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Last Light : How Six Great Artists Made Old Age a Time of Triumph HCDJ
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Aproximadamente13,69 EUR
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Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
Gratis USPS Media MailTM.
Ubicado en: Middletown, New Jersey, Estados Unidos
Entrega:
Entrega prevista entre el sáb. 6 sep. y el sáb. 13 sep. a 94104
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
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El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:315446964927
Características del artículo
- Estado
- Publication Name
- Simon & Schuster
- Special Attributes
- EX-LIBRARY
- ISBN
- 9781501146589
Acerca de este producto
Product Identifiers
Publisher
Simon & Schuster
ISBN-10
1501146580
ISBN-13
9781501146589
eBay Product ID (ePID)
5057272403
Product Key Features
Book Title
Last Light : How Six Great Artists Made Old Age a Time of Triumph
Number of Pages
384 Pages
Language
English
Topic
Individual Artists / General, Criticism & Theory, History / General
Publication Year
2022
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
31.9 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2022-019281
Reviews
"A fascinating book written with the authority that comes with a great depth of knowledge." - Kirkus Review
Synopsis
One of the nation's top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers--and, in some cases, changing the course of art history. Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose; older ones because they have nothing to fear. With their legacies secure, they're free to reinvent themselves...sometimes with revolutionary results. Titian's late style offered a way for pigment itself--not just the things it depicted--to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya's late work enlarged the psychological territory that artists could enter. Monet's late waterlily paintings were eventually recognized as prophetic for the centerless, diaphanous space developed after World War II by abstract expressionists like Jackson Pollock and Phillip Guston. In his seventies, Matisse began to produce some of the most joyful art of the 20th century, especially his famous cutouts that brought an ancient craft into the realm of High Modernism. Hopper, the ultimate realist, used old age on occasion to depart into the surreal. And Nevelson, the patron saint of late bloomers, pioneered a new kind of sculpture: wall-sized wooden assemblages made from odds and ends she scavenged from the streets of Manhattan. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.
LC Classification Number
N8356.A43L33 2022
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