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Three New York Dadas and the Blind Man : Marcel Duchamp, Henri-Pierre Roché
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Ubicado en: McDonald, Tennessee, Estados Unidos
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N.º de artículo de eBay:306265650087
Última actualización el 19 jul 2025 17:14:22 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9781900565431
Acerca de este producto
Product Identifiers
Publisher
Atlas Press
ISBN-10
1900565439
ISBN-13
9781900565431
eBay Product ID (ePID)
221615283
Product Key Features
Book Title
Three New York Dadas and the Blind Man : Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood
Number of Pages
152 Pages
Language
English
Publication Year
2014
Topic
History / Modern (Late 19th Century to 1945), Literary
Illustrator
Yes
Genre
Art, Fiction
Format
Hardcover
Dimensions
Item Height
0.5 in
Item Weight
17.6 Oz
Item Length
9.3 in
Item Width
7 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
709.04062
Synopsis
The extraordinary story of a triangle at the heart of modern art in New York, 1917: Marcel Duchamp, Henri-Pierre Roche and Beatrice Wood., Three New York Dadas and The Blind Man relates the story of the triangular relationship between Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood, told in the words of two of its protagonists; and also reprints in facsimile the Dadaist magazine they produced together in New York in 1917: The Blind Man . The principal text is the first English translation of Roché's novel Victor , an account of his friendship with Duchamp (nicknamed Victor by his close friends in those days). Although unfinished, Roché's text offers a unique account of New York Dada, all of whose principal characters and events make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their soirées, the Blind Man's Ball and the scandal of Duchamp's "Fountain" at the Independents exhibition, a pivotal moment in modern art. The novel offers interesting insights into the sexual politics of the period, when a woman could be arrested or blackmailed for spending the night with a man to whom she was not married. Roché, a lifelong friend of Duchamp, appears to have been something of a devotee of triangular relationships, and went on to write a more famous novel on the topic (also autobiographical), Jules et Jim --later made into a film by François Truffaut. Beatrice Wood's account of these events is taken from her memoirs; she went on to become a celebrated ceramicist, dying in 1998 aged 105. The introduction and commentary is by Dawn Ades, the well-known scholar of Dada and Surrealism., Three New York Dadas and The Blind Man relates the story of the triangular relationship between Marcel Duchamp, Henri-Pierre Roch and Beatrice Wood, told in the words of two of its protagonists; and also reprints in facsimile the Dadaist magazine they produced together in New York in 1917: The Blind Man . The principal text is the first English translation of Roch 's novel Victor , an account of his friendship with Duchamp (nicknamed Victor by his close friends in those days). Although unfinished, Roch 's text offers a unique account of New York Dada, all of whose principal characters and events make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their soir es, the Blind Man's Ball and the scandal of Duchamp's "Fountain" at the Independents exhibition, a pivotal moment in modern art. The novel offers interesting insights into the sexual politics of the period, when a woman could be arrested or blackmailed for spending the night with a man to whom she was not married. Roch , a lifelong friend of Duchamp, appears to have been something of a devotee of triangular relationships, and went on to write a more famous novel on the topic (also autobiographical), Jules et Jim --later made into a film by Fran ois Truffaut. Beatrice Wood's account of these events is taken from her memoirs; she went on to become a celebrated ceramicist, dying in 1998 aged 105. The introduction and commentary is by Dawn Ades, the well-known scholar of Dada and Surrealism., Collects together a novel and a memoir of a triangular relationship during the early days of the Dada movement in New York along with its creative progeny, two magazines: The Blindman and Rongwrong. Henri-Pierre Roche is best known for his novel Jules et Jim, based on the three-sided relationship between himself, the artist Marcel Duchamp and the actress Beatrice Wood. A unique first-hand evocation of the three friends and lovers within their milieu, which included extraordinary characters such as Francis Picabia, Isadora Duncan, Arthur Cravan and many more.
LC Classification Number
NX511.N4
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