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Jenny Holzer by Jenny Holzer (2003, Trade Paperback) GUGENHEIM MUSEUM
GERMARICAN79GARAGE
(3596)
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Ubicado en: Crossville, Tennessee, Estados Unidos
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Entrega prevista entre el jue. 4 dic. y el lun. 8 dic. a 94104
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N.º de artículo de eBay:286797748608
Características del artículo
- Estado
- ISBN
- 9780892071845
Acerca de este producto
Product Identifiers
Publisher
Guggenheim Museum, Solomon R.
ISBN-10
0892071842
ISBN-13
9780892071845
eBay Product ID (ePID)
4513701
Product Key Features
Edition
2
Book Title
Jenny Holzer
Number of Pages
144 Pages
Language
English
Topic
Individual Artists / General
Publication Year
2003
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Weight
10.6 Oz
Item Length
11 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Grade From
College Freshman
Number of Volumes
1 vol.
Grade To
UP
Dewey Decimal
709.2
Synopsis
Among America's best-known artists, Jenny Holzer examines the power of language through glowing, disembodied texts enunciated by an unstable register of personae: is this the voice of an ad-man, a stand-up comic, a torturer, an evangelist? In addition to having written many oft-quoted Truisms (such as 'Abuse of Power Comes as no Surprise'), she has found visually stunning means of conveying them -- from the anonymous posters hung in the streets of Manhattan, to electronic signs in a sports stadium, to a giant installation spiralling up the Guggenheim Museum interior. Holzer, awarded the Leone d'Oro prize for her contribution to the 1990 Venice Biennale, fuses influences ranging from advertising to Minimalism's use of industrial materials in an innovative form of public art., Now in Paperback Jenny Holzer gained widespread recognition when texts from her Truisms series appeared on a vast electronic advertising board overlooking Times Square. Throughout her career, Holzer has intrigued audiences by placing her provocative messages in unexpected contexts, including posters, metal plaques, stone benches, electronic signs, television spots and Web sites. Her canny melding of the mediums of mass culture with an unadorned, emphatic language is perfectly attuned to an age of advertising slogans, headlines and sound bites. Yet despite the very public nature of much of her work, Holzer has also created more intimate pieces for display in galleries and museums. Her stunning installation at the 1990 Venice Biennale was awarded first prize and brought the artist international acclaim, proving that Holzer's art is equally compelling wherever it is shown--in a setting calculated to reach the masses or in the most rarefied art spaces. This book features a complete collection of the artist's writings, up to and including her 1996 text for a monument in Erlauf, Austria, accompanied by color photography of the entire range of her installations and projects. In an insightful essay and a lively interview with the artist, Diane Waldman traces the history of Holzer's series of writings and the varied environments in which they have appeared. The volume is rounded off with a chronology, exhibition history and bibliography.
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