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Vermeer's Camera: Uncovering the Truth Behind th... by Steadman, Philip Hardback
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N.º de artículo de eBay:303967691931
Última actualización el 10 oct 2025 09:32:32 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 0192159674
- EAN
- 9780192159670
- Date of Publication
- 2001-05-01
- Publication Name
- N/A
- Type
- Hardback
- Release Title
- Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
- Artist
- Steadman, Philip
- Brand
- N/A
- Colour
- N/A
Acerca de este producto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0192159674
ISBN-13
9780192159670
eBay Product ID (ePID)
1789474
Product Key Features
Book Title
Vermeer's Camera : Uncovering the Truth Behind the Masterpieces
Number of Pages
222 Pages
Language
English
Topic
Individual Artists / General, European, History / General
Publication Year
2001
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
18.3 Oz
Item Length
9 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-269252
Dewey Edition
21
Reviews
"Vivid and impressive.... An experience that is closer to how we absorb the painter's intense, spooky, and perfectionistic work.... It's only in Steadman's presentation that I felt I came close to Vermeer himself."--Sanford Schwartz,The New York Review of Books, "Vivid and impressive.... An experience that is closer to how we absorb the painter's intense, spooky, and perfectionistic work.... It's only in Steadman's presentation that I felt I came close to Vermeer himself."--Sanford Schwartz, The New York Review of Books
Dewey Decimal
771
Table Of Content
Introduction1. The camera obscura2. The discovery of Vermeer's use of the camera3. Who taught Vermeer about optics?4. A room in Vermeer's house?5. Reconstructing the spaces in Vermeer's paintings6. The riddle of the Sphinx of Delft7. More evidence, from rebuilding Vermeer's studio8. Arguments against Vermeer's use of the camera9. The influence of the camera on Vermeer's painting styleAppendicesFurther ReadingA. Architectural features appearing in Vermeer's interiorsB. Measurements of Vermeer's room and furniture
Synopsis
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created., Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera , Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
LC Classification Number
TR268.S74 2001
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World of Books USA
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- r***w (1013)- Votos emitidos por el comprador.Hace más de un añoCompra verificadaFast smooth transaction. Exactly as described.
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- 4***7 (224)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificada1st edition, 2nd impression edition of "The Drunken Forest," by Gerald Durrell is as pictured & described. Arrived quickly & safely! Got a great deal on it! Great communication! The book, with a protective mylar cover, was wrapped in bubble wrap, then wrapped in sturdy cardboard, then placed in a rugged bubble mailer! Fort Knox in a mailer! So hard to get an early edition of this classic! So happy to add to my growing collection of nature & science books! Thank you! !!Seller Highly Recommended!!
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