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Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk: Used
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Ubicado en: Sparks, Nevada, Estados Unidos
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Entrega prevista entre el mar. 14 oct. y el sáb. 18 oct. a 94104
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N.º de artículo de eBay:364051997924
Última actualización el 07 oct 2025 19:48:27 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Book Title
- Melodrama and Meaning: History, Culture, and the Films of Douglas
- Publication Date
- 1994-08-22
- Pages
- 224
- ISBN
- 9780253208750
Acerca de este producto
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253208750
ISBN-13
9780253208750
eBay Product ID (ePID)
55150
Product Key Features
Number of Pages
224 Pages
Language
English
Publication Name
Melodrama and Meaning : History, Culture, and the Films of Douglas Sirk
Publication Year
1994
Subject
Film / General, General, Film / History & Criticism
Type
Textbook
Subject Area
Drama, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
12.4 Oz
Item Length
9.2 in
Item Width
7.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
93-027574
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43/0233/092
Table Of Content
Acknowledgments Introduction: The Many Faces of Melodrama 1. The "Progressive" Auteur, Melodrama, and Canonicity 2. Selling Melodrama: Sex, Affluence, and Written on the Wind 3. Tastemaking: Reviews, Popular Canons, and Soap Operas 4. Star Gossip: Rock Hudson and the Burdens of Masculinity 5. Mass Camp and the Old Hollywood Melodrama Today Conclusion: Cinema, Ideology, History Notes Filmography Bibliography Index
Synopsis
Other chapters are devoted to Universal's selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalizedcamp response to Sirk that has resulted from developments in mass culture., Melodrama and Meaning is a major addition to the new historical approach to film studies. Barbara Klinger shows how institutions most associated with Hollywood cinema--academia, the film industry, review journalism, star publicity, and the mass media--create meaning and ideological identity for films. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking. Other chapters are devoted to Universal's selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalized" camp response to Sirk that has resulted from developments in mass culture.
LC Classification Number
PN1998.3.S57.K55
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