The Complete Warner Recordings 16 cd by Ousset, Cecile (CD, 2022)

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N.º de artículo de eBay:335979084444
Última actualización el 30 nov 2025 21:04:50 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
UPC
0190296436246
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Product Identifiers

Record Label
Wcl, Warner Classics
UPC
0190296436246
eBay Product ID (ePID)
19053074687

Product Key Features

Format
CD
Release Year
2022
Genre
Classical
Artist
Ousset, Cecile
Release Title
The Complete Warner Recordings 16 cd

Dimensions

Item Height
1.88 in
Item Weight
0.95 lb
Item Length
5.33 in
Item Width
5.17 in

Additional Product Features

Number of Discs
16
Number of Tracks
183
Country/Region of Manufacture
United States
Notes
The EMI Classics recordings of Cécile Ousset (b. 1936), spanning the years between 1982 and 1991, would mark her third and most prestigious recording collaboration, launching her, at age forty-six, into the international limelight. Indeed, recognition did not come easily to this grand dame of the piano, who, at the age of fourteen, obtained her prize at the Paris Conservatoire under the tutelage of Marcel Ciampi and began the grueling rounds at major competitions shortly after: Geneva, Long-Thibaud, Queen Elisabeth and Busoni, as well as the inaugural edition of the Van Cliburn. As a young female pianist, doors remained firmly shut, even with the support of the great Arthur Rubinstein, who personally invested in Ousset's early career after witnessing her performance at the Long-Thibaud competition. Her rise to international fame came primarily in the 1970s, notably through her recordings for the German Eterna label as well as for Decca France. The year 1982 marked the release of her first solo recording with EMI, a vivid program pairing Mussorgsky's Pictures at an Exhibition with Ravel's Gaspard de la nuit. Writing in The Musical Times, Cyril Ehrlich lauds a "luminous tone" and a "sense of style", proclaiming, "Cécile Ousset is an exhilarating pianist". Her strong technique, based on the Russian method taught by Ciampi lends her playing a clear-cut and robust tone; her virtuosity is proved incontestable, revealing a mastery of sound, color and brilliance. Works of the French repertoire continued to occupy an important place in Ousset's programs. To France's greatest modernists, Debussy and Ravel, the pianist would consecrate significant recordings in the second half of the 80s. Liszt and Chopin were essential components of her repertoire as well. The recording of Chopin's Third Sonata brims with poignant lyricism and heroic sentiment, it's excellent pacing just as admirable as the naturalness of the playing, hardly ostentatious but in every way spellbinding. "Like Pollini," observes Gramophone, "the masterful Ousset commands in this work... [her] Chopin CD will give immense pleasure by reason of her indefatigable musical verve." A survey of Cécile Ousset's acclaimed concerto recordings for EMI may point to a seemingly-logical conclusion - that the pianist was drawn to the unabashedly-virtuosic heavyweights of the concerto literature: Rachmaninov, Saint-Saëns, Liszt, Prokofiev, Grieg, Tchaikovsky

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