Slouching Towards Bethlehem: Essays (FSG Classics)

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN
9780374531386

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Product Identifiers

Publisher
Farrar, Straus & Giroux
ISBN-10
0374531382
ISBN-13
9780374531386
eBay Product ID (ePID)
66016088

Product Key Features

Book Title
Slouching Towards Bethlehem : Essays
Number of Pages
256 Pages
Language
English
Publication Year
2008
Topic
Spirituality, Women Authors, Essays
Genre
Literary Criticism, Religion, Literary Collections
Author
Joan Didion
Book Series
Fsg Classics Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
8.1 Oz
Item Length
0.8 in
Item Width
5.7 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
"In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country."--Dan Wakefield, The New York Times Book Review, In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country., "In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country."--Dan Wakefield , The New York Times Book Review, "In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country." -- Dan Wakefield, The New York Times Book Review, "In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country."--Dan Wakefield,The New York Times Book Review
Dewey Decimal
814.54
Synopsis
Celebrated, iconic, and indispensable, Joan Didion's first work of nonfiction, Slouching Towards Bethlehem , is considered a watershed moment in American writing. First published in 1968, the collection was critically praised as one of the "best prose written in this country." More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion's focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. As Joyce Carol Oates remarked: "[Didion] has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control.", The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America--particularly California--in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.
LC Classification Number
PS3554.I33S55 2008

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