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Culture in the Marketplace: Gender, Art, and Value in the American Southwest
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Flagstaff, AZ, Estados Unidos
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Entrega prevista entre el mié. 20 ago. y el mié. 27 ago. a 94104
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N.º de artículo de eBay:293565160292
Última actualización el 31 mar 2023 04:49:51 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780822326182
Acerca de este producto
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822326183
ISBN-13
9780822326182
eBay Product ID (ePID)
1803401
Product Key Features
Book Title
Culture in the Marketplace : Gender, Art, and Value in the American Southwest
Number of Pages
240 Pages
Language
English
Publication Year
2001
Topic
Business Aspects, United States / State & Local / Southwest (Az, NM, Ok, Tx), Anthropology / Cultural & Social, Ethnic Studies / Native American Studies, Artists, Architects, Photographers
Illustrator
Yes
Genre
Art, Social Science, Biography & Autobiography, History
Book Series
Objects/Histories Ser.
Format
Trade Paperback
Dimensions
Item Height
1.9 in
Item Weight
18.1 Oz
Item Length
8.9 in
Item Width
6.1 in
Additional Product Features
LCCN
00-010681
Reviews
"Mullin makes a real contribution by exploring the dynamics of identity and social relations on the one side and knowledge and consumption on the other in her case study of the affluent women who influenced the direction and caste of the Indian art market."--Charles McGovern, National Museum of American History, "Mullin makes a real contribution by exploring the dynamics of identity and social relations on the one side and knowledge and consumption on the other in her case study of the affluent women who influenced the direction and caste of the Indian art market."-Charles McGovern, National Museum of American History, "Mullin makes a real contribution by exploring the dynamics of identity and social relations on the one side and knowledge and consumption on the other in her case study of the affluent women who influenced the direction and caste of the Indian art market."--Charles McGovern, National Museum of American History "This excellent and interesting work contributes to the question of how discourses about 'art' and 'art-making' circulate broadly within society. With subtlety and care Mullin traces out how 'Indian arts' and the Southwest come to have distinctive meanings within the context of American culture and its historical situation. It is a model of what an anthropology that links political economy, gender, and interpretation can and should do."--Fred Myers, coeditor of The Traffic in Culture: Refiguring Art and Anthropology "Reader-friendly. Anyone interested in Santa Fe history, Indian art, or women's studies will find Culture in the Marketplace a fascinating book." -- Gretchen Garner Santa Fe New Mexican, Reader-friendly. Anyone interested in Santa Fe history, Indian art, or women's studies will find Culture in the Marketplace a fascinating book., "This excellent and interesting work contributes to the question of how discourses about 'art' and 'art-making' circulate broadly within society. With subtlety and care Mullin traces out how 'Indian arts' and the Southwest come to have distinctive meanings within the context of American culture and its historical situation. It is a model of what an anthropology that links political economy, gender, and interpretation can and should do."--Fred Myers, coeditor of The Traffic in Culture: Refiguring Art and Anthropology, "This excellent and interesting work contributes to the question of how discourses about 'art' and 'art-making' circulate broadly within society. With subtlety and care Mullin traces out how 'Indian arts' and the Southwest come to have distinctive meanings within the context of American culture and its historical situation. It is a model of what an anthropology that links political economy, gender, and interpretation can and should do."-Fred Myers, coeditor of The Traffic in Culture: Refiguring Art and Anthropology, “This excellent and interesting work contributes to the question of how discourses about ‘art’ and ‘art-making’ circulate broadly within society. With subtlety and care Mullin traces out how ‘Indian arts’ and the Southwest come to have distinctive meanings within the context of American culture and its historical situation. It is a model of what an anthropology that links political economy, gender, and interpretation can and should do.�-Fred Myers, coeditor of The Traffic in Culture: Refiguring Art and Anthropology, "This excellent and interesting work contributes to the question of how discourses about 'art' and 'art-making' circulate broadly within society. With subtlety and care Mullin traces out how 'Indian arts' and the Southwest come to have distinctive meanings within the context of American culture and its historical situation. It is a model of what an anthropology that links political economy, gender, and interpretation can and should do."- Fred Myers, coeditor of The Traffic in Culture: Refiguring Art and Anthropology"Mullin makes a real contribution by exploring the dynamics of identity and social relations on the one side and knowledge and consumption on the other in her case study of the affluent women who influenced the direction and caste of the Indian art market."- Charles McGovern, National Museum of History
Table Of Content
Preface 1. Culture and Cultures 2. Elizabeth Sergeant, Buying and Selling the Southwest 3. Shopping for a Better World in a "City of Ladies" 4. The Patronage of Difference: Making Indian Art "Art, not Ethnology" 5. Culture and Value at the Indian Market Abbreviations Notes References Index
Synopsis
In the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market--as well as the influence these activities had on them--in order to investigate the social construction of value and the history of American concepts of culture. Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of "culture" and "authenticity" are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art. This book will appeal to audiences in cultural anthropology, art history, American studies, women's studies, and cultural history., In the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market-as well as the influence these activities had on them-in order to investigate the social construction of value and the history of American concepts of culture. Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of "culture" and "authenticity" are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art. This book will appeal to audiences in cultural anthropology, art history, American studies, women's studies, and cultural history.
LC Classification Number
E78
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