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Three New York Dadas and the Blind Man : Marcel Duchamp, Henri-Pierre Roché

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Última actualización el 19 jul 2025 17:14:22 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN
9781900565431

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Product Identifiers

Publisher
Atlas Press
ISBN-10
1900565439
ISBN-13
9781900565431
eBay Product ID (ePID)
221615283

Product Key Features

Book Title
Three New York Dadas and the Blind Man : Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood
Number of Pages
152 Pages
Language
English
Publication Year
2014
Topic
History / Modern (Late 19th Century to 1945), Literary
Illustrator
Yes
Genre
Art, Fiction
Author
Chris Allen
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Weight
17.6 Oz
Item Length
9.3 in
Item Width
7 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
709.04062
Synopsis
The extraordinary story of a triangle at the heart of modern art in New York, 1917: Marcel Duchamp, Henri-Pierre Roche and Beatrice Wood., Three New York Dadas and The Blind Man relates the story of the triangular relationship between Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood, told in the words of two of its protagonists; and also reprints in facsimile the Dadaist magazine they produced together in New York in 1917: The Blind Man . The principal text is the first English translation of Roché's novel Victor , an account of his friendship with Duchamp (nicknamed Victor by his close friends in those days). Although unfinished, Roché's text offers a unique account of New York Dada, all of whose principal characters and events make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their soirées, the Blind Man's Ball and the scandal of Duchamp's "Fountain" at the Independents exhibition, a pivotal moment in modern art. The novel offers interesting insights into the sexual politics of the period, when a woman could be arrested or blackmailed for spending the night with a man to whom she was not married. Roché, a lifelong friend of Duchamp, appears to have been something of a devotee of triangular relationships, and went on to write a more famous novel on the topic (also autobiographical), Jules et Jim --later made into a film by François Truffaut. Beatrice Wood's account of these events is taken from her memoirs; she went on to become a celebrated ceramicist, dying in 1998 aged 105. The introduction and commentary is by Dawn Ades, the well-known scholar of Dada and Surrealism., Three New York Dadas and The Blind Man relates the story of the triangular relationship between Marcel Duchamp, Henri-Pierre Roch and Beatrice Wood, told in the words of two of its protagonists; and also reprints in facsimile the Dadaist magazine they produced together in New York in 1917: The Blind Man . The principal text is the first English translation of Roch 's novel Victor , an account of his friendship with Duchamp (nicknamed Victor by his close friends in those days). Although unfinished, Roch 's text offers a unique account of New York Dada, all of whose principal characters and events make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their soir es, the Blind Man's Ball and the scandal of Duchamp's "Fountain" at the Independents exhibition, a pivotal moment in modern art. The novel offers interesting insights into the sexual politics of the period, when a woman could be arrested or blackmailed for spending the night with a man to whom she was not married. Roch , a lifelong friend of Duchamp, appears to have been something of a devotee of triangular relationships, and went on to write a more famous novel on the topic (also autobiographical), Jules et Jim --later made into a film by Fran ois Truffaut. Beatrice Wood's account of these events is taken from her memoirs; she went on to become a celebrated ceramicist, dying in 1998 aged 105. The introduction and commentary is by Dawn Ades, the well-known scholar of Dada and Surrealism., Collects together a novel and a memoir of a triangular relationship during the early days of the Dada movement in New York along with its creative progeny, two magazines: The Blindman and Rongwrong. Henri-Pierre Roche is best known for his novel Jules et Jim, based on the three-sided relationship between himself, the artist Marcel Duchamp and the actress Beatrice Wood. A unique first-hand evocation of the three friends and lovers within their milieu, which included extraordinary characters such as Francis Picabia, Isadora Duncan, Arthur Cravan and many more.
LC Classification Number
NX511.N4

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