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MUSES (MERIDIAN: CROSSING AESTHETICS) By Jean-luc Nancy
USD19,95
Aproximadamente17,48 EUR
Estado:
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Barron, Wisconsin, Estados Unidos
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Entrega prevista entre el mié. 6 ago. y el mar. 12 ago. a 94104
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N.º de artículo de eBay:303596348204
Última actualización el 22 ago 2024 11:45:33 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780804727815
Acerca de este producto
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804727813
ISBN-13
9780804727815
eBay Product ID (ePID)
302341
Product Key Features
Number of Pages
136 Pages
Publication Name
Muses
Language
English
Publication Year
1997
Subject
Criticism & Theory, General, Movements / Phenomenology, Aesthetics
Type
Textbook
Subject Area
Art, Philosophy
Series
Meridian: Crossing Aesthetics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
6.2 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
96-010880
Dewey Edition
20
TitleLeading
The
Reviews
"A truly exhilarating set of philosophical reflections on art and aesthetics. . . . Nancy masterfully explicates the threshold role art plays in the philosophical distinctions between the sensory and the sensible, life and death."--Georges Van Den Abbeele, University of California, Davis, A truly exhilarating set of philosophical reflections on art and aesthetics. . . . Nancy masterfully explicates the threshold role art plays in the philosophical distinctions between the sensory and the sensible, life and death."—Georges Van Den Abbeele, University of California, Davis, "A truly exhilarating set of philosophical reflections on art and aesthetics. . . . Nancy masterfully explicates the threshold role art plays in the philosophical distinctions between the sensory and the sensible, life and death."-Georges Van Den Abbeele, University of California, Davis
Illustrated
Yes
Dewey Decimal
701
Synopsis
This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses--to which the plurality of the arts has most frequently been referred--and sense or meaning in general. Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's Aesthetics and The Phenomenology of Spirit--art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel's historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy., "A truly exhilarating set of philosophical reflections on art and aesthetics. From the caves of Lascaux to Caravaggio's Death of the Virgin to the postmodern question of the marketplace and the 'end' of art, Nancy masterfully explicates the threshold role art plays in the philosophical distinctions between the sensory and the sensible, life and death, presentation and representation. Art is also compellingly shown to be the foundational category for any concept of religion, technology, or even 'humanity.'" --Georges Van Den Abbeele, University of California, Davis This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses--to which the plurality of the arts has most frequently been referred--and sense or meaning in general. Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's Aesthetics and The Phenomenology of Spirit--art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel's historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy. In the book's second essay, Nancy reads what he calls Hegel's "secret" (a secret even from Hegel): the emergence of art as presentation rather than representation. This intricate and compelling reading is key to the remaining essays: a virtuoso reading of Caravaggio's Death of the Virgin; an analysis of a traced hand in the grotto of Lascaux as the essential mimetic gesture, the monstration of self outside of self; and an account of the contemporary situation of art, including the question whether art today is still art. Nancy is among the very few present-day thinkers who ask rigorous and sustained questions about art and the practice of thinking about art. Meridian: Crossing Aesthetic
LC Classification Number
BH39
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