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Verbal Riddim The Politics and Aesthetics of African-Caribb
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“covers edge worn, rubbed, bending a little at corners, former owner's name, light pencil marking”
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Envío:
Gratis USPS Media MailTM.
Ubicado en: Macon, Georgia, Estados Unidos
Entrega:
Entrega prevista entre el vie. 27 jun. y el jue. 3 jul. a 94104
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N.º de artículo de eBay:295224483359
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- “covers edge worn, rubbed, bending a little at corners, former owner's name, light pencil marking”
- Subject
- Politics
- Subject Area
- Poetry
- ISBN
- 9789051835496
Acerca de este producto
Product Identifiers
Publisher
Brill
ISBN-10
9051835493
ISBN-13
9789051835496
eBay Product ID (ePID)
2704415
Product Key Features
Number of Pages
X, 262 Pages
Publication Name
Verbal Riddim : the Politics and Aesthetics of African-Caribbean Dub Poetry
Language
English
Publication Year
1993
Subject
European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Series
Cross/Cultures Ser.
Format
Trade Paperback
Dimensions
Item Weight
14.8 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Series Volume Number
10
Table Of Content
1. Introduction. PART I: BACKGROUND. 2. History and Development of Dub Poetry. 3. The Sources of Word, Sound and Power. 4. Riddim and Performance: The Audio-Visual Parameters. PART II: ANALYSIS: THE CHANGING CONDITIONS OF DUB POETRY'S POLITICAL DISCOURSE. CLOSE READINGS OF PARADIGMATIC POEMS. 5. The Ghetto Experience. 6. The Political Enemy. 7. Campaign Poetry. 8. Alternative Concepts. 9. Political Purpose versus Entertainment. 10. We turn Gutters into Trenches...: Women's Dub Poetry. 11. Into the 1990s: Revolutionary Visions and Revisions. 12. Future Perspectives: All Riots Reserved?
Synopsis
This is the first book-length study of dub poetry, the musical talkover that has been an important part of the reggae scene in Canada, Britain and of course the Caribbean since the 1970's. Christian Habekost 's qualifications for writing such a book are beyond dispute. He is a German poet who has been involved with the dub movement since it began and knows most of its leading figures. As Ranting Chako, he is featured on the LP Dread Poets Society . The bibliography indicates that he has interviewed many of the 43 poet-performers mentioned, often on several occasions. Verbal Riddim , based on his doctoral dissertation at the University of Mannheim, is a successful blend of the performer and the researcher.
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