PAINTING WITH LIGHT By John Alton & Todd Mccarthy *Excellent Condition*

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Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ... Más informaciónacerca del estado
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N.º de artículo de eBay:336218972013
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Estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ...
ISBN-10
0520089499
Publication Name
University of California Press
Type
Paperback
ISBN
9780520089495

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Product Identifiers

Publisher
University of California Press
ISBN-10
0520089499
ISBN-13
9780520089495
eBay Product ID (ePID)
597360

Product Key Features

Book Title
Painting with Light
Number of Pages
191 Pages
Language
English
Publication Year
1995
Topic
Film / General, Techniques / Cinematography & Videography
Illustrator
Yes
Genre
Performing Arts, Photography
Author
John Alton
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
22.4 Oz
Item Length
10 in
Item Width
7.5 in

Additional Product Features

LCCN
93-041275
Dewey Edition
20
Dewey Decimal
771.44
Synopsis
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classicsT-Men,He Walked by Night, andThe Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musicalAn American in Paris. First published in 1949, and long out of print since then,Painting With Lightremains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography., Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men , He Walked by Night , and The Big Combo , Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris . First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography.
LC Classification Number
TR891.A48 1995

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