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Respect for Acting by Haskel Frankel and Uta Hagen (1973, Hardcover)
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Estado:
“no markings except for inscription on flyleaf; no bent or torn pages, dust jacket has two small ”... Más informaciónacerca del estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
USD4,63 (aprox. 3,96 EUR) USPS Media MailTM.
Ubicado en: Conover, North Carolina, Estados Unidos
Entrega:
Entrega prevista entre el lun. 15 sep. y el sáb. 20 sep. a 94104
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N.º de artículo de eBay:285839606482
Última actualización el 19 jul 2024 19:56:56 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- Signed By
- Uta Hagen
- Signed
- Yes
- ISBN
- 9780025473904
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Product Identifiers
Publisher
Wiley & Sons, Incorporated, John
ISBN-10
0025473905
ISBN-13
9780025473904
eBay Product ID (ePID)
16804
Product Key Features
Book Title
Respect for Acting
Number of Pages
240 Pages
Language
English
Publication Year
1973
Topic
Television / General, Acting & Auditioning
Genre
Performing Arts
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
13.2 Oz
Item Length
8.5 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Trade
LCCN
72-002328
Dewey Edition
22
Dewey Decimal
792.02/8
Table Of Content
PART ONE: The Actor. Introduction. 1. Concept. 2. Identity. 3. Substitution. 4. Emotional Memory. 5. Sense Memory. 6. The Five Senses. 7. Thinking. 8. Walking and Talking. 9. Improvisation. 10. Reality. PART TWO: The Object Exercises. Introduction. 11. The Basic Object Exercise. 12. Three Entrances. 13. Immediacy. 14. The Forth Wall. 15. Endowment. 16. Talking to Yourself. 17. Outdoors. 18. Conditioning Forces. 19. History. 20. Character Action. PART THREE: The Play and the Role. Introduction. 21. First Contact with The Play. 22. The Character. 23. Circumstances. 24. Relationship. 25. The Objective. 26. The Obstacle. 27. The Action. 28. The Rehearsal. 29. Practical Problems. 30. Communication. 31. Style. Epilogue. Index.
Synopsis
"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." -- Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting." -- Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." -- Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." -- Harold Clurman "Uta Hagen's Respect for Acting...is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." -- Los Angeles Times "Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." -- Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How-To" kind I'd give it four curtain calls, and two hollers of "Author, Author -- King Features Syndicate, "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." —Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. craftswoman. An illuminating discussion of the standards and techniques of enlightened stage acting." —Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her ‘object exercises’ display a wealth of detail with which to stimulate the student preparing a scene for presentation." —Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." —Harold Clurman "Uta Hagen's Respect for Acting…is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." —Los Angeles Times "Uta Hagen is our greatest living act∨ she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." —Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behindthescenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "HowTo" kind I'd give it four curtain calls, and two hollers of "Author, Author —King Features Syndicate
LC Classification Number
PN2061
As told to
Frankel, Haskel
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