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L. Ron Hubbard, Dead Men Kill, Galaxy Press, 2008 Paperback
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“Please See Detailed Condition Description Below.”
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Mesa, Arizona, Estados Unidos
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Entrega prevista entre el lun. 16 jun. y el sáb. 21 jun. a 94104
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N.º de artículo de eBay:284470345648
Última actualización el 18 ago 2024 22:15:04 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- “Please See Detailed Condition Description Below.”
- Country/Region of Manufacture
- United States
- Features
- French Flap Binding
- ISBN
- 9781592122639
Acerca de este producto
Product Identifiers
Publisher
Galaxy Press, LLC
ISBN-10
1592122639
ISBN-13
9781592122639
eBay Product ID (ePID)
59018114
Product Key Features
Book Title
Dead Men Kill : a Murder Mystery of Wealth, Power, and the Living Dead
Number of Pages
144 Pages
Language
English
Topic
Mystery & Detective / Historical, Mystery & Detective / Collections & Anthologies, Thrillers / Historical, Action & Adventure
Publication Year
2010
Illustrator
Yes
Genre
Fiction
Book Series
Mystery and Suspense Short Stories Collection
Format
Trade Paperback
Dimensions
Item Height
0.2 in
Item Weight
12.3 Oz
Item Length
10 in
Item Width
8.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-287529
Reviews
Dead Men Kill is the only zombie horror story Hubbard wrote, and the author succeeds by presenting this questionable subject in a realistic manner. He doesn't try to overexplain, but simply focuses on keeping up the story's quick pace (so we don't think about it too much). Its focus on the Haitian voodoo aspects should appeal to fans of more recent takes on the same subject, such as Douglas Preston and Lincoln Child's novel Cemetery Dance ., "Hubbard's rollicking horror yarn just happens to tap into the current craze for zombies. Heroic Det. Sgt. Terrence "Terry" Lane looks into a deeply disturbing series of murders of powerful businessmen. Dawn Drayden, a pretty Club Haitian entertainer, confirms Lane's hunch that the killers are dead men "coming back from the grave and killing their employers." The zombie mastermind is the nefarious Dr. Leroux, originally of Port-au-Prince, Haiti, aka Loup-garou (or human hyena). In the end, Drayden and Lane must face heart-pounding dangers once Dr. Leroux's secrets are revealed. This fun, campy novella reflects a contemporary revenge vibe felt by those who wouldn't mind dispatching a few zombies to punish criminally inclined businessmen." -Publishers Weekly , Dead Men Killis the only zombie horror story Hubbard wrote, and the author succeeds by presenting this questionable subject in a realistic manner. He doesn't try to overexplain, but simply focuses on keeping up the story's quick pace (so we don't think about it too much). Its focus on the Haitian voodoo aspects should appeal to fans of more recent takes on the same subject, such as Douglas Preston and Lincoln Child's novelCemetery Dance., "Hubbard's rollicking horror yarn just happens to tap into the current craze for zombies. Heroic Det. Sgt. Terrence "Terry" Lane looks into a deeply disturbing series of murders of powerful businessmen. Dawn Drayden, a pretty Club Haitian entertainer, confirms Lane's hunch that the killers are dead men "coming back from the grave and killing their employers." The zombie mastermind is the nefarious Dr. Leroux, originally of Port-au-Prince, Haiti, aka Loup-garou (or human hyena). In the end, Drayden and Lane must face heart-pounding dangers once Dr. Leroux's secrets are revealed. This fun, campy novella reflects a contemporary revenge vibe felt by those who wouldn't mind dispatching a few zombies to punish criminally inclined businessmen." --Publishers Weekly, "A hardboiled detective, a beautiful nightclub singer, and a throng of murderous zombies share the stage in Dead Men Kill, originally published in Thrilling Detective (Jul. 1934). R.F. Daley, Jim Meskimen, Matt Scott, John Mariano, Jennifer Aspen, and Lori Jablons deliver expert performances in this production brought fully to life with such fantastic sounds as a zombie's unrelenting call of "I have come to kill you, Gordon," an owl's ominous hooting, and the urgent slamming of Det. Terry Lane's creaky sedan door. A thrill from start to finish; recommended for all . " --Raya Kuziuk, Library Journal, "For all those who think zombie literature began with the great Max (WORLD WAR Z) Brooks, think again. Before the dawn of George A. Romero, L. Ron Hubbard (yes, the father of Scientology) wrote a pulp novella called DEAD MEN KILL, which, although probably not the first living-dead opus ever written, first appeared way back in 1934 in an issue of Thrilling Detective. Hubbard's vintage tale has been reissued by Galaxy Press as part of their Stories from the Golden Age collection in a handsome new paperback edition, one which should please both nostalgia buffs who like fast-paced, old-fashioned noir-style prose and those who simply enjoy creeping horror from the grave. Wealthy men are being murdered by walking corpses as part of an extortion scheme, and it's up to hardboiled dick Terry Lane to get to the bottom of it all. Throw in a femme fatale, a talky coroner, a masked villain named "Loup-garou" and the threat of premature burial, and you have all the ingredients of what the Brits would call a "ripping yarn." The zombies in DEAD MEN KILL are of the kind first seen in classic films like WHITE ZOMBIE and I WALKED WITH A ZOMBIE: dead people brought back to life to serve as slaves to some evil genius. Sorry, not a Fulci-esque flesheater in sight. What you will find in DEAD MEN KILL, however, is a breezy horror/mystery where almost every sentence ends in an exclamation point (" 'Don't!' screamed Morton. 'Don't come near me! You're dead, man! Get away from me!' "). Readable in one sitting, DEAD MEN KILL is frightful fun from yesteryear." -Fangoria Magazine , Dead Men Kill is the only zombie horror story Hubbard wrote, and the author succeeds by presenting this questionable subject in a realistic manner. He doesn't try to overexplain, but simply focuses on keeping up the story's quick pace (so we don't think about it too much). Its focus on the Haitian voodoo aspects should appeal to fans of more recent takes on the same subject, such as Douglas Preston and Lincoln Child's novel Cemetery Dance. --Publishers Weekly, "For all those who think zombie literature began with the great Max (WORLD WAR Z) Brooks, think again. Before the dawn of George A. Romero, L. Ron Hubbard (yes, the father of Scientology) wrote a pulp novella called DEAD MEN KILL, which, although probably not the first living-dead opus ever written, first appeared way back in 1934 in an issue of Thrilling Detective. Hubbard's vintage tale has been reissued by Galaxy Press as part of their Stories from the Golden Age collection in a handsome new paperback edition, one which should please both nostalgia buffs who like fast-paced, old-fashioned noir-style prose and those who simply enjoy creeping horror from the grave. Wealthy men are being murdered by walking corpses as part of an extortion scheme, and it's up to hardboiled dick Terry Lane to get to the bottom of it all. Throw in a femme fatale, a talky coroner, a masked villain named "Loup-garou" and the threat of premature burial, and you have all the ingredients of what the Brits would call a "ripping yarn." The zombies in DEAD MEN KILL are of the kind first seen in classic films like WHITE ZOMBIE and I WALKED WITH A ZOMBIE: dead people brought back to life to serve as slaves to some evil genius. Sorry, not a Fulci-esque flesheater in sight. What you will find in DEAD MEN KILL, however, is a breezy horror/mystery where almost every sentence ends in an exclamation point (" 'Don't!' screamed Morton. 'Don't come near me! You're dead, man! Get away from me!' "). Readable in one sitting, DEAD MEN KILL is frightful fun from yesteryear." -Fangoria Magazine, "A hardboiled detective, a beautiful nightclub singer, and a throng of murderous zombies share the stage in Dead Men Kill, originally published in Thrilling Detective (Jul. 1934). R.F. Daley, Jim Meskimen, Matt Scott, John Mariano, Jennifer Aspen, and Lori Jablons deliver expert performances in this production brought fully to life with such fantastic sounds as a zombie’s unrelenting call of “I have come to kill you, Gordon,� an owl’s ominous hooting, and the urgent slamming of Det. Terry Lane’s creaky sedan door. A thrill from start to finish; recommended for all . " -Raya Kuziuk, Library Journal, "A hardboiled detective, a beautiful nightclub singer, and a throng of murderous zombies share the stage inDead Men Kill,originally published in Thrilling Detective (Jul. 1934). R.F. Daley, Jim Meskimen, Matt Scott, John Mariano, Jennifer Aspen, and Lori Jablons deliver expert performances in this production brought fully to life with such fantastic sounds as a zombie's unrelenting call of "I have come to kill you, Gordon," an owl's ominous hooting, and the urgent slamming of Det. Terry Lane's creaky sedan door. A thrill from start to finish; recommended for all." -Raya Kuziuk, Library Journal, "For all those who think zombie literature began with the great Max (WORLD WAR Z) Brooks, think again. Before the dawn of George A. Romero, L. Ron Hubbard (yes, the father of Scientology) wrote a pulp novella called DEAD MEN KILL, which, although probably not the first living-dead opus ever written, first appeared way back in 1934 in an issue of Thrilling Detective. Hubbard's vintage tale has been reissued by Galaxy Press as part of their Stories from the Golden Age collection in a handsome new paperback edition, one which should please both nostalgia buffs who like fast-paced, old-fashioned noir-style prose and those who simply enjoy creeping horror from the grave. Wealthy men are being murdered by walking corpses as part of an extortion scheme, and it's up to hardboiled dick Terry Lane to get to the bottom of it all. Throw in a femme fatale, a talky coroner, a masked villain named "Loup-garou" and the threat of premature burial, and you have all the ingredients of what the Brits would call a "ripping yarn." The zombies in DEAD MEN KILL are of the kind first seen in classic films like WHITE ZOMBIE and I WALKED WITH A ZOMBIE: dead people brought back to life to serve as slaves to some evil genius. Sorry, not a Fulci-esque flesheater in sight. What you will find in DEAD MEN KILL, however, is a breezy horror/mystery where almost every sentence ends in an exclamation point (" 'Don't!' screamed Morton. 'Don't come near me! You're dead, man! Get away from me!' "). Readable in one sitting, DEAD MEN KILL is frightful fun from yesteryear." Fangoria Magazine , “For all those who think zombie literature began with the great Max (WORLD WAR Z) Brooks, think again. Before the dawn of George A. Romero, L. Ron Hubbard (yes, the father of Scientology) wrote a pulp novella called DEAD MEN KILL, which, although probably not the first living-dead opus ever written, first appeared way back in 1934 in an issue of Thrilling Detective. Hubbard’s vintage tale has been reissued by Galaxy Press as part of their Stories from the Golden Age collection in a handsome new paperback edition, one which should please both nostalgia buffs who like fast-paced, old-fashioned noir-style prose and those who simply enjoy creeping horror from the grave. Wealthy men are being murdered by walking corpses as part of an extortion scheme, and it’s up to hardboiled dick Terry Lane to get to the bottom of it all. Throw in a femme fatale, a talky coroner, a masked villain named “Loup-garou� and the threat of premature burial, and you have all the ingredients of what the Brits would call a “ripping yarn.� The zombies in DEAD MEN KILL are of the kind first seen in classic films like WHITE ZOMBIE and I WALKED WITH A ZOMBIE: dead people brought back to life to serve as slaves to some evil genius. Sorry, not a Fulci-esque flesheater in sight. What you will find in DEAD MEN KILL, however, is a breezy horror/mystery where almost every sentence ends in an exclamation point (“ ’Don’t!’ screamed Morton. ‘Don’t come near me! You’re dead, man! Get away from me!’ �). Readable in one sitting, DEAD MEN KILL is frightful fun from yesteryear.� – Fangoria Magazine, "Hubbard's rollicking horror yarn just happens to tap into the current craze for zombies. Heroic Det. Sgt. Terrence "Terry" Lane looks into a deeply disturbing series of murders of powerful businessmen. Dawn Drayden, a pretty Club Haitian entertainer, confirms Lane's hunch that the killers are dead men "coming back from the grave and killing their employers." The zombie mastermind is the nefarious Dr. Leroux, originally of Port-au-Prince, Haiti, aka Loup-garou (or human hyena). In the end, Drayden and Lane must face heart-pounding dangers once Dr. Leroux's secrets are revealed. This fun, campy novella reflects a contemporary revenge vibe felt by those who wouldn't mind dispatching a few zombies to punish criminally inclined businessmen."(Feb.) - Publishers Weekly, "For all those who think zombie literature began with the great Max (WORLD WAR Z) Brooks, think again. Before the dawn of George A. Romero, L. Ron Hubbard (yes, the father of Scientology) wrote a pulp novella called DEAD MEN KILL, which, although probably not the first living-dead opus ever written, first appeared way back in 1934 in an issue of Thrilling Detective. Hubbard's vintage tale has been reissued by Galaxy Press as part of their Stories from the Golden Age collection in a handsome new paperback edition, one which should please both nostalgia buffs who like fast-paced, old-fashioned noir-style prose and those who simply enjoy creeping horror from the grave. Wealthy men are being murdered by walking corpses as part of an extortion scheme, and it's up to hardboiled dick Terry Lane to get to the bottom of it all. Throw in a femme fatale, a talky coroner, a masked villain named "Loup-garou" and the threat of premature burial, and you have all the ingredients of what the Brits would call a "ripping yarn." The zombies in DEAD MEN KILL are of the kind first seen in classic films like WHITE ZOMBIE and I WALKED WITH A ZOMBIE: dead people brought back to life to serve as slaves to some evil genius. Sorry, not a Fulci-esque flesheater in sight. What you will find in DEAD MEN KILL, however, is a breezy horror/mystery where almost every sentence ends in an exclamation point (" 'Don't!' screamed Morton. 'Don't come near me! You're dead, man! Get away from me!' "). Readable in one sitting, DEAD MEN KILL is frightful fun from yesteryear." Fangoria Magazine , Dead Men Killis the only zombie horror story Hubbard wrote, and the author succeeds by presenting this questionable subject in a realistic manner. He doesn't try to overexplain, but simply focuses on keeping up the story's quick pace (so we don't think about it too much). Its focus on the Haitian voodoo aspects should appeal to fans of more recent takes on the same subject, such as Douglas Preston and Lincoln Child's novelCemetery Dance. -Publishers Weekly, "Hubbard's rollicking horror yarn just happens to tap into the current craze for zombies. Heroic Det. Sgt. Terrence "Terry" Lane looks into a deeply disturbing series of murders of powerful businessmen. Dawn Drayden, a pretty Club Haitian entertainer, confirms Lane's hunch that the killers are dead men "coming back from the grave and killing their employers." The zombie mastermind is the nefarious Dr. Leroux, originally of Port-au-Prince, Haiti, aka Loup-garou (or human hyena). In the end, Drayden and Lane must face heart-pounding dangers once Dr. Leroux's secrets are revealed. This fun, campy novella reflects a contemporary revenge vibe felt by those who wouldn't mind dispatching a few zombies to punish criminally inclined businessmen." (Feb.) - Publishers Weekly, "A hardboiled detective, a beautiful nightclub singer, and a throng of murderous zombies share the stage in Dead Men Kill, originally published in Thrilling Detective (Jul. 1934). R.F. Daley, Jim Meskimen, Matt Scott, John Mariano, Jennifer Aspen, and Lori Jablons deliver expert performances in this production brought fully to life with such fantastic sounds as a zombie's unrelenting call of "I have come to kill you, Gordon," an owl's ominous hooting, and the urgent slamming of Det. Terry Lane's creaky sedan door. A thrill from start to finish; recommended for all . " -Raya Kuziuk, Library Journal, "Hubbard's rollicking horror yarn just happens to tap into the current craze for zombies. Heroic Det. Sgt. Terrence "Terry" Lane looks into a deeply disturbing series of murders of powerful businessmen. Dawn Drayden, a pretty Club Haitian entertainer, confirms Lane's hunch that the killers are dead men "coming back from the grave and killing their employers." The zombie mastermind is the nefarious Dr. Leroux, originally of Port-au-Prince, Haiti, aka Loup-garou (or human hyena). In the end, Drayden and Lane must face heart-pounding dangers once Dr. Leroux's secrets are revealed. This fun, campy novella reflects a contemporary revenge vibe felt by those who wouldn't mind dispatching a few zombies to punish criminally inclined businessmen." --Publishers Weekly , L. Ron Hubbard is probably best known as the founder of Scientology and creator of Dianetics. These days, his name is largely connected with the antics of the some of the more "outspoken" members of the religion, overshadowing the fact that the man really knew how to tell an entertaining story. Galaxy Press is reprinting all 150 of the stories Hubbard wrote for the pulp magazines of the 1930s and '40s, and giving the series the evocative title Stories from the Golden Age. The recordings I've tried so far are just terrific. They are a professionally produced combination of traditional narrated audiobooks (with narration deftly handled by R.F. Daley) and old-time radio, with skilled actors playing the characters (often multiple roles) and genre-specific music and sound effects rounding out the experience. "I have come to kill you, Gordon." So says a voice reminiscent of the grave, as its fingers wrap around Gordon's throat and slowly take his life. Detective Sergeant Terry Lane arrives on the scene and notes the similarity with another recent murder. All the evidence points to a no-longer-assailant, and Lane's fears are confirmed when he uncovers the suspect's empty coffin and has to fight off a trio of expressionless figures with only his fists. For a while, Lane has only questions, like how do a letter from "Loup-Garou," a Haitian pharmacy bill, and the mysterious Dr. Leroux tie in to the murders? The primary targets seem to be rich and influential businessmen, but if Lane doesn't find out who's responsible and stop the culprit, the next zombie will be him. Matt Scott turns in a solid performance as the ultranoble Lane, and John Mariano plays the mad scientist with relish (complete with a selection of diabolical laughs). But the real star of the Dead Men Kill audiobook is narrator R.F. Daley.
Dewey Edition
22
Dewey Decimal
813/.52
Edition Description
Special
Synopsis
As a police detective, he wants to know is who's behind the murders that have been targeting the wealthy of his city. So he starts digging into very dangerous ground. He runs into something out of an apocalyptic horror. Something which cannot be reasoned with, something which cannot be bought, something which has no remorse about ending it's victim's lives. And adds the victims to the ranks of the killers as zombies... The living dead and zombie books were as delusional and unheard of as a sane communist dictator. The Zombie Survival Guide is advice handed out by a drugged out homeless man on 5th street. All Detective Lane knows is that 6 feet under is no longer "for good". At least not anymore. He doesn't have a chance of killing something already dead. Not a chance in hell. As every second ticks by, the undead's ranks grow, and the city is closer to being lost. With his own life the next targeted for murder, can Terry find the out what's bringing the dead back to life and turning them into killers? Or will the city become a very new type of grave yard? In 1934, while living in New York, the heart of the publishing industry, Hubbard struck up a friendship with the city's medical examiner--a relationship that started his education in undetectable crime and provided him with authoritative clinical background for his detective stories. "A rollicking horror yarn [that] taps into the current craze for zombies. . . . heart-pounding." --Publishers Weekly *An International Book Awards Winner, Detective Terry Lane is a standout homicide cop who thought he'd seen it all ... until now. Lane has seen the darkest side of human behavior but he's never seen a murder spree like this, targeting the wealthy, the powerful and the privileged. For the evidence is clear: the killers have not emerged from the seamy underside of the city ... but from six feet under it. They are the walking dead, spreading terror and showing no mercy. Following a trail of drugs, blackmail, and the twisted clues of a seductive nightclub singer, Detective Lane will have to think outside the box ... or he could end up inside one, buried alive. Lock your doors and turn on the lights as Dead Men Kill brings the dead to life. "A rollicking horror yarn that] taps into the current craze for zombies.... heart-pounding." --Publishers Weekly * An International Book Awards Winner, Detective Terry Lane is a standout cop who thought he'd seen it all ... until now. But he's never seen a murder spree like this. The evidence is clear: the killers have not emerged from the underside of the city, but from six feet under it--the walking dead. And if Lane doesn't think outside the box ... he could end up inside one, buried alive. Lock your doors and turn on the lights as the audio version of Dead Men Kill brings the dead to life.
LC Classification Number
PS3515.U1417D36 2006
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