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Streb: How to Become an Extreme Action Hero

Big River Books
(372644)
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Ubicado en: Powder Springs, Georgia, Estados Unidos
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N.º de artículo de eBay:297445355552
Última actualización el 12 sep 2025 20:18:54 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Release Year
2010
ISBN
9781558616561

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Product Identifiers

Publisher
Feminist Press at T.H.E. City University of New York
ISBN-10
155861656X
ISBN-13
9781558616561
eBay Product ID (ePID)
14038669290

Product Key Features

Book Title
Streb : How to Become an Extreme Action Hero
Number of Pages
144 Pages
Language
English
Publication Year
2010
Topic
Dance / Modern, Extreme Sports, Physical Medicine & Rehabilitation, General, Entertainment & Performing Arts, Dance / General
Illustrator
Yes
Genre
Performing Arts, Sports & Recreation, Biography & Autobiography, Psychology, Medical
Author
Elizabeth Streb
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
11.6 Oz
Item Length
7.2 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2009-052614
Dewey Edition
22
Reviews
"Fearlessness and intelligence combined--that is what makes Elizabeth Streb's work so potent and beautiful."-- Mikhail Baryshnikov "[Streb]...has long been a pioneer in blending gymnastics, dance, acrobatics and sheer daredevil insanity, and many have seen her work as an exhibition of pure dance energy."-- New York Times "Streb is a glorious acrobatic adventure."-- The Guardian "Streb cooks up a vibrant stew that's part circus, part sporting event, part theater, part student recital, and part scrupulous time-motion-energy investigation. The neighborhood sniffs the aroma and crowds in the door."-- Village Voice "Ah, finally an artist who is not afraid of handling live eels, confronting an army of rats or diving head first through a panel of glass! Elizabeth Streb also recalls carrying enormous pails of water back and forth from a river when she was 10, riding her first motorcycle at age 15, and how at 18 she once held a sheet-rock panel above her head for an entire afternoon waiting for a never-returning carpenter! In this inspiring and passionate book, ultra-tenacious Elizabeth shares with the reader some of her surrealist goals: leaving a room through the walls; never landing after jumping; and moving so fast that you stand still...Wow!"-- Philippe Petit, "[A] dizzying, inspirational self-help memoir... Streb's riveting prose should provoke and inspire philosophy students, dancers, and athletes of all kinds." --Publishers Weekly "Fearlessness and intelligence combined--that is what makes Elizabeth Streb's work so potent and beautiful." --Mikhail Baryshnikov, former artistic director of the American Ballet Theatre "...it's incredibly well written, blazingly articulate, brimming with ideas regarding space, time, movement--as if Martha Graham and Albert Einstein had a love child and named her Streb; like Batman and Robin gave her the secret code to how to explain all that happens behind KAPOW, SPLAT, and ZOWIE." --A. M. Homes, author of The End of Alice "Elizabeth courts danger, tricks the eye, and thrills the spirit. She is a dynamic force. She's superhuman. She's Superwoman." --Trisha Brown, choreographer and visual artist "in this inspiring and passionate book, ultra-tenacious Elizabeth shares with the reader some of her surrealist goals: leaving a room through the walls; never landing after jumping; and moving so fast that you stand still. Wow!" --Philippe Petit, high wire artist "[Streb]...has long been a pioneer in blending gymnastics, dance, acrobatics and sheer daredevil insanity, and many have seen her work as an exhibition of pure dance energy."--New York Times "Streb is a glorious acrobatic adventure."--The Guardian "Streb cooks up a vibrant stew that's part circus, part sporting event, part theater, part student recital, and part scrupulous time-motion-energy investigation. The neighborhood sniffs the aroma and crowds in the door."--Village Voice, "[A] dizzying, inspirational self-help memoir... Streb's riveting prose should provoke and inspire philosophy students, dancers, and athletes of all kinds." -- Publishers Weekly "Fearlessness and intelligence combined--that is what makes Elizabeth Streb's work so potent and beautiful." -- Mikhail Baryshnikov, former artistic director of the American Ballet Theatre "...it's incredibly well written, blazingly articulate, brimming with ideas regarding space, time, movement--as if Martha Graham and Albert Einstein had a love child and named her Streb; like Batman and Robin gave her the secret code to how to explain all that happens behind KAPOW, SPLAT, and ZOWIE." -- A. M. Homes, author of The End of Alice "Elizabeth courts danger, tricks the eye, and thrills the spirit. She is a dynamic force. She's superhuman. She's Superwoman." -- Trisha Brown, choreographer and visual artist "in this inspiring and passionate book, ultra-tenacious Elizabeth shares with the reader some of her surrealist goals: leaving a room through the walls; never landing after jumping; and moving so fast that you stand still. Wow!" -- Philippe Petit, high wire artist "[Streb]...has long been a pioneer in blending gymnastics, dance, acrobatics and sheer daredevil insanity, and many have seen her work as an exhibition of pure dance energy."-- New York Times "Streb is a glorious acrobatic adventure."-- The Guardian "Streb cooks up a vibrant stew that's part circus, part sporting event, part theater, part student recital, and part scrupulous time-motion-energy investigation. The neighborhood sniffs the aroma and crowds in the door."-- Village Voice, "Fearlessness and intelligence combined—that is what makes Elizabeth Streb's work so potent and beautiful."— Mikhail Baryshnikov "[Streb]…has long been a pioneer in blending gymnastics, dance, acrobatics and sheer daredevil insanity, and many have seen her work as an exhibition of pure dance energy."— New York Times "Streb is a glorious acrobatic adventure."— The Guardian "Streb cooks up a vibrant stew that's part circus, part sporting event, part theater, part student recital, and part scrupulous time-motion-energy investigation. The neighborhood sniffs the aroma and crowds in the door."— Village Voice "Ah, finally an artist who is not afraid of handling live eels, confronting an army of rats or diving head first through a panel of glass! Elizabeth Streb also recalls carrying enormous pails of water back and forth from a river when she was 10, riding her first motorcycle at age 15, and how at 18 she once held a sheet-rock panel above her head for an entire afternoon waiting for a never-returning carpenter! In this inspiring and passionate book, ultra-tenacious Elizabeth shares with the reader some of her surrealist goals: leaving a room through the walls; never landing after jumping; and moving so fast that you stand still...Wow!"-- Philippe Petit, "Fearlessness and intelligence combined--that is what makes Elizabeth Streb's work so potent and beautiful."-- Mikhail Baryshnikov "[Streb]...has long been a pioneer in blending gymnastics, dance, acrobatics and sheer daredevil insanity, and many have seen her work as an exhibition of pure dance energy."-- New York Times "Streb is a glorious acrobatic adventure."-- The Guardian "Streb cooks up a vibrant stew that's part circus, part sporting event, part theater, part student recital, and part scrupulous time-motion-energy investigation. The neighborhood sniffs the aroma and crowds in the door."-- Village Voice "Ah, finally an artist who is not afraid of handling live eels, confronting an army of rats or diving head first through a panel of glass! Elizabeth Streb also recalls carrying enormous pails of water back and forth from a river when she was 10, riding her first motorcycle at age 15, and how at 18 she once held a sheet-rock panel above her head for an entire afternoon waiting for a never-returning carpenter! In this inspiring and passionate book, ultra-tenacious Elizabeth shares with the reader some of her surrealist goals: leaving a room through the walls; never landing after jumping; and moving so fast that you stand still&Wow!"- Philippe Petit
Dewey Decimal
792.8092
Synopsis
Elizabeth Streb has been testing the potential of the human body since childhood. Can she fly? Can she run up walls? Can she break through glass? How fast can she go? With clarity and humor--and with a world-class dance troupe called STREB--she continues to investigate what real movement is and has come to these conclusions: It's off the ground It creates impact It hurts trying to stop it In this pathbreaking book, Streb combines memoir and analysis to convey how she became an extreme action dancer/choreographer, developing a form of movement that's more NASCAR than modern dance; more boxing than ballet. Called the Evel Knievel of dance, Elizabeth Streb intertwines the disciplines of dance, athletics, rodeo, the circus, and Hollywood stunt-work. She founded STREB in 1985, which performs internationally in theaters, museums, and town squares. She established S.L.A.M. (STREB Lab for Action Mechanics) in 2003, a factory space in Williamsburg, Brooklyn, which produces a cottage industry of extreme action performances and invites everyday people to wonder about movement, gravity, and flight., An inspiring memoir and self-help guide to greatness by the dancer Mikhail Baryshnikov calls "fearlessness and intelligence combined . . . potent and beautiful." Called "the Evel Knievel of Dance," Elizabeth Streb has been pushing boundaries and testing the potential of the human body since childhood. Can she fly? Can she run up walls? Can she break through glass? How fast can she go? With clarity and humor--and with her internationally-renowned dance troupe STREB--she continues to investigate what movement truly is and has come to these conclusions: It's off the ground! It creates impact! And it hurts trying to stop! Here, Streb combines memoir and analysis to convey how she became an extreme action dancer and choreographer, developing a form of movement that's more NASCAR than modern dance, more boxing than ballet, and more than most people can handle "in this dizzying, inspirational self-help" books ( Publishers Weekly , starred review)., An inspiring memoir and self-help guide to greatness by the dancer Mikhail Baryshnikov calls "fearlessness and intelligence combined . . . potent and beautiful." Called "the Evel Knievel of Dance," Elizabeth Streb has been pushing boundaries and testing the potential of the human body since childhood. Can she fly? Can she run up walls? Can she break through glass? How fast can she go? With clarity and humor--and with her internationally-renowned dance troupe STREB--she continues to investigate what movement truly is and has come to these conclusions: It's off the ground! It creates impact! And it hurts trying to stop! Here, Streb combines memoir and analysis to convey how she became an extreme action dancer and choreographer, developing a form of movement that's more NASCAR than modern dance, more boxing than ballet, and more than most people can handle "in this dizzying, inspirational self-help" books (Publishers Weekly, starred review)., It is becoming increasingly common for human rights norms to be transferred between legal and political systems and this book is a fresh approach to the intersection of transnational law and the protection of cultural difference beyond the single state border. It investigates how the construction and evolution of human rights norms are transferred in transnational legal settings and asks whether law should reflect, express or control any given aspect of culture. The chapters explore the ways that law and cultural identity may or may not co-exist, particularly in circumstances where a prima facie clash is observed. Examining legal approaches to cultural differences from a comparative perspective and across a wide range of locations, the book covers topics such as juvenile punishment, religious defamation, religious rights and conflict between industry and indigenous communities. It will be of value to those working in the areas of transnational and comparative law, as well as those concerned with human rights and the intersection of law and cultural difference.
LC Classification Number
BF295.S87 2010

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Big River Books

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    Book arrived in great condition. It was described accurately. It was shipped in a bubble mailer, so there was some minor damage to it on edges. No big deal, still worth the price! Seller was communicative and recieved my message when I dmed them about an issue.
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    Shipped promptly and packed up securely. All books are in great condition. The box part of the box set looks like it may have come apart and was taped up on one of the upper corners. Not a big deal to me and the box still fits all the books securely, but the taping was not mentioned in the description. Would have been disappointing if I was looking for a box set that looked like it was in mint or near mint condition.
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    AAA+++ Book arrived on time & undamaged. Could have been protected by a box but came came shipped in bubble shipping slip. Lucky I guess. As advertised used but in like new condition. Sells else where for around $100.00 locally. Price was worth the chance. Collection book for my wife & made her happy. Would buy again but hope for better packing for a hard cover book. Quick shipping