials--bricks, boxes, forests, rabbits, soldiers, oceans, Styrofoam, balsawood, and fire, among other stalwart common nouns--feels as strange and intimate as the inside of one's body. A man inherits a staircase instead of a son. A husband and wife take off their shirts, lie down in separate rooms, and call to each other from across the house. Jesus strikes Judas in the face with a piece of ham. What Shaw writes about human emotions might well be said about his poems: 'They're the shavings of old growth trees"¦ / They're abstract wire sculptures displayed in the corner. / And no one understands what they're for.'"--Suzanne Buffam, author of A Pillow Book
Grade From
College Graduate Student
Synopsis
What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes. Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities--and barriers--that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger.", Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities - and barriers - that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger.", What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes. Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities -- and barriers -- that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger.", What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes. Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities-and barriers-that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger."
LC Classification Number
PS3619.H3937A6 2019

Descripción del artículo del vendedor

Información de vendedor profesional

Certifico que todas mis actividades de venta cumplirán todas las leyes y reglamentos de la UE.
Acerca de este vendedor

Honeybeebazaar

99,3% de votos positivos15 mil artículos vendidos

Se unió el may 2007
Suele responder en 24 horas
Registrado como vendedor profesional
Welcome to my eBay Store! Honeybeebazaar offers various products, we buy sell trade new to the unusual , We just like stuff and we pass on and offer our findings to you. We just love what we do!Check ...
Ver más
Visitar tiendaContactar

Valoraciones detalladas sobre el vendedor

Promedio durante los últimos 12 meses
Descripción precisa
5.0
Gastos de envío razonables
4.9
Rapidez de envío
5.0
Comunicación
5.0

Votos de vendedor (7.351)

Todas las valoraciones
Positivas
Neutras
Negativas
  • r***i (13)- Votos emitidos por el comprador.
    Últimos 6 meses
    Compra verificada
    Great price and great condition. Seller was responsive when I requested additional measurements. Arrived earlier than expected, and they were wrapped and packaged well. They match the description and look even better in person. Thanks!
  • 7***n (1954)- Votos emitidos por el comprador.
    Mes pasado
    Compra verificada
    Very fast secure shipping & excellent packaging, as described perfectly & in super condition like new, a quality collector item of exceptional value and an outstanding appearance!
  • r***h (4340)- Votos emitidos por el comprador.
    Últimos 6 meses
    Compra verificada
    5 Star seller!! Super fast shipping and very well packaged. Just as described. Thank you!!!