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MORE THAN NIGHT: Film Noir in Its Contexts by Naremore, James Paperback Book The
USD9,95
Aproximadamente8,47 EUR
Estado:
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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N.º de artículo de eBay:303599248461
Última actualización el 09 mar 2025 18:25:50 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Topic
- Film Noir
- ISBN
- 9780520212947
Acerca de este producto
Product Identifiers
Publisher
University of California Press
ISBN-10
0520212940
ISBN-13
9780520212947
eBay Product ID (ePID)
1013682
Product Key Features
Number of Pages
342 Pages
Language
English
Publication Name
More than Night : Film Noir in Its Contexts
Subject
Film / General, Film / Genres / Crime, Film / History & Criticism
Publication Year
1998
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
16.7 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
97-033090
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.43/655
Synopsis
"Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s--melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more complex and paradoxical than we realize. Film noir refers both to an important cinematic legacy and to an idea we have projected onto the past. This lively, wide-ranging cultural history offers an original approach to the subject, as well as new production information and fresh commentary on scores of films, including such classics as Double Indemnity , The Third Man , and Out of the Past , and such "neo noirs" as Chinatown , Pulp Fiction , and Devil in a Blue Dress . Naremore discusses film noir as a term in criticism; as an expression of artistic modernism; as a symptom of Hollywood censorship and politics in the 1940s; as a market strategy; as an evolving style; as a cinema about races and nationalities; and as an idea that circulates across all the information technologies. Interdisciplinary in approach, this book has valuable things to say not only about film and television, but also about modern literature, the fine arts, and popular culture in general. In a field where much of what has been published is superficial and derivative, Naremore's work is certain to be received as a definitive treatment., "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s--melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. InMore Than Night, James Naremore discusses these pictures, but he also shows that the central term is more complex and paradoxical than we realize. Film noir refers both to an important cinematic legacy and to an idea we have projected onto the past. This lively, wide-ranging cultural history offers an original approach to the subject, as well as new production information and fresh commentary on scores of films, including such classics asDouble Indemnity,The Third Man, andOut of the Past, and such "neo noirs" asChinatown,Pulp Fiction, andDevil in a Blue Dress. Naremore discusses film noir as a term in criticism; as an expression of artistic modernism; as a symptom of Hollywood censorship and politics in the 1940s; as a market strategy; as an evolving style; as a cinema about races and nationalities; and as an idea that circulates across all the information technologies. Interdisciplinary in approach, this book has valuable things to say not only about film and television, but also about modern literature, the fine arts, and popular culture in general. In a field where much of what has been published is superficial and derivative, Naremore's work is certain to be received as a definitive treatment.
LC Classification Number
97-33090
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