Faking It: Mock-Documentary and the Subversion of Factuality by Craig Hight

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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Publication Date
2001-11-22
Pages
232
ISBN
9780719056413

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Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719056411
ISBN-13
9780719056413
eBay Product ID (ePID)
2153939

Product Key Features

Book Title
Faking It : Mock-Documentary and the Subversion of Factuality
Number of Pages
232 Pages
Language
English
Topic
Film / General, Film / Genres / Documentary
Publication Year
2001
Illustrator
Yes
Genre
Performing Arts
Author
Jane Roscoe, Craig Hight
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
10.8 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2001-055895
Dewey Edition
21
Dewey Decimal
070.1/95
Table Of Content
Introduction: Mock-documentary and the subversion of factuality 1. Factual discourse and the cultural placing of documentary 2. Recent transformations of the documentary genre 3. A cousin for the drama-documentary: Situating the mock-documentary 4. Building a mock-documentary schema 5. A suggested genealogy 6. Degree one: parody 7. Degree two: critique and hoax 8. Degree three: deconstruction Conclusion Filmography Bibliography Index
Synopsis
The first major study of mock-documentary - one of a number of screen forms that play with the assumed boundaries between 'fact' and 'fiction'. Examines mock-documentary through the specific relationship which the form has with documentary. Part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Includes detailed discussions of a number of key mock-documentary texts, ranging from Woody Allen's Zelig, Peter Greenaway's The Falls, and the Beatles spoof The Rutles through to such classic examples as Bob Roberts, This is Spinal Tap and Man Bites Dog. Opens out this relatively new media form and by doing so throws light on the status of the documentary itself., The authors examine the mock-documentary through the specific relationship which the form constructs with documentary. This is part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Their analysis includes detailed discussions of a number of key mock-documentary texts ranging from Woody Allen's "Zelig", Peter Greenway's "The Falls" and the Beatles spoof "The Rutles" through to such classic examples as "Bob Roberts", "This is Spinal Tap" and "Man bites Dog"., Examines the mock-documentary through the specific relationship which the form constructs with documentary. The analysis includes detailed discussions of a number of key mock-documentary texts ranging from "Zelig" and "The Falls" through to examples like "Bob Roberts" and "This is Spinal Tap".
LC Classification Number
PN1995.9.D62R67 2001

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