The Power of Limits: Proportional Har..., Doczi, Gyorgy

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Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
ISBN
1590302591
EAN
9781590302590
Publication Name
N/A
Type
Paperback
Release Title
The Power of Limits: Proportional Harmonies in Nature, Art, an...
Artist
Doczi, Gyorgy
Brand
N/A
Colour
N/A

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Product Identifiers

Publisher
Shambhala Publications, Incorporated
ISBN-10
1590302591
ISBN-13
9781590302590
eBay Product ID (ePID)
45412451

Product Key Features

Book Title
Power of Limits : Proportional Harmonies in Nature, Art, and Architecture
Number of Pages
160 Pages
Language
English
Topic
Life Sciences / Botany, Creative Ability, Aesthetics, Recreations & Games, Essays, History / General
Publication Year
2005
Illustrator
Yes
Genre
Mathematics, Nature, Art, Philosophy, Science, Psychology
Author
Gyorgy Doczi
Format
Perfect

Dimensions

Item Height
0.4 in
Item Weight
16.6 Oz
Item Length
9.6 in
Item Width
10.7 in

Additional Product Features

Intended Audience
Trade
LCCN
2006-273383
Dewey Edition
22
Reviews
"Those who read this book are in for a treat, for they may discover a new way of seeing the world, literally. Doczi is to be commended for his scholarship-and vision."- Library Journal "The clearest, best-illustrated book on the subject."- Ballast Quarterly Review "A stimulating, eye-opening book for all artists and designers, students of science and psychology, this visually stunning volume unveils the astonishing similarities between the designs of nature and human creativity in art and society."- Pacific Northwest Booksellers Association "Doczi's book is an excellent introduction to the study of proportions and is also a beautiful, poetic expression of the harmony of the universe."- New Age
TitleLeading
The
Dewey Decimal
117
Synopsis
One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature-designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it mean that such an order exists; how far does it extend? The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns-ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made-by the dynamic union of opposites-as demonstrated by the spirals that move in opposite directions in the growth of a plant. The joining of unity and diversity in the discipline of proportional limitations creates forms that are beautiful to us because they embody the principles of the cosmic order of which we are a part; conversely, the limitlessness of that order is revealed by the strictness of its forms. The author shows how we, as humans, are included in the universal harmony of form, and suggests that the union of complementary opposites may be a way to extend that harmony to the psychological and social realms as well., One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature--designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it mean that such an order exists; how far does it extend? The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns--ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made--by the dynamic union of opposites--as demonstrated by the spirals that move in opposite directions in the growth of a plant. The joining of unity and diversity in the discipline of proportional limitations creates forms that are beautiful to us because they embody the principles of the cosmic order of which we are a part; conversely, the limitlessness of that order is revealed by the strictness of its forms. The author shows how we, as humans, are included in the universal harmony of form, and suggests that the union of complementary opposites may be a way to extend that harmony to the psychological and social realms as well.
LC Classification Number
BH301.C84D62 2005

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