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Black: The History of a Color by Michel Pastoureau Hardback Book The Fast Free
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Características del artículo
- Estado
- ISBN
- 069113930X
- EAN
- 9780691139302
- Date of Publication
- 2008-11-16
- Publication Name
- N/A
- Type
- Hardback
- Release Title
- Black: The History of a Color
- Artist
- Michel Pastoureau
- Brand
- N/A
- Colour
- N/A
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Product Identifiers
Publisher
Princeton University Press
ISBN-10
069113930X
ISBN-13
9780691139302
eBay Product ID (ePID)
21038727210
Product Key Features
Book Title
Black : the History of a Color
Number of Pages
216 Pages
Language
English
Topic
Criticism & Theory, Aesthetics, Subjects & Themes / General, History / General
Publication Year
2008
Illustrator
Yes
Genre
Art, Philosophy
Book Series
The History of a Color Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
43.1 Oz
Item Length
9.5 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2008-025145
Dewey Edition
22
Reviews
Michael Pastoureau, in Black: The History of a Color , sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it., "Who would have thought the history of a single color could be so fascinating? Black: The History of a Color , by Michel Pastoureau, proceeds chronologically from cave painting to modern fashion and focuses on mythology, heraldry, religion, science and painting along the way. The author, a historian at the Sorbonne, narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition. After this you'll want to read his previous book, from the same publisher, Blue: The History of a Color ." ---Ken Johnson, New York Times, "Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge."-- Sebastian Smee, The Australian, "Who would have thought the history of a single color could be so fascinating? Black: The History of a Color , by Michel Pastoureau, (Princeton University Press, $35) proceeds chronologically from cave painting to modern fashion and focuses on mythology, heraldry, religion, science and painting along the way. The author, a historian at the Sorbonne, narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition. After this you'll want to read his previous book, from the same publisher, Blue: The History of a Color ."-- Ken Johnson, New York Times, This erudite and elegantly written exploration of the history of black charts its changing symbolism and shades of meaning as a colour of death and rebirth, of religious authority and evil, of luxury and poverty. -- Fiona Capp, The Age, Blackis a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise--Blue., "Until I came upon Michel Pastoureau's 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past."-- Frtiz Lanham, The Houston Chronicle, Michael Pastoureau, in Black: The History of a Color , sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it. ---Robert Fulford, The National Post, "This erudite and elegantly written exploration of the history of black charts its changing symbolism and shades of meaning as a colour of death and rebirth, of religious authority and evil, of luxury and poverty." --Fiona Capp, The Age (Australia), Praise for Michel Pastoureau's Blue : "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read. -- Brian Bouldrey, Chicago Tribune, " Black is a penetrating, erudite, thoughtfully illustrated cultural history." ---Nicholas A. Basbanes, Worcester Telegram & Gazette, Until I came upon Michel Pastoureau's 2000 bookBlue: The History of a Colorit had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past., "Michael Pastoureau, in Black: The History of a Color , sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it." --Robert Fulford, The National Post, This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlier Blue , this book is well researched, skillfully written, and a pleasure to read., "Now Princeton University Press has published a social history of this most allusive of hues, Black: The History of a Color , by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history."-- John Zeaman, Design NJ Magazine, Who would have thought the history of a single color could be so fascinating? Black: The History of a Color , by Michel Pastoureau, (Princeton University Press, $35) proceeds chronologically from cave painting to modern fashion and focuses on mythology, heraldry, religion, science and painting along the way. The author, a historian at the Sorbonne, narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition. After this you'll want to read his previous book, from the same publisher, Blue: The History of a Color . ---Ken Johnson, New York Times, This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlier Blue , this book is well researched, skillfully written, and a pleasure to read. ---R. M. Davis, Choice, Until I came upon Michel Pastoureau's 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past. -- Frtiz Lanham, The Houston Chronicle, "French popular art historian Pastoureau here tackles one of the most complex and interesting colours, the favourite of 'priests and penitents, artists and ascetics, fashion designers and fascists.' This social history is lavishly illustrated with paintings, movie stills, photo portraits and fashion shoots." -- The Globe & Mail, This erudite and elegantly written exploration of the history of black charts its changing symbolism and shades of meaning as a colour of death and rebirth, of religious authority and evil, of luxury and poverty., [T]his book . . . reads quite naturally as English . . . and it has something worthwhile to say in a style that is informative rather than aimed mostly at enhancing the reputation of the writer among his academic peers. . . There is much valuable information about the history of dying in different periods and the fashionability of the color black among the nobility and upper classes (later the wealthy merchant class) of Europe., "Until I came upon Michel Pastoureaus 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past."-- Frtiz Lanham, The Houston Chronicle, Praise for Michel Pastoureau's Blue : "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue." ---William H. Gass, author of, Blue: A Philosophical Inquiry, [T]his book . . . reads quite naturally as English . . . and it has something worthwhile to say in a style that is informative rather than aimed mostly at enhancing the reputation of the writer among his academic peers. . . There is much valuable information about the history of dying in different periods and the fashionability of the color black among the nobility and upper classes (later the wealthy merchant class) of Europe. -- Colin Blogs, This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlierBlue, this book is well researched, skillfully written, and a pleasure to read. -- R. M. Davis, Choice, "What is interesting in sociological histories like Pastoureau's is their revelations about how cultural attitudes change. Black's connection with death began as early as ancient Egypt, when people left black stones on funeral pyres, not in a ghoulish way but as a symbol of rebirth (the Egyptian death divinity, Anubis, was painted black). . . . But this book will have you seeing black in more shades than you imagined."-- Victor Swoboda, The Montreal Gazette, Black is a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise-- Blue ., "This erudite and elegantly written exploration of the history of black charts its changing symbolism and shades of meaning as a colour of death and rebirth, of religious authority and evil, of luxury and poverty."-- Fiona Capp, The Age (Australia), Who would have thought the history of a single color could be so fascinating? Black: The History of a Color , by Michel Pastoureau, (Princeton University Press, $35) proceeds chronologically from cave painting to modern fashion and focuses on mythology, heraldry, religion, science and painting along the way. The author, a historian at the Sorbonne, narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition. After this you'll want to read his previous book, from the same publisher, Blue: The History of a Color . -- Ken Johnson, New York Times, Michael Pastoureau, in Black: The History of a Color , sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it. -- Robert Fulford, The National Post, "The author of more than a dozen art history books, Pastoureau's work is accessible, generous and witty. What's more, like all good illustrated books, this one is has more than 150 pictures in support of its superb text." --Marc Horton, The Edmonton Journal, "As the handsomely produced book demonstrates, black is the colour of the pigment used to draw the great bull of Lascaux, of evil, the devil, funerals, the fecundity of the Earth, bears, crows, hell, half the pieces on a chess board, Satan, heretics and priests alike, mysterious cats and, in the 12th century, the mantle of Mary, the mother of Jesus."-- Sydney Morning Herald, The author of more than a dozen art history books, Pastoureau's work is accessible, generous and witty. What's more, like all good illustrated books, this one is has more than 150 pictures in support of its superb text. ---Marc Horton, The Edmonton Journal, "[T]his book . . . reads quite naturally as English . . . and it has something worthwhile to say in a style that is informative rather than aimed mostly at enhancing the reputation of the writer among his academic peers. . . There is much valuable information about the history of dying in different periods and the fashionability of the color black among the nobility and upper classes (later the wealthy merchant class) of Europe."-- Colin Blogs, "Until I came upon Michel Pastoureau's 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past." --Frtiz Lanham, The Houston Chronicle, Praise for Michel Pastoureau'sBlue: "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read., Praise for Michel Pastoureau'sBlue: "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue. -- liam H. Gass, author of "Blue: A Philosophical Inquiry, Now Princeton University Press has published a social history of this most allusive of hues, Black: The History of a Color , by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history. ---John Zeaman, Design NJ Magazine, "French popular art historian Pastoureau here tackles one of the most complex and interesting colours, the favourite of 'priests and penitents, artists and ascetics, fashion designers and fascists.' This social history is lavishly illustrated with paintings, movie stills, photo portraits and fashion shoots."-- The Globe & Mail, The author of more than a dozen art history books, Pastoureau's work is accessible, generous and witty. What's more, like all good illustrated books, this one is has more than 150 pictures in support of its superb text. -- Marc Horton, The Edmonton Journal, "As the handsomely produced book demonstrates, black is the colour of the pigment used to draw the great bull of Lascaux, of evil, the devil, funerals, the fecundity of the Earth, bears, crows, hell, half the pieces on a chess board, Satan, heretics and priests alike, mysterious cats and, in the 12th century, the mantle of Mary, the mother of Jesus." -- Sydney Morning Herald, "This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlier Blue , this book is well researched, skillfully written, and a pleasure to read." --R. M. Davis, Choice, Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge. ---Sebastian Smee, The Australian, The author of more than a dozen art history books, Pastoureau's work is accessible, generous and witty. What's more, like all good illustrated books, this one is has more than 150 pictures in support of its superb text., "Who would have thought the history of a single color could be so fascinating? Black: The History of a Color , by Michel Pastoureau, (Princeton University Press, $35) proceeds chronologically from cave painting to modern fashion and focuses on mythology, heraldry, religion, science and painting along the way. The author, a historian at the Sorbonne, narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition. After this you'll want to read his previous book, from the same publisher, Blue: The History of a Color ." --Ken Johnson, New York Times, Black is a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise-- Blue . ---Nicholas A. Basbanes, The Worcester Telegram & Gazette, Praise for Michel Pastoureau'sBlue: "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read. -- Brian Bouldrey, Chicago Tribune, Blackis a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise--Blue. -- Nicholas A. Basbanes, The Worcester Telegram & Gazette, Now Princeton University Press has published a social history of this most allusive of hues, Black: The History of a Color , by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history. -- John Zeaman, Design NJ Magazine, What is interesting in sociological histories like Pastoureau's is their revelations about how cultural attitudes change. Black's connection with death began as early as ancient Egypt, when people left black stones on funeral pyres, not in a ghoulish way but as a symbol of rebirth (the Egyptian death divinity, Anubis, was painted black). . . . But this book will have you seeing black in more shades than you imagined., Now Princeton University Press has published a social history of this most allusive of hues,Black: The History of a Color, by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history., "The author of more than a dozen art history books, Pastoureau's work is accessible, generous and witty. What's more, like all good illustrated books, this one is has more than 150 pictures in support of its superb text."-- Marc Horton, The Edmonton Journal, French popular art historian Pastoureau here tackles one of the most complex and interesting colours, the favourite of 'priests and penitents, artists and ascetics, fashion designers and fascists.' This social history is lavishly illustrated with paintings, movie stills, photo portraits and fashion shoots., "What is interesting in sociological histories like Pastoureau's is their revelations about how cultural attitudes change. Black's connection with death began as early as ancient Egypt, when people left black stones on funeral pyres, not in a ghoulish way but as a symbol of rebirth (the Egyptian death divinity, Anubis, was painted black). . . . But this book will have you seeing black in more shades than you imagined." ---Victor Swoboda, Montreal Gazette, Who would have thought the history of a single color could be so fascinating?Black: The History of a Color, by Michel Pastoureau, (Princeton University Press, $35) proceeds chronologically from cave painting to modern fashion and focuses on mythology, heraldry, religion, science and painting along the way. The author, a historian at the Sorbonne, narrates developments in the material, aesthetic and sociological dimensions of the color black with infectious, wide-ranging curiosity and easy-going erudition. After this you'll want to read his previous book, from the same publisher,Blue: The History of a Color., Praise for Michel Pastoureaus Blue : "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read."-- Brian Bouldrey, Chicago Tribune, This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlierBlue, this book is well researched, skillfully written, and a pleasure to read., Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge. -- Sebastian Smee, The Australian, What is interesting in sociological histories like Pastoureau's is their revelations about how cultural attitudes change. Black's connection with death began as early as ancient Egypt, when people left black stones on funeral pyres, not in a ghoulish way but as a symbol of rebirth (the Egyptian death divinity, Anubis, was painted black). . . . But this book will have you seeing black in more shades than you imagined. -- Victor Swoboda, The Montreal Gazette, Praise for Michel Pastoureau's Blue : "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue." --William H. Gass, author of Blue: A Philosophical Inquiry , writing in the Los Angeles Times Book Review, Now Princeton University Press has published a social history of this most allusive of hues,Black: The History of a Color, by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history. -- John Zeaman, Design NJ Magazine, Praise for Michel Pastoureau's Blue : "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue."-- William H. Gass, author of Blue: A Philosophical Inquiry , writing in the Los Angeles Times Book Review, Michael Pastoureau, inBlack: The History of a Color, sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it., "The author of more than a dozen art history books, Pastoureau's work is accessible, generous and witty. What's more, like all good illustrated books, this one is has more than 150 pictures in support of its superb text." ---Marc Horton, Edmonton Journal, Praise for Michel Pastoureau's Blue : "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue., This erudite and elegantly written exploration of the history of black charts its changing symbolism and shades of meaning as a colour of death and rebirth, of religious authority and evil, of luxury and poverty. ---Fiona Capp, The Age, Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge., Praise for Michel Pastoureau's Blue : "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue. -- liam H. Gass, author of "Blue: A Philosophical Inquiry, As the handsomely produced book demonstrates, black is the colour of the pigment used to draw the great bull of Lascaux, of evil, the devil, funerals, the fecundity of the Earth, bears, crows, hell, half the pieces on a chess board, Satan, heretics and priests alike, mysterious cats and, in the 12th century, the mantle of Mary, the mother of Jesus., What is interesting in sociological histories like Pastoureau's is their revelations about how cultural attitudes change. Black's connection with death began as early as ancient Egypt, when people left black stones on funeral pyres, not in a ghoulish way but as a symbol of rebirth (the Egyptian death divinity, Anubis, was painted black). . . . But this book will have you seeing black in more shades than you imagined. ---Victor Swoboda, The Montreal Gazette, " Black is a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise-- Blue ." --Nicholas A. Basbanes, The Worcester Telegram & Gazette, This book . . . reads quite naturally as English . . . and it has something worthwhile to say in a style that is informative rather than aimed mostly at enhancing the reputation of the writer among his academic peers. . . . There is much valuable information about the history of dying in different periods and the fashionability of the color black among the nobility and upper classes (later the wealthy merchant class) of Europe., "Michael Pastoureau, in Black: The History of a Color , sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it." ---Robert Fulford, National Post, Now Princeton University Press has published a social history of this most allusive of hues, Black: The History of a Color , by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history., "This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlier Blue , this book is well researched, skillfully written, and a pleasure to read."-- R. M. Davis, Choice, "Until I came upon Michel Pastoureau's 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past." ---Fritz Lanham, Houston Chronicle, "[T]his book . . . reads quite naturally as English . . . and it has something worthwhile to say in a style that is informative rather than aimed mostly at enhancing the reputation of the writer among his academic peers. . . There is much valuable information about the history of dying in different periods and the fashionability of the color black among the nobility and upper classes (later the wealthy merchant class) of Europe." -- Colin Blogs, Praise for Michel Pastoureau's Blue : "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read." --Brian Bouldrey, Chicago Tribune, French popular art historian Pastoureau here tackles one of the most complex and interesting colours, the favourite of 'priests and penitents, artists and ascetics, fashion designers and fascists.' This social history is lavishly illustrated with paintings, movie stills, photo portraits and fashion shoots. -- The Globe & Mail, Winner of the 2009 Bronze Medal in Fine Art, Independent Publisher Book Awards One of Choice s Outstanding Academic Titles for 2009, Praise for Michel Pastoureau's Blue : "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read., Praise for Michel Pastoureau's Blue : "Pastoureaus text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue."-- William H. Gass, author of Blue: A Philosophical Inquiry , writing in the Los Angeles Times Book Review, Until I came upon Michel Pastoureau's 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past. ---Frtiz Lanham, The Houston Chronicle, Until I came upon Michel Pastoureau's 2000 bookBlue: The History of a Colorit had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past. -- Frtiz Lanham, The Houston Chronicle, This handsome, strikingly designed, richly illustrated book traces the history of the color black in Europe. . . . Like his earlier Blue , this book is well researched, skillfully written, and a pleasure to read. -- R. M. Davis, Choice, "Now Princeton University Press has published a social history of this most allusive of hues, Black: The History of a Color , by Michel Pastoureau, a French scholar and author of a similarly titled history of the color blue. Both are lavishly illustrated coffee table books that follow their colors down the time line of European history." --John Zeaman, Design NJ Magazine, Praise for Michel Pastoureau'sBlue: "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue., Praise for Michel Pastoureau's Blue : "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue. -- William H. Gass, author of "Blue: A Philosophical Inquiry, Black is a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise-- Blue . -- Nicholas A. Basbanes, The Worcester Telegram & Gazette, Praise for Michel Pastoureau's Blue : "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read."-- Brian Bouldrey, Chicago Tribune, "Michael Pastoureau, in Black: The History of a Color , sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it."-- Robert Fulford, The National Post, Winner of the 2009 Bronze Medal in Fine Art, Independent Publisher Book Awards One of Choice 's Outstanding Academic Titles for 2009, "Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge." --Sebastian Smee, The Australian, " Black is a penetrating, erudite, thoughtfully illustrated cultural history of a color, by Michel Pastoureau, an author whose earlier work has included--surprise, surprise-- Blue ."-- Nicholas A. Basbanes, The Worcester Telegram & Gazette, Praise for Michel Pastoureau's Blue : "A generous, gorgeous book full of nearly 100 historical and artistic plates, all illustrating the meaning and role of the color blue in Western history. . . . Pastoureau has created something rare: a coffee table book that is also a good read. And not just a good read, but a compelling read." ---Brian Bouldrey, Chicago Tribune, "What is interesting in sociological histories like Pastoureau's is their revelations about how cultural attitudes change. Black's connection with death began as early as ancient Egypt, when people left black stones on funeral pyres, not in a ghoulish way but as a symbol of rebirth (the Egyptian death divinity, Anubis, was painted black). . . . But this book will have you seeing black in more shades than you imagined." --Victor Swoboda, The Montreal Gazette, As the handsomely produced book demonstrates, black is the colour of the pigment used to draw the great bull of Lascaux, of evil, the devil, funerals, the fecundity of the Earth, bears, crows, hell, half the pieces on a chess board, Satan, heretics and priests alike, mysterious cats and, in the 12th century, the mantle of Mary, the mother of Jesus. -- Sydney Morning Herald, Until I came upon Michel Pastoureau's 2000 book Blue: The History of a Color it had never occurred to me colors had a history. Turns out they do, and tracking the significance first of blue, now black, provides a satisfyingly fresh angle of approach to the past., Michael Pastoureau, inBlack: The History of a Color, sees the rise of puritanism and Protestantism as the war of the colours--a war against vivid colour that black usually won. . . . He has a terrific story to tell, and a multitude of gorgeous images to help tell it. -- Robert Fulford, The National Post, "Taken together, the earlier volumes on blue (2001), black (2009), green (2013) and red (2017), plus the new book, [ Yellow ,] represent 'an edifice' that [Michel Pastoureau] has been working to build for half a century: a history of colours in (for the most part) Europe from the ancient Greeks and Romans to the 18th century and beyond. . . . [The books] amount to an ambitious project deserving not merely respect but even a touch of awe. There are very few comparable enterprises." ---Kevin Jackson, Literary Review, "French popular art historian Pastoureau here tackles one of the most complex and interesting colours, the favourite of priests and penitents, artists and ascetics, fashion designers and fascists. This social history is lavishly illustrated with paintings, movie stills, photo portraits and fashion shoots."-- The Globe & Mail
Dewey Decimal
155.9/1145
Synopsis
Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design., Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color.For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design., Black, favorite color of priests and penitents, artists and ascetics, fashion designers and fascists, has always stood for powerfully opposed ideas: authority and humility and sin and holiness. This book discusses the social history of the color black in Europe. It is suitable for those interested in the history of fashion, art, media, or design., The story of the color black in art, fashion, and culture--from the beginning of history to the twenty-first century Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.
LC Classification Number
BF789.C7P3813 2008
Descripción del artículo del vendedor
Información de vendedor profesional
Número de IVA: GB 922696893
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World of Books USA
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- n***d (49)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaExcellent seller. Package was delayed ( by bad weather) and then misplaced at PO( placed in wrong box #) but I contacted the seller and they responded quickly and I got my item today. This seller went the extra mile and I would highly recommend them and will shop here again. I also want to say the price for this complete hard to find item was way below most of the other listings. Condition was good as stated, and although I've only watched the first disc it's quality is good. Thank you!!Tenko : Complete BBC Series Box Set [DVD] - DVD EQVG The Cheap Fast Free Post (#306002146201)
- s***s (532)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaThe cd was well packed and arrived safely. Unfortunately, the disc I received wasn't the original cd. It had been replaced by a CD-R. I immediately alerted World of Books USA regarding the problem and an officer of the company responded within 24 hours. They have provided a full refund of the purchase. Great customer service and communication. The case was resolved to my satisfaction. Will continue to do business with World of Books USA. Thanks.
- w***a (47)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaI received my items in great condition. The books were packed really well and survived the shipping process well. The books appeared described by the seller. Excellent service by the seller, who responded quickly to an inquiry that was more of an issue with the current state of USPS. Excellent transaction with the seller overall!
World of Books USA
86,7% de votos positivos•5,1 millones artículos vendidos
Registrado como vendedor profesional
Votos de vendedor (1.548.972)
- n***d (49)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaExcellent seller. Package was delayed ( by bad weather) and then misplaced at PO( placed in wrong box #) but I contacted the seller and they responded quickly and I got my item today. This seller went the extra mile and I would highly recommend them and will shop here again. I also want to say the price for this complete hard to find item was way below most of the other listings. Condition was good as stated, and although I've only watched the first disc it's quality is good. Thank you!!Tenko : Complete BBC Series Box Set [DVD] - DVD EQVG The Cheap Fast Free Post (#306002146201)
- s***s (532)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaThe cd was well packed and arrived safely. Unfortunately, the disc I received wasn't the original cd. It had been replaced by a CD-R. I immediately alerted World of Books USA regarding the problem and an officer of the company responded within 24 hours. They have provided a full refund of the purchase. Great customer service and communication. The case was resolved to my satisfaction. Will continue to do business with World of Books USA. Thanks.
- w***a (47)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaI received my items in great condition. The books were packed really well and survived the shipping process well. The books appeared described by the seller. Excellent service by the seller, who responded quickly to an inquiry that was more of an issue with the current state of USPS. Excellent transaction with the seller overall!