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Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 5 - The Weimar: New

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Ubicado en: Sparks, Nevada, Estados Unidos
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N.º de artículo de eBay:286323444071
Última actualización el 27 ago 2025 06:17:55 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
Publisher
Harmonia Mundi
Publication Date
2021-11-19
Publication Year
2021
Language
English
UPC
3149020942444
Categoría

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Product Identifiers

Record Label
Harmonia Mundi, HMF
UPC
3149020942444
eBay Product ID (ePID)
7049900620

Product Key Features

Release Year
2021
Format
CD
Genre
Classical
Artist
Alard, Benjamin
Release Title
The Weimar Period-Bach: Complete Works for Keyboard Vol. 5

Dimensions

Item Height
0.89 in
Item Weight
0.46 lb
Item Length
5.28 in
Item Width
5.28 in

Additional Product Features

Number of Discs
3
Number of Tracks
45
Country/Region of Manufacture
United States
Tracks
1.1 Volume:1 Bach: Toccata in D Minor, BWV 565 1.2 Bach: “Wo Gott der Herr nicht bei uns hält”, BWV 1128 (Chorale Prelude) 1.3 Bach: “Liebster Jesu, wird sind hier”, BWV 731 (Chorale Prelude) 1.4 Bach: “Liebster Jesu, wird sind hier”, BWV 730 (Chorale Prelude) 1.5 Bach: Prelude and fugue in C Major, BWV 545a (Early version) 1.6 Bach: “Jesu, meine Freude”, BWV 713 (Chorale Prelude) 1.7 Bach: “Christus, der uns selig macht”, BWV 747 (Chorale Prelude) 1.8 Bach: “Herzlich tut mich verlangen”, BWV 727 (Chorale Prelude) 1.9 Bach: “Liebster Jesu, wird sind hier”, BWV 706 (Chorale Prelude) 1.10 Bach: Prelude and Fugue in A Minor, BWV 543 (Early version BWV 543/1a for the Prelude) 1.11 Bach: Fantasia super “Christ lag in Todesbanden”, BWV 695 1.12 Bach: Trio in D Minor, BWV 528/2a (Early version) 1.13 Bach: Toccata and Fugue in F Major, BWV 540 Volume:2 Bach: Toccata in C Minor, BWV 911 1.14 Bach: Prelude and Fugue in A Major, BWV 536a 1.15 Bach: Fantasia and Fugue in A Minor, BWV 904 1.16 Bach: Toccata in F-Sharp Minor, BWV 910 1.17 Bach: “Sei gegrüsset, Jesu gütig”, BWV 768 (Chorale Partita) 1.18 Bach: Toccata and Fugue in D Minor, BWV 538 Volume:3 Bach: Toccata in G Major, BWV 916 1.19 Bach: Concerto in G Minor, BWV 985 I. Allegro 1.20 Bach: Concerto in G Minor, BWV 985 II. Adagio 1.21 Bach: Concerto in G Minor, BWV 985 III. Allegro 1.22 Bach: Nun komm, der Heiden Heiland, BWV 699 (Fughetta) 1.23 Bach: Vom Himmel hoch, da komm ich her, BWV 701 (Fughetta) 1.24 Bach: Gelobet seist du, Jesu Christ, BWV 697 (Fughetta) 1.25 Bach: Das Jesulein soll doch mein Trost, BWV 702 (Fughetta) 1.26 Bach: Gottes Sohn ist kommen, BWV 703 (Fughetta) 1.27 Bach: Lob sei dem allmächtigen Gott, BWV 704 (Fughetta) 1.28 Bach: Christum wir sollen loben schon, BWV 696 (Fughetta) 1.29 Bach: Herr Christ, der einig Gottes Sohn, BWV 698 (Fughetta) 1.30 Bach: Concerto in B-Flat Major, BWV 982 I. Allegro 1.31 Bach: Concerto in B-Flat Major, BWV 982 II. Adagio - Allegro 1.32 Bach: Concerto in B-Flat Major, BWV 982 III. Allegro 1.33 Bach: Concerto in D Minor, BWV 987 I. Adagio - Presto - Adagio - Presto - Grave 1.34 Bach: Concerto in D Minor, BWV 987 II. Un poco allegro 1.35 Bach: Concerto in D Minor, BWV 987 III. Adagio 1.36 Bach: Concerto in D Minor, BWV 987 IV. Vivace 1.37 Bach: Gelobet seist du, Jesu Christ, BWV 722 (Passaggio Chorale) 1.38 Bach: Lobt Gott, ihr Christen, allzugleich, BWV 732 (Passaggio Chorale) 1.39 Bach: In dulci jubilo, BWV 729 (Passaggio Chorale) 1.40 Bach: Vom Himmel hoch, da komm ich her, BWV 738a (Early version) (Passaggio Chorale) 1.41 Bach: Prelude and Fugue in A Minor, BWV 895 1.42 Bach: Concerto in C Minor, BWV 981 I. Adagio 1.43 Bach: Concerto in C Minor, BWV 981 II. Vivace 1.44 Bach: Concerto in C Minor, BWV 981 III. Adagio 1.45 Bach: Concerto in C Minor, BWV 981 IV. Prestissimo
Notes
With this volume 5, Benjamin Alard reaches the toccatas, preludes, fantasies and fugues that show the extent to which Bach now mastered French and Italian influences, only to emancipate himself from them and compose in complete freedom. An unexpected instrument makes it's first appearance in this complete recording played on the finest historical keyboards: the clavichord, perfectly at home alongside the organ and the harpsichord.

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