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Stanislavski Never Wore Tap Shoes: Musical Theater Acting Craft, Moses, Burke,

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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
ISBN
9781499101072

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Product Identifiers

Publisher
CreateSpace
ISBN-10
1499101074
ISBN-13
9781499101072
eBay Product ID (ePID)
211925446

Product Key Features

Book Title
Stanislavski Never Wore Tap Shoes : Musical Theater Acting Craft
Number of Pages
266 Pages
Language
English
Publication Year
2014
Topic
Theater / Broadway & Musicals
Genre
Performing Arts
Author
Burke Moses
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
16.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Synopsis
Finally, a book about acting on the musical stage Ask any director who stages musicals at any level, and you will hear the same: acting is the musical theater gold standard, the skill hardest to find in the audition room. Acting facility almost always separates leading player from ensemble, and, frequently, employed from unemployed. In film or on the dramatic stage, great acting stands in the spotlight. It has its own dressing room. It's paid top dollar and walks the red carpet. Yet in the musical theater just a little acting skill goes a long, long way. With only a measure of dramatic ability, the fine singer with leading man looks will find consistent employment at mid-level, and even top venues. In the largest and most fiercely competitive group in the marketplace, the ing nue capable of speaking dialogue with mere competence rises far above her peers. The skilled ensemble singer/dancer capable of handling bit parts with aplomb, or can be counted on to take over as a reliable understudy, is nearly guaranteed a long career in theater. Almost all big musicals need chorus members that, "act a little." Many musical performers complain about lack of work, yet the solution obvious: learn to speak the libretto-crafted word "Stanislavski Never Wore Tap Shoes" teaches the "craft" of libretto acting. It is the first such text written for the musical theater, the first penned by a veteran musical performer, and the first book that addresses the unique acting challenges faced everyday by Show People. Author Burke Moses is a thirty-year stage veteran, who has played leading roles on Broadway, The West End, at most of the major summer stock and regional theaters in America, and has worked across from many of the finest musical theater talents in the world. He is best known for originating the role of Gaston in the original Broadway and London productions of "Disney's Beauty and the Beast." When speaking dialogue on the musical stage, are you guessing or do you KNOW what you're doing? Acting is far more compelling and fun when you KNOW Let's learn our craft, shall we?, Finally, a book about acting on the musical stage! Ask any director who stages musicals at any level, and you will hear the same: acting is the musical theater gold standard, the skill hardest to find in the audition room. Acting facility almost always separates leading player from ensemble, and, frequently, employed from unemployed. In film or on the dramatic stage, great acting stands in the spotlight. It has its own dressing room. It's paid top dollar and walks the red carpet. Yet in the musical theater just a little acting skill goes a long, long way. With only a measure of dramatic ability, the fine singer with leading man looks will find consistent employment at mid-level, and even top venues. In the largest and most fiercely competitive group in the marketplace, the ingénue capable of speaking dialogue with mere competence rises far above her peers. The skilled ensemble singer/dancer capable of handling bit parts with aplomb, or can be counted on to take over as a reliable understudy, is nearly guaranteed a long career in theater. Almost all big musicals need chorus members that, "act a little." Many musical performers complain about lack of work, yet the solution obvious: learn to speak the libretto-crafted word! "Stanislavski Never Wore Tap Shoes" teaches the "craft" of libretto acting. It is the first such text written for the musical theater, the first penned by a veteran musical performer, and the first book that addresses the unique acting challenges faced everyday by Show People. Author Burke Moses is a thirty-year stage veteran, who has played leading roles on Broadway, The West End, at most of the major summer stock and regional theaters in America, and has worked across from many of the finest musical theater talents in the world. He is best known for originating the role of Gaston in the original Broadway and London productions of "Disney's Beauty and the Beast." When speaking dialogue on the musical stage, are you guessing or do you KNOW what you're doing? Acting is far more compelling and fun when you KNOW! Let's learn our craft, shall we?

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    Overall, it went well. Good communication. I wanted the book to be shipped in a box, because the value and scarcity of the volume I purchased deserved it, however, the company is too large and I was informed the book would be shipped in a plastic mailer. Somehow it didn’t arrive very damaged, a little bump, but for the price I can’t complain. Over all I am satisfied, but if you’re a book collector, as I am, you may want to find another seller.
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    This company has been, in my experience, a mixed bag. This title was NOT worth the price because it came with highlighting, ink underlineing & writing in the margins...not the quality that they advertised. I have on other occasions gotten books in great condition, however, that were listed in less than the condition advertised so it goes both ways...but I'd much prefer a company that delivers exactly what they advertise. I guess good help is hard to find. The book was well packaged & came fast.