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Painting and Politics in Northern E..., Carroll, Margar
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Última actualización el 14 jun 2025 06:03:53 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Book Title
- Painting and Politics in Northern Europe: Van Eyck, Bruegel, R...
- ISBN
- 0271029552
- EAN
- 9780271029559
- Release Title
- Painting and Politics in Northern Europe: Van Eyck, Bruegel, R...
- Artist
- Carroll, Margaret D.
- Brand
- N/A
- Colour
- N/A
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Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271029552
ISBN-13
9780271029559
eBay Product ID (ePID)
78478295
Product Key Features
Number of Pages
280 Pages
Language
English
Publication Name
Painting and Politics in Northern Europe : Van Eyck, Bruegel, Rubens, and Their Contemporaries
Subject
European, History / Renaissance, History / General
Publication Year
2009
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
38.2 Oz
Item Length
12 in
Item Width
8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-003532
Reviews
"The author's erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers." --A. Golahny Choice, &"This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art&and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field.&" &-Todd M. Richardson, HNA Newsletter and Review of Books, "The author's erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers." -A. Golahny, Choice, "With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll's important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region." --Dan Ewing, CAA Reviews, "The author's erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers." --A. Golahny, Choice, "This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field." --Elizabeth Honig, University of California, Berkeley, &"With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll&'s important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region.&" &-Dan Ewing, CAA Reviews, &"In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant&-from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries&-stimulated local artistic innovation in very pointed ways.&" &-Catherine H. Lusheck, Renaissance Quarterly, "With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll's important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region." -Dan Ewing, CAA Reviews, "This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field." --Elizabeth Honig,University of California, Berkeley, "In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant--from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries--stimulated local artistic innovation in very pointed ways." --Catherine H. Lusheck Renaissance Quarterly, &"This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field.&" &-Elizabeth Honig, University of California, Berkeley, "In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant--from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries--stimulated local artistic innovation in very pointed ways." --Catherine H. Lusheck, Renaissance Quarterly, "This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art-and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field." -Todd M. Richardson, HNA Newsletter and Review of Books, "With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll's important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region." --Dan Ewing CAA Reviews, "This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art-and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field." --Todd M. Richardson, HNA Newsletter and Review of Books, &"The author&'s erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers.&" &-A. Golahny, Choice, "This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art-and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field." --Todd M. Richardson HNA Newsletter and Review of Books, "This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field." -Elizabeth Honig, University of California, Berkeley, "In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant-from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries-stimulated local artistic innovation in very pointed ways." -Catherine H. Lusheck, Renaissance Quarterly
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
759.9493
Table Of Content
Contents List of Illustrations Acknowledgments Introduction 1.. The Merchant's Mirror: Jan van Eyck's Arnolfini Portrait 2. Breaking Bonds: Marriage and Community in Bruegel's Netherlandish Proverbs and Carnival and Lent 3. The Conceits of Empire: Bruegel's Ice-Skating Outside St. George's Gate in Antwerp and Tower of Babel 4. The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence 5. "Womanliness as a Masquerade": The Case of Marie de Médicis 6. The Nature of Violence: Animal Combat in the Seventeenth Century Notes Bibliography Index
Synopsis
Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck's Arnolfini Portrait , Bruegel's Netherlandish Proverbs , and Rubens's Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art. The narrative follows the way painters responded to the emergence of "modern" theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day., Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists ......, Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck's Arnolfini Portrait, Bruegel's Netherlandish Proverbs, and Rubens's Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art. The narrative follows the way painters responded to the emergence of "modern" theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day., Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck's Arnolfini Portrait , Bruegel's Netherlandish Proverbs , and Rubens's Life of Marie de M dicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art. The narrative follows the way painters responded to the emergence of "modern" theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day.
LC Classification Number
ND634.C37 2007
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- a***v (278)- Votos emitidos por el comprador.Mes pasadoCompra verificadaBook in perfect condition, I'm very satisfied!
- d***0 (433)- Votos emitidos por el comprador.Mes pasadoCompra verificadaItem bought: Ocean Ramsey Shark book * Item value for the money 5/5 * Condition matching as advertised 5/5 * Quickly dispatched 5/5 * Arrived on time 5/5 * Shipping cost for this type of item 5/5 * Packaging quality for this item 5/5 * Seller recommendation 5/5 * Communication: NA (not needed as it arrived on time) * Comments: Ty for your business!!
- r***1 (177)- Votos emitidos por el comprador.Mes pasadoCompra verificadaThe book was exactly as described and arrived quickly. The only problem is a recurring one with this seller and other similar sellers - the book is poorly packaged in a plastic envelope and gets heavily bumped in shipping. I would like to see the books wrapped before shipment, but I understand this can't be done for cost reason. Luckily it isn't an expensive book, and I will continue to purchase basic books from this seller. A+++++
- p***m (274)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaA+ Highest Rating for this transaction. Nova Classic Volume 2 - Marvel / Paperback - condition & quality look really good, ALMOST NEW even better than described. Shipping was Fast (1 week) / packaging was thin mylar mailer, but no visible damage to book. Great price AND free shipping. I buy here often, and this transaction was flawless. 5 STARSNova Classic Volume 2, David A Kraft (#277215177308)