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Inkface : Othello and White Authority in the Era of Atlantic Slavery by Grier
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Aproximadamente11,93 EUR
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“Appears to be new with some exterior wear from storage/shipping”
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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USD4,75 (aprox. 4,06 EUR) USPS Media MailTM.
Ubicado en: Temple, Georgia, Estados Unidos
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Entrega prevista entre el vie. 25 jul. y el mié. 30 jul. a 94104
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N.º de artículo de eBay:315695852661
Última actualización el 06 jun 2025 12:19:02 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “Appears to be new with some exterior wear from storage/shipping”
- ISBN
- 9780813950372
Acerca de este producto
Product Identifiers
Publisher
University of Virginia Press
ISBN-10
0813950376
ISBN-13
9780813950372
eBay Product ID (ePID)
27060624677
Product Key Features
Number of Pages
346 Pages
Publication Name
Inkface : Othello & White Authority in the Era of Atlantic Slavery
Language
English
Subject
American / African American
Publication Year
2023
Type
Textbook
Subject Area
Literary Criticism
Series
Writing the Early Americas Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
9.6 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2023-026397
Reviews
Inkface is poised to make significant contributions to the scholarly literatures on racialization in early modern British literary and performance culture and its legacies in North America. The critical, intellectual, and ideological aims of Inkface are ambitious, urgent, and generative. This book has changed so much of what I thought I knew about Othello ?and all for the better!, Miles Grier's Inkface brilliantly traces the complex semiotic work performed by blackface in Shakespeare's Othello and its inky progeny on the page and stage across a longue durée , beginning with its inception in early seventeenth century England and then crossing the Atlantic to consider its textual and theatrical afterlives in eighteenth- and nineteenth-century America. The hermeneutics of inkface, Grier argues, far from simply grounding racialized character in an ostensibly indelible reality that renders blackness legible for white interpretive communities, loosens signifier from signified, revealing its saturation with unwieldy significations that become untethered from the "real" and thus open to resignification., Inkface is poised to make significant contributions to the scholarly literatures on racialization in early modern British literary and performance culture and its legacies in North America. The critical, intellectual, and ideological aims of Inkface are ambitious, urgent, and generative. This book has changed so much of what I thought I knew about Othello --and all for the better!, Inkface is poised to make significant contributions to the scholarly literatures on racialization in early modern British literary and performance culture and its legacies in North America. The critical, intellectual, and ideological aims of Inkface are ambitious, urgent, and generative. This book has changed so much of what I thought I knew about Othello--and all for the better! --Douglas A. Jones, Jr., Duke University Miles Grier's Inkface brilliantly traces the complex semiotic work performed by blackface in Shakespeare's Othello and its inky progeny on the page and stage across a longue duree, beginning with its inception in early seventeenth century England and then crossing the Atlantic to consider its textual and theatrical afterlives in eighteenth- and nineteenth-century America. The hermeneutics of inkface, Grier argues, far from simply grounding racialized character in an ostensibly indelible reality that renders blackness legible for white interpretive communities, loosens signifier from signified, revealing its saturation with unwieldy significations that become untethered from the "real" and thus open to resignification. --Natasha Korda, Wesleyan University, author of Labors Lost: Women's Work and the Early Modern English Stage
Grade From
College Graduate Student
Illustrated
Yes
Table Of Content
Introduction: The Residue of Inkface 1. The Moor of Venice Reconstructed "O Bloody Period": Othello's Constitution and Significance "Letter and Affection," or Iago's Motive Reconsidered Interlude: Desdemona's Guilt, or "The Farce of Dead Alive" 2. "Be Thus When Thou Art Dead": Aphra Benh's Remediation of Othello 3. "Pale as thy Smock": Abigail Adams in Desdemona's Whites 4. The Cherokee Othello: Treating with 'The Base Indian' 5. Inkface to Chalkbones: The End of White Character Mastery in Melville's "BC" Epilogue: An Ultimate Reader
Synopsis
In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity's reading of the world as well as the ways in which those excluded attempted to counteract it., In Inkface , Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity?s reading of the world as well as the ways in which those excluded attempted to counteract it., In Inkface , Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity's reading of the world as well as the ways in which those excluded attempted to counteract it., In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era ......
LC Classification Number
PR2829.G75 2023
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Troll's Basement Bizarre
99,8% de votos positivos•90 mil artículos vendidos
Registrado como vendedor particularPor tanto, no se aplican los derechos de los consumidores derivados de las leyes de protección de los consumidores de la UE. La Garantía al cliente de eBay sigue aplicando a la mayoría de compras. Más informaciónMás información
Votos de vendedor (40.339)
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Todos los artículos (40.339)
- h***r (763)- Votos emitidos por el comprador.Último añoCompra verificadaHighly recommended seller
- 5***t (231)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaVery good price. Very fast shipping. Good communication. Arrived as shown in pictures. Fast tracking number provided and shipping. Placed order on a Saturday and received tracking number within minutes. Was even shipped out on a Saturday. Case arrived cracked, but the disc was not harmed or scratched.Taxi Chaos - Sony PlayStation 4 .. sealed new for PS4 (#315293508770)
- p***u (9)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaI was suspicious of this seller after seeing how good the condition of the cartridge was. The reassured me that it was official and I reluctantly bought it. A couple days later and it arrived and it was exactly as described! It is an official copy of the game and is in great condition for the price.
- _***9 (12)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaThe Lisle 33850 metric hex bit set was priced very competitively, especially for a quality tool made in the United States. It was less expensive than a similar imported 'big box' tool set. The set was packed very carefully and shipped promptly, arriving faster than I expected. The hex bit set was delivered in perfect, new condition and matched the listing photographs. Based on this experience, I wouldn't hesitate to purchase from this seller in the future.