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Fire and Memory: On Architecture and Energy Luis Fernandez-Gali ano Paperback
USD59,95
Aproximadamente51,59 EUR
Estado:
“Book is used and in good condition with minor wear including some minor creasing on the upper right ”... Más informaciónacerca del estado
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Envío:
Gratis USPS Media MailTM.
Ubicado en: Raymond, Maine, Estados Unidos
Entrega:
Entrega prevista entre el jue. 20 nov. y el mar. 25 nov. a 94104
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N.º de artículo de eBay:297674563067
Características del artículo
- Estado
- Aceptable
- Notas del vendedor
- Country Of Manufacture
- United States
- ISBN
- 9780262561334
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Product Identifiers
Publisher
MIT Press
ISBN-10
0262561336
ISBN-13
9780262561334
eBay Product ID (ePID)
108486818
Product Key Features
Book Title
Fire and Memory : on Architecture and Energy
Number of Pages
340 Pages
Language
English
Publication Year
2000
Topic
General
Illustrator
Yes
Genre
Architecture
Book Series
Writing Architecture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
17.9 Oz
Item Length
8 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Trade
LCCN
00-057861
Dewey Edition
21
Grade From
College Graduate Student
Dewey Decimal
720/.472/09
Synopsis
Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building. In Fire and Memory , Luis Fernández-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a "metaphorical plundering" of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the mechanical and organic to time and entropy. Galiano points out that energy, so important to the origin of architectural theory in Vitruvius's time, has been absent from architectural theory since the introduction of the "dictatorship of the eye" over that of the skin. With Fire and Memory , he reintroduces energy to the discussion of architecture and reminds us that the sense of touch is as necessary to an understanding of the environment as the sense of sight., Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building. In Fire and Memory , Luis Fern ndez-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a "metaphorical plundering" of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the mechanical and organic to time and entropy. Galiano points out that energy, so important to the origin of architectural theory in Vitruvius's time, has been absent from architectural theory since the introduction of the "dictatorship of the eye" over that of the skin. With Fire and Memory , he reintroduces energy to the discussion of architecture and reminds us that the sense of touch is as necessary to an understanding of the environment as the sense of sight., Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building. In Fire and Memory , Luis Fern ndez-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a metaphorical plundering of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the mechanical and organic to time and entropy. Galiano points out that energy, so important to the origin of architectural theory in Vitruvius's time, has been absent from architectural theory since the introduction of the dictatorship of the eye over that of the skin. With Fire and Memory , he reintroduces energy to the discussion of architecture and reminds us that the sense of touch is as necessary to an understanding of the environment as the sense of sight., Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building.
LC Classification Number
NA2542.3.F4713 2000
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