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Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi (Contemp...
USD10,49
Aproximadamente9,02 EUR
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En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
USD5,22 (aprox. 4,49 EUR) USPS Media MailTM.
Ubicado en: Los Angeles, California, Estados Unidos
Entrega:
Entrega prevista entre el mar. 14 oct. y el vie. 17 oct. a 94104
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N.º de artículo de eBay:336189525165
Características del artículo
- Estado
- Release Year
- 2021
- Book Title
- Eye of the Taika: New Zealand Comedy and the Films of Taika Wa...
- Country/Region of Manufacture
- New Zealand
- ISBN
- 9780814345337
Acerca de este producto
Product Identifiers
Publisher
Wayne State University Press
ISBN-10
0814345336
ISBN-13
9780814345337
eBay Product ID (ePID)
15050082301
Product Key Features
Number of Pages
304 Pages
Publication Name
Eye of the Taika : New Zealand Comedy and the Films of Taika Waititi
Language
English
Publication Year
2021
Subject
Film / Genres / General, Comedy, Film / Genres / Comedy
Type
Textbook
Subject Area
Performing Arts
Series
Contemporary Approaches to Film and Media Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16.1 Oz
Item Length
9.4 in
Item Width
7.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2021-936464
Reviews
This is the first career-spanning book on Ma¯ori filmmaker Taika Waititi, now a major figure in international media. The prism of comedy offers a distinctive intervention in debates about indigenous cultural politics and popular media in Aotearoa/New Zealand and beyond., The clever title of this first in-depth study of Taika Waititi is the first clue that it will be entertaining and intellectually challenging, for both scholars and fans. Highly recommended., The first in-depth critical study of Aotearoa/New Zealand's most iconoclastic auteur since Peter Jackson and Jane Campion, this book is essential for anyone interested in Waititi's provocative oeuvre, the small and peripheral nation and culture that produced him, and the challenge he poses to the conventions and hierarchies of contemporary cinema.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.430233092
Synopsis
Innovative study of Taika Waititi, whose Maori and Jewish roots influence his distinctive New Zealand comedic style. Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi's feature films and places his other works and performances--short films, TV series, advertisements, music videos, and media appearances--in the fabric of popular culture. The book's thesis is that Waititi's playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ's historic status as colonial underdog. The first four chapters of Eye of the Taika explore Waititi's early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi's films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows (2014), Bannister explores Waititi's use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi's Hunt for the Wilderpeople (2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok (2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood. By viewing Waititi's career and filmography as a series of pranks, Bannister identifies Waititi's playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike., Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi's feature films and places his other works and performances?short films, TV series, advertisements, music videos, and media appearances?in the fabric of popular culture. The book's thesis is that Waititi's playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ's historic status as colonial underdog. The first four chapters of Eye of the Taika explore Waititi's early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi's films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows (2014), Bannister explores Waititi's use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi's Hunt for the Wilderpeople (2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok (2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood. By viewing Waititi's career and filmography as a series of pranks, Bannister identifies Waititi's playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike., The first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi's feature films and places his other works and performances-short films, TV series, advertisements, music videos, and media appearances-in the fabric of popular culture.
LC Classification Number
PN1998.3
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