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Parchman Farm: Photographs and Field Recordings: 1947-1959 Like new
USD180,00
Aproximadamente154,89 EUR
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- ¡Cómpralo ya!Parchman Farm: Photographs and Field Recordings: 1947-1959 Like new
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USD4,47 (aprox. 3,85 EUR) USPS Media MailTM.
Ubicado en: Toledo, Ohio, Estados Unidos
Entrega:
Entrega prevista entre el jue. 20 nov. y el mié. 26 nov. a 94104
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N.º de artículo de eBay:355842137668
Características del artículo
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Product Identifiers
Record Label
Dutd, Dust to Digital
UPC
9780981734293
eBay Product ID (ePID)
7046050092
Product Key Features
Release Year
2014
Format
CD
Genre
Rock
Artist
Various
Release Title
Parchman Farm: Photographs & Field Rec 1
Dimensions
Item Height
0.98 in
Item Weight
1.70 lb
Item Length
9.83 in
Item Width
6.86 in
Additional Product Features
Number of Discs
3
Number of Tracks
44
Country/Region of Manufacture
United States
Tracks
1.1 Jimpson and Group Murderer's Home - Jimpson ; Group 1.2 88 and Group Rosie - 88 and Group 1.3 22 and Group It Makes a Long Time Man Feel Bad - 22 ; Group 1.4 88 Whoa Buck - 88 and Group 1.5 Tangle Eye, Hard Hat, 22, and Little Red When I Went to Leland - Tangle Eye, Hard Hat, 22 and Little Red 1.6 Buzzard and Group I'm Going to Memphis - Buzzard and Group 1.7 22 and Group the Prettiest Train I Ever Saw - 22 ; Group 1.8 22 and Group John Henry - 22 ; Group 1.9 Dan Barnes and Group John Old Alabama - Dan Barnes ; Group 1.10 Foots Hollers - Foots 1.11 Dobie Red and Group Stewball - Dobie Red ; Group 1.12 Bama Levee Camp Hollers - Bama 1.13 Tangle Eye, Hard Hat, 22 and Little Red Early in the Morning - Tangle Eye, Hard Hat, 22 and Little Red 1.14 Dobie Red and Group I Got a Bulldog (Well I Wonder) - Dobie Red ; Group 1.15 22 and Group Dollar Mamie - 22 ; Group 1.16 Bama Stackalee - Bama 1.17 Dan Barnes and Group I Don't Want No Jet Black Woman - Dan Barnes ; Group 1.18 Bull, Foots and Dobie Red Did You Hear About Louella Wallace - Bull, Foots and Dobie Red 1.19 Tangle Eye Tangle Eye's Blues - Tangle Eye 1.20 22 and Group Rosie - 22 ; Group 1.21 Bama I'm Going Home - Bama 1.22 Jimpson and Group No More My Lord - Jimpson ; Group 1.23 Unidentified Group the Weather Get Warm - Unidentified Group 2.1 Floyd Batts Lucky Song - Floyd Batts 2.2 Clarence Alexander Disability Boogie Woogie - Clarence Alexander 2.3 John Edwards and Group Berta - John Edwards ; Group 2.4 Clyde Jones and Group Poor Lazarus - Clyde Jones ; Group 2.5 John Dudley Cool Drink of Water Blues - John Dudley 2.6 Ed Lewis Levee Camp Holler / Interview - Ed Lewis 2.7 Ed Lewis and Group Black Gal - Ed Lewis ; Group 2.8 Bama I Don't Want You Baby - Bama 2.9 Grover Wells and Group Rosie - Grover Wells ; Group 2.10 Bridges Lee Cole Hollers - Bridges Lee Cole 2.11 John Dudley You Got a Mean Disposition - John Dudley 2.12 John Dudley Big Road Blues - John Dudley 2.13 Ervin Webb and Group I'm Going Home - Ervin Webb ; Group 2.14 George Golden and Group Berta - George Golden ; Group 2.15 Grover Wells Up the River - Grover Wells 2.16 Clarence Alexander Prison Blues - Clarence Alexander 2.17 Johnny Lee Moore, Ed Lewis, James Carter, and Henry Mason Tom Devil - Johnny Lee Moore, Ed Lewis, James Carter ; Henry Mason 2.18 Willie Washington My Jack Don't Drink No Water 2.19 Leroy Campbell and Yancey Sometimes I Wonder 2.20 Henry Ratcliff Look for Me in Louisiana 2.21 Heuston Earms Ain't Been Able to Get Home No More
Notes
In 1947, '48 and '59, renowned folklorist Alan Lomax went behind the barbed wire into the Mississippi State Penitentiary at Parchman. Armed with a reel-to-reel tape deck - and, in 1959, a camera - Lomax documented as best an outsider could the stark and savage conditions of the prison farm, where the black inmates labored "from can't to can't," chopping timber, clearing ground, and picking cotton for the state. They sang as they worked, keeping time with axes or hoes, adapting to their condition the slavery-time hollers that sustained their forbears and creating a new body of American song. Theirs was music, as Lomax wrote, that "testified to the love of truth and beauty which is a universal human trait." "A few strands of wire were all that separated the prison from adjoining plantations. Only the sight of an occasional armed guard or a barred window in one of the frame dormitories made one realize that this was a prison. The land produced the same crop; there was the same work for blacks to do on both sides of the fence. And there was no Delta black who was not aware of how easy it was for him to find himself on the wrong side of those few strands of barbed wire... These songs are a vivid reminder of a system of social control and forced labor that has endured in the South for centuries, and I do not believe that the pattern of Southern life can be fundamentally reshaped until what lies behind these roaring, ironic choruses is understood." -Alan Lomax, 1958 "Black prisoners in all the Southern agricultural prisons in the years of these recordings participated in two distinct musical traditions: free world (the blues, hollers, spirituals and other songs they sang outside and, when the situation permitted, sang inside as well) and the work-songs, which were specific to the prison situation, and the recordings in this album represent that complete range of material, which is one of the reasons this set is so important: it doesn't just show this or that tradition within Parchman, but the range of musical traditions performed by black prisoners. I know of no other album that does that." - Bruce Jackson, 2013 124-page hardcover book with 2 CDs. 6.25 inches x 9.5 inches (landscape). Includes slipcase and foil stamping. 44 audio recordings, 12 previously-unreleased, all newly re-mastered; 77 photographs, many published here for the first time; Essays by Alan Lomax, Anna Lomax Wood, and Bruce Jackson. Produced by Lance Ledbetter, founder of Dust-to-Digital, and Nathan Salsburg, curator of the Alan Lomax Archive.
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