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American Modern : Hopper to O'Keeffe, Hardcover by Curry, Kathy; Adler, Esthe...
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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N.º de artículo de eBay:295516213866
Última actualización el 13 feb 2023 19:23:59 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Literary Movement
- Modernism
- ISBN
- 9780870708527
- EAN
- 9780870708527
Acerca de este producto
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
087070852X
ISBN-13
9780870708527
eBay Product ID (ePID)
6038721592
Product Key Features
Book Title
American Modern : Hopper to O'keefe
Number of Pages
144 Pages
Language
English
Topic
History / Contemporary (1945-), Museums, Tours, Points of Interest, American / General
Publication Year
2013
Illustrator
Yes
Genre
Art, Travel
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
46.6 Oz
Item Length
12.5 in
Item Width
9.8 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
In the Thirties, MoMA deliberately set out to collect the work of living American artists as a counterbalance to what was considered at the time its concentration on European works., American modernism in the years before Abstract Expressionism is the focus of this exhibition, featuring iconic works from MoMA's collection by Edward Hopper, Georgia O'Keeffe, George Bellows. Alfred Stieglitz and Andrew Wyeth, among other big names.
Dewey Decimal
709.730904
Synopsis
An authoritative overview of American modernism American Modern presents a fresh look at The Museum of Modern Art's holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum's most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O'Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are shown eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern forms and technological advances, as in Sheeler's paintings and photographs, and a reflection of anxiety about increasingly urban lifestyles and their consequences for the American individual, as in Hopper's iconic "Night Windows." Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Featured still lifes are as diverse: Stuart Davis' bright, angular compositions marry fractured form with logos and patterns taken from modern advertising, while Charles Demuth's rich watercolors of fruits and vegetables celebrate agricultural bounty and his mastery of the medium. Works by Arthur Dove, Alfred Stieglitz and Andrew Wyeth, among others, suggest different possibilities in portraiture, and the diverse ways artists have thought about the figure and its absence as a way to capture their subject. This volume is a focused look at the strengths and surprises of MoMA's collection in an area that has played a rich and major role in the institution's history., American Modern presents a fresh look at The Museum of Modern Art's holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century. Organized thematically and featuring paintings, drawings, prints, photographs, sculpture, and film, the publication brings together some of the Museum's most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O'Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis include urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern form and technological advances, as in Sheeler's paintings and photographs, and a reflection of anxiety about increasingly urban life-styles and their consequences for the American individual, as in Hopper's iconic Night Windows. Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Rather than an encyclopedic view of American art of the period, this volume is a focused look at the strengths and surprises of MoMA's collection in an area that has played a rich and major role in the institution's history., American Modern presents a fresh look at The Museum of Modern Art's holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum's most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O'Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are shown eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern forms and technological advances, as in Sheeler's paintings and photographs, and a reflection of anxiety about increasingly urban lifestyles and their consequences for the American individual, as in Hopper's iconic "Night Windows." Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Featured still lifes are as diverse: Stuart Davis' bright, angular compositions marry fractured form with logos and patterns taken from modern advertising, while Charles Demuth's rich watercolors of fruits and vegetables celebrate agricultural bounty and his mastery of the medium. Works by Arthur Dove, Alfred Stieglitz and Andrew Wyeth, among others, suggest different possibilities in portraiture, and the diverse ways artists have thought about the figure and its absence as a way to capture their subject. This volume is a focused look at the strengths and surprises of MoMA's collection in an area that has played a rich and major role in the institution's history., An authoritative overview of American modernism American Modern presents a fresh look at The Museum of Modern Art s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are shown eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern forms and technological advances, as in Sheeler s paintings and photographs, and a reflection of anxiety about increasingly urban lifestyles and their consequences for the American individual, as in Hopper s iconic Night Windows. Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Featured still lifes are as diverse: Stuart Davis bright, angular compositions marry fractured form with logos and patterns taken from modern advertising, while Charles Demuth s rich watercolors of fruits and vegetables celebrate agricultural bounty and his mastery of the medium. Works by Arthur Dove, Alfred Stieglitz and Andrew Wyeth, among others, suggest different possibilities in portraiture, and the diverse ways artists have thought about the figure and its absence as a way to capture their subject. This volume is a focused look at the strengths and surprises of MoMA s collection in an area that has played a rich and major role in the institution s history.
LC Classification Number
N6512
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