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Poetry and the Romantic Musical Aesthetic, Hardcover by Donelan, James H.
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Ubicado en: Farmington, Connecticut, Estados Unidos
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Entrega prevista entre el jue. 14 ago. y el mar. 19 ago. a 94104
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N.º de artículo de eBay:294409421177
Características del artículo
- Estado
- Type
- Textbook
- Subject Area
- Poetry
- Book Title
- Poetry and the Romantic Musical Aesthetic
- Publication Name
- Poetry And The Romantic Musical Aesthetic
- Subject
- Music
- ISBN
- 9780521887618
Acerca de este producto
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521887615
ISBN-13
9780521887618
eBay Product ID (ePID)
65615895
Product Key Features
Number of Pages
236 Pages
Language
English
Publication Name
Poetry and the Romantic Musical Aesthetic
Publication Year
2008
Subject
Philosophy & Social Aspects, General
Type
Textbook
Subject Area
Literary Criticism, Music, Poetry
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
18.4 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-041786
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
781.17
Table Of Content
Preface: the sound and the spirit; 1. Self-consciousness and music in the late Enlightenment; 2. Hölderlin's Deutscher Gesang and the music of poetic self-consciousness; 3. Hegel's aesthetic theory: self-consciousness and musical material; 4. Nature, music and the imagination in Wordsworth's poetry; 5. Beethoven and musical self-consciousness; 6. The persistence of sound.
Synopsis
Donelan describes how two poets, a philosopher and a composer - Hölderlin, Wordsworth, Hegel and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. He considers how their different fields were connected at a crucial time in their formation: the beginning of Romanticism., James H. Donelan describes how two poets, a philosopher and a composer - Hölderlin, Wordsworth, Hegel and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831., James H. Donelan describes how two poets, a philosopher, and a composer Holderlin, Wordsworth, Hegel, and Beethoven developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures all born in 1770 developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.", James H. Donelan describes how two poets, a philosopher, and a composer - H lderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.
LC Classification Number
ML3800.D65 2008
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