Imagen 1 de 1

Galería
Imagen 1 de 1

¿Quieres vender uno?
The Triumph of the Ordinary: Depictions of Daily Life in the East German Cin...
USD29,71
Aproximadamente25,57 EUR
Estado:
Nuevo
Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin defectos. Consulta el anuncio del vendedor para obtener más información.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Envío:
Gratis Economy Shipping.
Ubicado en: Skokie, Illinois, Estados Unidos
Entrega:
Entrega prevista entre el jue. 16 oct. y el mar. 21 oct. a 94104
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
Pagos:
Compra con confianza
El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:335905433554
Última actualización el 11 oct 2025 21:40:42 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Release Year
- 2002
- ISBN
- 9780807853856
Acerca de este producto
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
0807853852
ISBN-13
9780807853856
eBay Product ID (ePID)
2296353
Product Key Features
Book Title
Triumph of the Ordinary : Depictions of Daily Life in the East German Cinema, 1949-1989
Number of Pages
352 Pages
Language
English
Topic
Film / General, Europe / Germany, Film / History & Criticism
Publication Year
2002
Illustrator
Yes
Features
New Edition
Genre
Performing Arts, History
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
16.2 Oz
Item Length
9.2 in
Item Width
8.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-059826
Dewey Edition
21
TitleLeading
The
Reviews
An original and engaging exploration of East German cinema and the role of cultural production and consumption in the evolution of postwar socialist society. (Heide Fehrenbach, author ofCinema in Democratizing Germany), "An extremely well-researched book. . . . [This] multilayered analysis . . . is a remarkable feat of historical contextualization." —Monatshefte, "An extremely well-researched book. . . . [This] multilayered analysis . . . is a remarkable feat of historical contextualization." — Monatshefte, "An extremely well-researched book. . . . [This] multilayered analysis . . . is a remarkable feat of historical contextualization." _ Monatshefte, "An extremely well-researched book. . . . [This] multilayered analysis . . . is a remarkable feat of historical contextualization." -- Monatshefte, An original and engaging exploration of East German cinema and the role of cultural production and consumption in the evolution of postwar socialist society. (Heide Fehrenbach, author of Cinema in Democratizing Germany )
Dewey Decimal
791.43/0943/1
Edition Description
New Edition
Synopsis
Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was., Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for authentic images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was., This work confronts the question of whether movies in the Eastern Bloc were propaganda or secretly veiled dissent. From the late 1960s East German films focused on everyday life, it could be said that filmmakers presented a static image to show an East Germany that accepted the GDR as it was., Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex.Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was.
LC Classification Number
2001059826 [PN]
Descripción del artículo del vendedor
Información de vendedor profesional
Acerca de este vendedor
solr_books
98,5% de votos positivos•102 mil artículos vendidos
Registrado como vendedor profesional
Votos de vendedor (31.057)
- l***o (115)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaPackage arrived from Skokie, IL to southeast Michigan in three days. Book was wrapped well in an large outer plastic mailing envelope and in a second large plastic mailing envelope inside . Book was in the condition described and even has the errata sheet insert. I had no problems with the seller, and I would buy from them again. Good sale.
- v***n (68)- Votos emitidos por el comprador.Mes pasadoCompra verificadaThe seller supplied additional photos showing that the books included both dust jackets as described. The books arrived well on time and were in a like new condition. They were also well packaged. This was of great value. Thank you very much. Perfect.
- p***e (1215)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaPurchased on 08.26.2025 and rec'd as described on 09.02.2025 (after Labor Day holiday). Two text books were individually wrapped in plastic, wrapped together in another plastic baggie and then placed in a padded envelope. Very happy w/ the extra protection taken in shipping the text books. Thank you.