1976 Aubrey Beardsley Imp Of The Perverse Stanley Weintraub Book

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Ubicado en: Granville, New York, Estados Unidos
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N.º de artículo de eBay:306602130646

Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Binding
Softcover, Wraps
Signed
No
Personalized
No
Features
1st Edition
Character Family
Aubrey Beardsley
Country of Origin
United States
Original/Facsimile
Original
Year Printed
1976
ISBN
9780271012155
Categoría

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Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
0271012153
ISBN-13
9780271012155
eBay Product ID (ePID)
1198397

Product Key Features

Number of Pages
306 Pages
Publication Name
Aubrey Beardsley : IMP of the Perverse
Language
English
Subject
Individual Artists / General, General, Literary, Artists, Architects, Photographers
Publication Year
1990
Type
Textbook
Subject Area
Art, Biography & Autobiography
Author
Stanley Weintraub
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
2 Oz
Item Length
8 in
Item Width
9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
75-027231
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
[B]
Synopsis
At twenty, "the Fra Angelico of Satanism," as Roger Fry was to call Aubrey Beardsley, was working as an obscure clerk in a London life insurance company. Three years later he was the most notorious and perhaps the most influential artist in England. His controversial drawings for Oscar Wilde's Salome were so daring and different that someone quipped that Wilde's play illustrated Beardsley's art. His work as art editor of the two most famous magazines of the 1890's, The Yellow Book and The Savoy, consolidated his fame although he was unreasonably dragged into the Wilde scandal and nearly destroyed by it. By the time he produced his strikingly scabrous drawings for a pornographer publisher's Lysistrata he was dying, yet still incredibly productive. But he had already indelibly stamped the age with his name. In a front-page review in the New York Times Book Review in 1967, art critic John Russell wrote of Beardsley that "as a biography a life's story" the book "needs no successsor." Aubrey Beardsley: Imp of the Perverse began as an updating of the original biography but new material at hand and the need to reinterpret Beardsley from the perspective of augmented life-records made a mere updating impractical, especially since the climate for publishing has become far more receptive to truth in biography, however explicit.", At twenty, "the Fra Angelico of Satanism," as Roger Fry was to call Aubrey Beardsley, was working as an obscure clerk in a London life insurance company. Three years later he was the most notorious--and perhaps the most influential--artist in England. His controversial drawings for Oscar Wilde's Salome were so daring and different that someone quipped that Wilde's play illustrated Beardsley's art. His work as art editor of the two most famous magazines of the 1890's, The Yellow Book and The Savoy, consolidated his fame although he was unreasonably dragged into the Wilde scandal and nearly destroyed by it. By the time he produced his strikingly scabrous drawings for a pornographer publisher's Lysistrata he was dying, yet still incredibly productive. But he had already indelibly stamped the age with his name. In a front-page review in the New York Times Book Review in 1967, art critic John Russell wrote of Beardsley that "as a biography--a life's story" the book "needs no successsor." Aubrey Beardsley: Imp of the Perverse began as an updating of the original biography but new material at hand and the need to reinterpret Beardsley from the perspective of augmented life-records made a mere updating impractical, especially since the climate for publishing has become far more receptive to truth in biography, however explicit.
LC Classification Number
NC242.B3

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mdri-97

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