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Semblance and Event Activist Philosophy & the Occurrent Art Brian Massumi hb/dj
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Ubicado en: Macon, Georgia, Estados Unidos
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N.º de artículo de eBay:305297466094
Última actualización el 05 jun 2025 19:00:34 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- “light edge wear to book and jacket, appears unmarked inside”
- ISBN
- 9780262134910
Acerca de este producto
Product Identifiers
Publisher
MIT Press
ISBN-10
0262134918
ISBN-13
9780262134910
eBay Product ID (ePID)
109017464
Product Key Features
Number of Pages
224 Pages
Language
English
Publication Name
Semblance and Event : Activist Philosophy and the Occurrent Arts
Subject
Media Studies, General, Digital, Political
Publication Year
2011
Type
Textbook
Subject Area
Art, Philosophy, Social Science, Psychology
Series
Technologies of Lived Abstraction Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
17.3 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-003566
Dewey Edition
22
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
144.3
Synopsis
Events are always passing; to experience an event is to experience the passing. Buthow do we perceive an experience that encompasses the just-was and the is-about-to-be as much aswhat is actually present? In Semblance and Event , Brian Massumi, drawing on thework of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of"semblance" as a way to approach this question. It is, he argues, aquestion of abstraction, not as the opposite of the concrete but as a dimension of it: "livedabstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance toinvestigate practices of art that are relational and event-oriented -- variously known asinteractive art, ephemeral art, performance art, art intervention -- which he refers to collectivelyas the "occurrent arts." Each art practice invents its own kinds of relational events oflived abstraction, to produce a signature species of semblance. The artwork's relational engagement,Massumi continues, gives it a political valence just as necessary and immediate as the aestheticdimension., Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In "Semblance and Event," Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented -- variously known as interactive art, ephemeral art, performance art, art intervention -- which he refers to collectively as the "occurrent arts." Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance. The artworks relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension.
LC Classification Number
B105.E9M375 2011
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