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I, the Song : Classical Poetry of Native North America by Soens, A. Lewis, Jr.
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Ubicado en: Athens, Georgia, Estados Unidos
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Entrega prevista entre el lun. 1 dic. y el vie. 5 dic. a 94104
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N.º de artículo de eBay:352797054724
Última actualización el 23 ago 2024 09:20:58 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780874806090
Acerca de este producto
Product Identifiers
Publisher
University of Utah Press
ISBN-10
0874806097
ISBN-13
9780874806090
eBay Product ID (ePID)
929616
Product Key Features
Book Title
I the Song
Number of Pages
336 Pages
Language
English
Publication Year
1999
Topic
Ethnic Studies / Native American Studies, Native American
Illustrator
Yes
Genre
Poetry, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
24.1 Oz
Item Length
9 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
99-021102
Dewey Edition
21
Reviews
"Arranged by subject, these poems are informed by additional context enabling readers to more fully appreciate their imagery and cultural basis." --The New York Review of Books, "This well-structured book introduces readers to the back ground and cultural significance of poetry and song to cultures whose identity is imbedded in an oral tradition." --Statesman Journal, "The translations are clear and reflect North American Indian life before the European invasion. Capable of inducing lamentable emotions (even disturbing ones at times), while at other times it is light and imaginative--yet it is always informative." --Books of the Southwest, "These songs--very much in the poetic tradition--reveal cultures in ways that anthropologists and historians never can." --Utah Historical Quarterly, "Arranged by subject, these poems are informed by additional context enabling readers to more fully appreciate their imagery and cultural basis." -The New York Review of Books, "These songs-very much in the poetic tradition-reveal cultures in ways that anthropologists and historians never can." -Utah Historical Quarterly, "This grand anthology gave me more than I dared to hope for. A wonderful read." --The Durango Herald, "This well-structured book introduces readers to the back ground and cultural significance of poetry and song to cultures whose identity is imbedded in an oral tradition." -Statesman Journal, "The translations are clear and reflect North American Indian life before the European invasion. Capable of inducing lamentable emotions (even disturbing ones at times), while at other times it is light and imaginative-yet it is always informative." -Books of the Southwest
Dewey Decimal
897
Table Of Content
Acknowledgments Introduction I. In a Sacred Manner II. Thunder III. Creation and Emergence IV. Initiation V. Visions VI. The Great Ceremonies VII. Medicine VIII. Love IX. Hunting X. War XI. Death XII. Rain XIII. Planting and Harvesting XIV. Dawn Notes Glossary of Tribal Names and Territories Bibliography Permissions
Synopsis
"I, the Song" is an introduction to the rich and complex classical North American poetry that grew out of and reflects Indian life before the European invasion. No generalization can hold true for all the classical poems of North American Indians. They spring from thirty thousand years of experience, five hundred languages and dialects, and ten linguistic groups and general cultures. But the poems from these different cultures and languages belong to poetry unified by similar experiences and shared continent. Built on early transcriptions of Native American songs and arranged by subject, these poems are informed by additional context that enables readers to appreciate more fully their imagery, their cultural basis, and the moment that produced them. They let us look at our continent through the eyes of a wide range of people: poets, hunters, farmers, holy men and women, and children. This poetry achieved its vividness, clarity, and intense emotional powers partly because the singers made their poems for active use as well as beauty, and also because they made them for singing or chanting rather than isolated reading. Most striking, classical North American Indian poetry brings us flashes of timeless vision and absolute perception: a gull s wing red over the dawn; snow-capped peaks in the moonlight; a death song. Flowing beneath them is a powerful current: the urge to achieve a selfless attention to the universe and a determination to see and delight in the universe on its own terms.", I, the Song is an introduction to the rich and complex classical North American poetry that grew out of and reflects Indian life before the European invasion. No generalization can hold true for all the classical poems of North American Indians. They spring from thirty thousand years of experience, five hundred languages and dialects, and ten linguistic groups and general cultures. But the poems from these different cultures and languages belong to poetry unified by similar experiences and shared continent. Built on early transcriptions of Native American "songs" and arranged by subject, these poems are informed by additional context that enables readers to appreciate more fully their imagery, their cultural basis, and the moment that produced them. They let us look at our continent through the eyes of a wide range of people: poets, hunters, farmers, holy men and women, and children. This poetry achieved its vividness, clarity, and intense emotional powers partly because the singers made their poems for active use as well as beauty, and also because they made them for singing or chanting rather than isolated reading. Most striking, classical North American Indian poetry brings us flashes of timeless vision and absolute perception: a gull's wing red over the dawn; snow-capped peaks in the moonlight; a death song. Flowing beneath them is a powerful current: the urge to achieve a selfless attention to the universe and a determination to see and delight in the universe on its own terms.
LC Classification Number
PM197.E3I2 1999
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