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Ukiyo-e: The Art of the Japanese Print, Harris, Frederick Book
USD24,99
Aproximadamente21,49 EUR
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Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
Gratis USPS Media MailTM.
Ubicado en: Clearwater, Florida, Estados Unidos
Entrega:
Entrega prevista entre el mar. 14 oct. y el lun. 20 oct. a 94104
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
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El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:286822671113
Características del artículo
- Estado
- ISBN
- 9784805310984
Acerca de este producto
Product Identifiers
Publisher
Tuttle Publishing
ISBN-10
4805310987
ISBN-13
9784805310984
eBay Product ID (ePID)
92878141
Product Key Features
Book Title
Ukiyo-E : the Art of the Japanese Print
Number of Pages
192 Pages
Language
English
Publication Year
2011
Topic
Asian / Japanese, Techniques / Printmaking, Prints
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
43.4 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Reviews
"A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject!" - Peter Grilli, President, Japan Society of Boston, "Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author." - Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach, "A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject!"-Peter Grilli, President, Japan Society of Boston "This is a fine and passionate contribution to the vast literature on the Japanese print."-Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum, "A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject!"-Peter Grilli, President, Japan Society of Boston, A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject! -- Peter Grilli, President, Japan Society of Boston , "Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players" -- Tokyo Jinja blog, "Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author."-Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach, I was immediately drawn to this handsome book, and my expectation of a fine journey into the floating world pictures became fulfilled. First, the color reproductions of Frederick Harris's high-quality choices give a good sense of the way woodblock prints appear in life. Second, his writing is clear, welcoming, deeply informed, and well organized. The stated aim of Frederick Harris was to appeal to a new generation of art lovers and collectors. He appears to have hit the target. This is a wonderfully worthy effort and result--a true labor of love. -- Maine Antique Digest , "Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author." - Kendall H. Brown, Professor of Asian Art History, California State University,, "Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players" - Tokyo Jinja blog, "An excellent book for someone just first getting into Japanese prints...[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully,"-Nubui Kuduchi, An excellent book for someone just first getting into Japanese prints...[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully, -- Nubui Kuduchi blog , "This is a fine and passionate contribution to the vast literature on the Japanese print." -- Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum, "I was immediately drawn to this handsome book, and my expectation of a fine journey into the floating world pictures became fulfilled. First, the color reproductions of Frederick Harris's high-quality choices give a good sense of the way woodblock prints appear in life. Second, his writing is clear, welcoming, deeply informed, and well organized. The stated aim of Frederick Harris was to appeal to a new generation of art lovers and collectors. He appears to have hit the target. This is a wonderfully worthy effort and result-a true labor of love."- Maine Antique Digest, "An excellent book for someone just first getting into Japanese prints...[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully," -- Nubui Kuduchi blog, "Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author."-Kendall H. Brown, Professor of Asian Art History, California State University, Lon, This is a fine and passionate contribution to the vast literature on the Japanese print. -- Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum , "This is a fine and passionate contribution to the vast literature on the Japanese print."-Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum, "Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author." -- Kendall H. Brown, Professor of Asian Art History, California State University,, "Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author." -- Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach, "This is a fine and passionate contribution to the vast literature on the Japanese print." - Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum, "An excellent book for someone just first getting into Japanese prints...[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully," - Nubui Kuduchi, Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author. -- Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach , "I was immediately drawn to this handsome book, and my expectation of a fine journey into the floating world pictures became fulfilled. First, the color reproductions of Frederick Harris's high-quality choices give a good sense of the way woodblock prints appear in life. Second, his writing is clear, welcoming, deeply informed, and well organized. The stated aim of Frederick Harris was to appeal to a new generation of art lovers and collectors. He appears to have hit the target. This is a wonderfully worthy effort and result--a true labor of love." -- Maine Antique Digest, "Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players"-Tokyo Jinja., I was immediately drawn to this handsome book, and my expectation of a fine journey into the floating world pictures became fulfilled. First, the color reproductions of Frederick Harris's high-quality choices give a good sense of the way woodblock prints|9784805310984|, "I was immediately drawn to this handsome book, and my expectation of a fine journey into the floating world pictures became fulfilled. First, the color reproductions of Frederick Harris's high-quality choices give a good sense of the way woodblock prints appear in life. Second, his writing is clear, welcoming, deeply informed, and well organized. The stated aim of Frederick Harris was to appeal to a new generation of art lovers and collectors. He appears to have hit the target. This is a wonderfully worthy effort and result-a true labor of love." - Maine Antique Digest, Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players -- Tokyo Jinja blog , "An excellent book for someone just first getting into Japanese prints...[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully," - Nubui Kuduchi blog, "Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players" - Tokyo Jinja, "A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject!" -- Peter Grilli, President, Japan Society of Boston, An excellent book for someone just first getting into Japanese prints...[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used|9784805310984|
Dewey Decimal
769.952
Synopsis
The art of Japanese woodblock printing, known as ukiyo-e ("pictures of the floating world"), reflects the rich history and way of life in Japan hundreds of years ago. Ukiyo-e: The Art of the Japanese Print takes a thematic approach to this iconic Japanese art form, considering prints by subject matter: geisha and courtesans, kabuki actors, sumo wrestlers, erotica, nature, historical subjects and even images of foreigners in Japan. An artist himself, author Frederick Harris--a well-known American collector who lived in Japan for 50 years--pays special attention to the methods and materials employed in Japanese printmaking. The book traces the evolution of ukiyo-e from its origins in metropolitan Edo (Tokyo) art culture as black and white illustrations, to delicate two-color prints and multicolored designs. Advice to admirers on how to collect, care for, view and buy Japanese ukiyo-e woodblock prints rounds out this book of charming, carefully selected prints.
LC Classification Number
NE1321.8
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