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Richard Greene American Horror Story and Philosophy (Paperback)

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Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Subtitle
Life Is but a Nightmare
Series
Popular Culture and Philosophy
EAN
9780812699722
ISBN
9780812699722
Release Year
2017
Publication Name
American Horror Story and Philosophy
Title
American Horror Story and Philosophy
Contributor
Richard Greene (Edited by)
Country/Region of Manufacture
US
Release Date
12/26/2017

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Product Identifiers

Publisher
Open Court
ISBN-10
0812699726
ISBN-13
9780812699722
eBay Product ID (ePID)
235837711

Product Key Features

Book Title
American Horror Story and Philosophy : Life Is but a Nightmare
Number of Pages
256 Pages
Language
English
Publication Year
2017
Topic
Television / Genres / Science Fiction, Fantasy & Horror, Television / History & Criticism, Television / General, General
Genre
Philosophy, Performing Arts
Author
Rachel Robison-Greene
Book Series
Popular Culture and Philosophy Ser.
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
11.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2017-955712
Dewey Edition
23
Dewey Decimal
791.4572
Synopsis
In American Horror Story and Philosophy , philosophers with varying backgrounds and interests explore different aspects of this popular "erotic thriller" TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination.As an "anthology show," American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show's first season, Murder House , is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season's main protagonists; the problem of other minds--when I see an old hag, how can I know that you don't see a sexy maid? And whether it is rationally justified to fear the Piggy Man.Season Two, Asylum , takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture.Season Three, Coven , focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable "infected" zombies); the uses of violent revenge; and the metaphysics of reanimation.Season Four, Freak Show , takes place in a circus. Philosophical writers look at life under the Big Top as an example of "life imitating art"; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy.Season Five, Hotel , is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers,Season Six, Roanoke , often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity . Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism., In American Horror Story and Philosophy , philosophers with varying backgrounds and interests explore different aspects of this popular "erotic thriller" TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination.As an "anthology show," American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show's first season, Murder House , is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season's main protagonists; the problem of other minds--when I see an old hag, how can I know that you don't see a sexy maid? And whether it is rationally justified to fear the Piggy Man. Season Two, Asylum , takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture. Season Three, Coven , focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable "infected" zombies); the uses of violent revenge; and the metaphysics of reanimation. Season Four, Freak Show , takes place in a circus. Philosophical writers look at life under the Big Top as an example of "life imitating art"; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy. Season Five, Hotel , is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers, Season Six, Roanoke , often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity . Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism., In American Horror Story and Philosophy , philosophers with varying backgrounds and interests explore different aspects of this popular "erotic thriller" TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination. As an "anthology show," American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show's first season, Murder House , is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season's main protagonists; the problem of other minds--when I see an old hag, how can I know that you don't see a sexy maid? And whether it is rationally justified to fear the Piggy Man. Season Two, Asylum , takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture. Season Three, Coven , focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable "infected" zombies); the uses of violent revenge; and the metaphysics of reanimation. Season Four, Freak Show , takes place in a circus. Philosophical writers look at life under the Big Top as an example of "life imitating art"; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy. Season Five, Hotel , is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers, Season Six, Roanoke , often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity . Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism.
LC Classification Number
HM621.A4 2018

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