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2020 The Impressionists and Photography by Paloma Alarco English Hardcover Book
USD44,00
Aproximadamente37,59 EUR
Estado:
“Tight Binding. Minor cover wear. Slight ripple to pages. Please see final photos.”
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
- ¡Cómpralo ya!2020 The Impressionists and Photography by Paloma Alarco English Hardcover Book
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Envío:
USD8,38 (aprox. 7,16 EUR) USPS Media MailTM.
Ubicado en: Neenah, Wisconsin, Estados Unidos
Entrega:
Entrega prevista entre el mar. 26 ago. y el mié. 3 sep. a 94104
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N.º de artículo de eBay:335667189331
Última actualización el 22 jul 2025 19:26:51 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- “Tight Binding. Minor cover wear. Slight ripple to pages. Please see final photos.”
- Type
- Does not apply
- ISBN-13
- 9788417173340
- Book Series
- Historical
- Narrative Type
- Nonfiction
- ISBN
- 9788417173340
Acerca de este producto
Product Identifiers
Publisher
Fundacion Coleccion Thyssen-Bornemisza
ISBN-10
841717334X
ISBN-13
9788417173340
eBay Product ID (ePID)
8038417011
Product Key Features
Book Title
Impressionists and Photography
Number of Pages
288 Pages
Language
English
Topic
History / Modern (Late 19th Century to 1945), History
Publication Year
2020
Illustrator
Yes
Genre
Art, Photography
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
51.3 Oz
Item Length
11 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Synopsis
How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photography pursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century., How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography s capacity for naturalistic reproduction threatened one traditional function of painting, the camera s artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography s historical relationship to the other visual arts. The Impressionists and Photography pursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography s emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
Text by
Alarcó, Paloma
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